Japanese antique isho tansu (clothing storage chest), made with chestnut wood drawer fronts and sugi (cryptomeria) wood frame, beautiful deep reddish brown lacquer finish on the drawer fronts and the sides and top of the chest, the frame on the front of the chest is lacquered black as is traditional with Fukashima area tansu. Iron hardware inlcudes large round lock plates and warabite shaped drawer pulls. The chest has four large drawers and two small drawers in the lower right hand corner...

Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912...

A striking porcelain double gourd vase by the eminent Kutani potter Matsumoto Saichi V The tall shape has four raised ribs on the matt buff/white glazed body, the bottom gourd boldly painted with sets of green stripes on a tan ground. The buff/white glaze is curious, on close inspection it looks like crushed oyster shell. Signed on the base. The vase comes with its original signed and inscribed box.

Approximately 31.7 cm high...

Seated Jizo Bosatsu, the centrally placed hands forming the gassho adoration mudra, sculpted in relief from a dark-gray igneous stone showing inclusions of a dark-blue stone. Mid-Edo Period ca. 1750. Minor old loss.

Height: 34 cm
Width: 20 cm
Depth: 11 cm

An atmospheric Jizo stone showing what appear to be traces of polychrome but in fact are inclusions of a dark-blue stone. Uncommon.

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban...

An unusual lacquered flower vase, hanaike, by the eminent bamboo artist Tanabe Chikuunsai II ( 1919~2000 ). The black lacquered bamboo vase is decorated in vermillion lacquer with a sago palm and is also signed. The vase is complete with its original blue cotton bag and a signed and inscribed box.

Chikuunsai I began the family tradition of making fine bamboo crafts in 1890, it still flourishes today under the direction of Tanabe Chikuunsai III.

Approximately 30 cm high...

An interesting Japanese multi -layer lacquer stand with mother of pearl inlay. Top surface has oil spill pattern in hues of red, black, and orange with green accenting. Taisho Period (circa 1950's). Dimensions: 18" Long X 12 1/2" Wide X 4" High

Unusual Low root wood table, beautiful golden color wood, the top is a cross section with dramatic burl grain radiating from the center like run rays, the base is made of a section of tree trunk. Size: 20" high x 36" long x 27" wide

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927 - 2014) titled “Flowers and Riding Horse” (Hana to Kiba) dated 1968. The bottom margin contains, in pencil, the date, artist’s signature and edition number 49/85. The paper measures 20 3/8”V x 15 3/4”H (Image: 14 1/2"V x 11"H). A red Nakayama seal is on the back. In pencil at the bottom left corner of the back is the title, in Japanese, and the original saIes price of 10,000 yen...

A Japanese Kyo-yaki bowl decorated with acorns and oak leaves in thick gosu blue enamel. The moulded stoneware body is probably from a Seto kiln. Meiji period.

Approximately 14.5 cm diameter, 5 cm high...

Ohara Koson
Crows.
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1910s.
Publisher: Daikokuya.
Reference: K5.10 and plate 111 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)
Medium: Japanese woodblock print.
Condition: Excellent. Never framed. Full original margins.

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

Gorinto (5-tiered stupa) sculpted in one piece from a gray-hued basalt. Late-Muromachi Period ca. 1550. Minor old loss. Slight lichen and moss accumulation.

Height: 48 cm
Width: 15 cm
Depth: 15 cm

A sizable, handsome gorinto with good age.

Frog sculpted from a gray-brown igneous stone. Mid- to late-Edo Period ca. 1800. Minor old loss.

Height: 10 cm
Length: 25 cm
Width: 18 cm

A special-occasion frog, unlike any other.

Japanese Edo period woodblock print by Utagawa Toyokuni I (1769-1825) depicting the Kabuki actor Ichikawa Danjuro possibly portraying Yoshitsune wearing a kimono with a pattern of Karasu (crow) Tengu. The mythical half man half bird creatures who lived deep in the woods were masters of swordsmanship with whom Yoshitsune practiced sword fighting. The tsuba on both swords is in the form of the crest of the Ichikawa family...

An unusual Japanese keyaki tansu/ Toranku with a deep original red lacquer finish. This sturdy trunk has a top locking lid opening to an upper storage compartment. Flat top allows items to be placed on the top aswell. The bottom of the trunk has a large single drawer with interesting diamond style decorative hardware, and flower shaped handle mounts. Size: 19" height, 35" width, 19.5" depth