Japanese Wedding Gown with embroideries, some stains. There is no trace of being worn on this Uchikake wedding gown. The outer fabric is white (creamy, light tan) silk and the liner is also high quality silk which makes it very light in weight. There are some color migrations from the embroidery yarns. You can look at it as a bokashi (gradual shading), with the color change right around the embroideries. The one on the left shoulder is visible and the coloring spreads to the front shoulder...

Make-up plays a vital roll in a Kabuki play because it is dark in the Kabuki Theater (especially in 17th century Edo period without light bulbs). It was sometimes exaggerated, along with their costumes, to let the audience know right away who they were and also their emotional stages. You might have seen the elaborate (very beautiful), flashy Kabuki costumes. They certainly were not daily wears...

This is a very unique and beautiful Gin (silver) Kanzashi from Meiji Period (1868-1912). It has Samurai's Kabuto helmet and the plum blossoms resting on an open fan which moves to adjust the angle as the bells on the chains jingles. You can only imagine what the occasion was for. The first four photos were taken after it was polished, the rest were taken before. It truely looks beautiful now 5-6 months after being polished...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

Japanese antique hair accessary with a beautiful design of the iris and leaves created by using sheets of silver. The bells at the bottom of each chain jingles when you shake your head. It is guaranteed to bring a charm to your look, but refrain yourself from overdoing it (shaking) if you are to attract a man's heart. This Kanzashi is dated from the mid to late Meiji period (1868-1912). 7 inches long.

This type of tissue holder is called Hakoseko. They are still being used for very special ceremonial occasions. The older one in this quality is now a collecter's item. Hakoseko will be placed between a kimono and an obi sash with the chains dangling from the chest area. Circa, early to mid 1900s. Dimensions: 4 1/2" x 2 3/4"

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor...

A stylish cloisonné beaker vase decorated with a yellow rose on a blue ground by Ando, a leading Japanese cloisonné maker since the beginning of Meiji period. Impressed Ando and 'jyun-gin' (pure silver) marks on the bottom rim, dated from 1950 to 1960. Original square black stand and pamphlet issued by Ando with some brief notes about the company and a photo of the famous enameled mirror discovered in Shoso-in. 11" tall (vase alone) and 7 1/2" in diameter at the opening...

This is a lovely 18th century Japanese Arita (we think) blue and white porcelain plate, bearing a peach mark and surrounded by bats, good luck signs; decorated with bands of stylized cloud forms and flowers; rim chips; 7 3/8".

Japanese cloisonne vase of globular form with elongated neck, beautiful light green color with design of 2 white herons in flight, minor cracks on bottom not visible from front, Meiji/Taisho Period (very early 20th century). 9 3/4" high x 4 1/4" wide.

Japanese hair comb and Kogai hair pin in a Wakasa-nuri Lacquer finish on wood, circa early 1900s. Wakasa-nuri lacquer is a unique urushi lacquer technique that uses stones (coarse to soft) to scrape and reveal different layers of lacquer coatings which are painted on wood using many different colors. The dimensions of the comb are 1 1/4 inches and 3 1/4 inches, pin 5 3/4 inches long.

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

Quality Japanese Hina Ningyo with unique faces. These Jyokan dolls are a part of the Hina doll set displayed for the Japanese Girls Day, Hina Matsuri Festival, also called the Peach Festival, held in every March. The peach blossoms are often associated with a woman’s beauty and inner strength. When the blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...