Ohara Koson
Sparrow on a Vine of Wild Melon
Size: Chuban. Approximately 26.4 x 19.4 cm. 10.375 x 7.5 inches.
Date: ca. 1910.
Artist's signature and seal at lower right.
Publisher: Matsumoto (no. 398).
The signature and seal are unusual, but the contemporaneous Matsumoto catalog notes, "A most delicate and charming picture. The fine workmanship is visible in every touch...

Phoenix soar among golden clouds on this amazing Lacquer box made for holding a Tsuzumi drum by Miura Meiho (1900-1975) enclosed in the original signed wooden box titled Houn Maki-e Tuzumi Bako. It is bound with silk chord which is held to the box with solid silver hardware. Inside it is lined with brocade. The box is 30.5 x 24 x 24.5 cm (12 x 9-1/2 x 9-1/2 inches) an is in perfect condition.

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku...

Tsuchiya Koitsu (1870 - 1949)
Lake Kawaguchi
Date: 1933.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-1963 edition.
Reference: Koitsu catalog TK-DH-6.
Medium: Japanese woodblock print.
Condition: Short dash mark in right sky. Very slight creasing at upper right.
Notes: Features embossed clouds. Title and artist noted in pencil at lower back margin...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in)...

An organic form of striated growth by Yamaguchi Mio enclosed in the original signed wooden box. It is created by forming hundreds of small petals and slowly building up the form, in the same way that nature would grow barnacles on a rock, one at a time, expanding slowly, over eons. Many of her works are quite large, this is manageable in size at 21 x 17 x 27 cm tall (8 x 7 x 10-3/4 inches) and is in excellent condition, from the artist this year...

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple...

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black...

Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

Sample book of "100 hundred ancient sarasa". made of 26 silk fragments with katazome (stencil-resist dye), from No. 101 to No.126. It is made by Shiundo in Seto in Aichi prefecture. In good condition. Early 20th century. W:22cm, H:17.5cm

Antique Japanese bronze temple bell known as a “bonsho”, with a handle of opposing dragon heads called Ryuzu protecting a sacred Buddhist jewel called Hoju...

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm