Shrine with the exquisite carving of the eleven headed Kannon, holding the vase with the flower in the left hand, a rosary in the right. Dark wood. The garment, finely carved with pleats and scarves, decorated in gold with flowers and geometric designs. On the crown 8 of the 11 heads (three missing), with individual faces. The accessories on the chest and the crown in gilded metal. Kannon is standing on a nine tiered base (six tiers hexagonal, three tiers, the lotus, are round). Excellent piece...

A skeleton sits in meditation, dried autumn grasses rustling in the wind the only sound on this unusual Edo period scroll. Above is an epitaph reading: Impermanence takes life like wind strips the petals from a flower, Neither Gods nor Saints can evade, Evil within mars the spirit, Lofty stature or humble servitude, All fall prey, Yet all can be forgiven. To the right of the seated figure is a tablet covered in Sanskrit characters...

Finely carved wooden figure of Gyochu Kishimojin, the hands folded together in prayer, standing on an upside down lotus leaf, positioned on a rocky base. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. The base and the lotus gilded over lacquer. Inscribed on back: Kishibojin, opening of the eyes, Nichiren. Inscribed in black ink on bottom of lotus leaf: Hirono Naomasa. Japan, Edo period, 18th century.
Height without base 7 ¼ in. (18.3 cm)...

Plain wooden sculpture of the founder of the Nichiren sect. He is sitting, holding both his hands with the palms up. He is positioned on a rectangular elevation, decorated with water whirls and gilded over lacquer on the sides. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. On the back in black ink inscription reading "Nichiren". On the bottom inscription in black ink, partly covered by paper. Japan, Edo period, 19th century.
Height 4 11/16 in...

Plain wooden sculpture of the deity Shichimen Daimyojin. She is sitting on the top of mount Shichimen, crossing her left leg over the right, holding a jewel in her left hand. She is positioned on a rectangular elevation, painted green on top and gilded over lacquer on the sides. Behind her a jewel decorated nimbus. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. Crown of gilded metal. On the back in black ink inscription reading ‘Nichiren’...

Fairly large shrine with three carved figures: Shichimen Daimyojin, Kishimojin and the patriarch of the Nichiren sect, Nichiren. All are positioned on a rectangular base. Although all three can be connected with the Nichiren sect, the formation is a rather unusual one, leading to the assumption that the pieces were carved to the specific order of someone, for a very specific reason. The crest on the outside of the zushi (tachibana branch in well) hints in the same direction...

DESCRIPTION: A very elegant and complete porcelain Noritake dinnerware set for twelve in the Camillia pattern, having intricate hand painted gilt designs with medallions and floral swags against white porcelain. The set includes twelve dinner plates, luncheon plates, large and small bowls, salad plates, and cups and saucers. Serving pieces include a creamer, sugar, gravy boat, covered tureen, two vegetable dishes and a platter...

Wooden figure of an unidentified patriarch of one of the many Buddhist sects, sitting on a double base. He sits in the classic posture with the soles of his feet laid together. From underneath his left sleeve pops out a ryui scepter. His widely spread-out red garment is decorated with flower designs in gold, as are the sides of the upper part of the base he is sitting on...

phoenixes, 1 on each opposite side done in beautifully detailed relief. The other sides have decorative holes , 1 larger than the other. The HIBACHI is standing on 3 feet that are attached to a wooden stand. The HIBACHI measures 8" tall (without stand) and 14" in diameter.

Japanese circa 1900 century bronze lantern. The lantern sits on 6 raised feet and has 12 petals on top. The lantern measures 16 1/2" tall, 9" in diameter at top and 5" in diameter in the middle section.

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are. The gold picks up and shines...

The color of this Japanese wedding gown (Uchikake kimono) is a deep cherry to scarlet red depending on the lighting. Please note the beautiful embroidery work on this gown, especially on the sleeves.

The kiku flowers crowd over the gold lattice with multiple colors of green leaves. Cranes, which symbolize family in Japan, fly over the plum and pine trees in the sky. In the designs of the lower half, there are flower carts and the seven wild flowers from autumn. In the background, there are...

This fine antique lacquer tray features a Gold lacquer rim surrounding a field of jet black dominated by two stylistic butterflies, the underside a sea of Nashiji. It is enclosed in the original signed wooden box inside of which is a paper seal reading Nai-gaikoku Hakurankai, Kyoshinkai, Hinpyokai, Kingindosho (National International exhibitions, Kyoshinkai, Industrial exhibitions, Gold silver bronze prizes) followed by the store name Higashimon shoten, Fujibo, Osaka It is in very good conditio...

Sculptured black pines rise from the misty forest floor, yellow sky fading beyond; a brilliant modernist rendition of this traditional theme by Yamauchi Issei (b. 1929). The entire scene is performed with colored paper, applied directly or wetted and applied as pulp. Fantastical shapes seem to dance across the two panel canvas. Gold strips applied in the upper branches are sunlight’s last rays reflecting off the needles, the yellow sky implicating late summer dusk. Saved from the harshness...

Peach bands of silk arranged in vertical columns stagger across six feet of Kesa interspersed with colorful patches featuring flowers and geometrics. The Kesa is backed with sumptuous orange silk. It is accompanied by a smaller piece of the same design called Ohi, a sash worn along with the Kesa. The Kesa is 78 x 45-1/2 inches (198 x 115.5 cm), the smaller Ohi 12 x 57 inches (30 x 142 cm). A fabulous wall hanging, they likely date from the early 20th century and are overall in very good cond...

Small framed painting of hawk perching on a rock underneath a flowering plum tree branch. The hawk beholds the beholder with one eye, holding its head and body at an angle. Unsigned. Kano style. Black ink on paper in brocade mounting. 18th century. Scroll ends cut off and framed.
Frame: 40 ¼ x 15 ¾ in. (105.8 x 40.2 cm). Painted area: 30 5/8 x 11 ½ in. (78.5 x 29.4 cm).
Toned, some cracks (former folds due to rolling), slightly rubbed at places, few missing areas. It is what it is...

Waves thrash about in a playful frenzy below the calm watchful eye of a full moon partly blanketed by dark clouds in this extraordinary painting signed Kagyo dating from the later 19th century. It is bordered in ivory colored brocade embellished with clouds extended in golden brown silk and features ivory rollers. The scroll is 21-1/2 by 79 inches 855 x 200 cm) and, aside from minor bands of yellowing of the silk expected of age, is in fine condition. It comes enclosed in a period wooden box. ...

Japanese 20th century wooden carving OKIMONO of USOBUKI in a seated position and telling a lie. The OKIMONO measures 8" tall, 7 3/8" wide and 6" deep.