Kiyoshi Saito
Village in Aizu in Summer (aka Village Scene with Brown Hill)
Size: 17.125 by 11.625 inches.
Date: 1940-50.
Signed and sealed in the image at lower left.
Printer: Ikegami. Seal at back.
Medium: Japanese woodblock print.
Condition: Back margins have tape.

Takahashi Shotei (Hiroaki)
Sekiyado
Size: Mitsugiriban. 11.75 x 5.625 inches.
Date: pre-1932.
Publisher: Watanabe Shozaburo.
Sealed and titled in the image.
Reference: Shotei catalog M-33. Watanabe #222, Ota-ku #206
Medium: Crepe (chirimen) Japanese woodblock print.
Condition: Top back has two pieces of tape from previous mounting...

Japanese Merchant Document Tansu, Ca. 1890-1900, 16 1.2" x 16 1/2" x 16" high, one(1) large drawer above two(2)smaller drawers, with Cedar and other wood in original condition.

A Japanese Noh Mask of carved wood covered with Gofun and mineral pigments named Kojo, 20th century. It is 20.7 x 15.5 cm and in overall fine condition bearing the carvers seal in the back. This type of mask originated from sarugaku, the predecessor of noh, in the latter part of the Heian period. This is the oldest type of noh mask. The "Kojo" mask is worn by the actor portraying the old man in the first part of "Takasago" and in other Noh plays...

A carved wood Noh-men Mask of a young boy named Doji (Douji). Carved wood covered with Gofun and mineral pigments, 20th century. It is 20.7 x 13.5 cm and in overall fine condition.
Noh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama...

A carved wood Noh-men Mask of an aged female figure named Ryojo Komachi. Carved wood covered with Gofun and mineral pigments, 20th century. It is 21 x 14.5 cm and in overall fine condition.
Noh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama...

An elegant set of ice green porcelain shards perfect for serving some small hors d’ouerves or snacks to accom@pany Japanese Sake by Kato Tsubusa enclosed in the original signed wooden box titled Shizuku. The larger dish is 17 x 15.5 x 5.5 cm (roughly 7 x 6 x 2 inche) and both are in perfect condition, directly from the artist this summer.
Kato Tsubusa was born in Tajimi city, the home of Shino, in 1962, graduating the municipal Pottery Design and Technical Center in 1979...

Glistening Copper Green covers the cleaved sides of this organic vessel by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Kaki. It is 23 cm (9 inches) tall, roughly 18 cm (7 inches) square and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. Although initially entering regular employment upon graduating high school, in 1967 he returned to Toki city to help his brother Kotaro...

A slab plate of undulating waves by Fujimoto Hide enclosed in the original signed wooden box titled Shigaraki Totan-sara (Corrugated-metal Dish). It is 38 x 13.5 x 3 cm (15 x 5-1/2 x 1 inches) and in perfect condition, directly from the artist.
Fujimoto Hide was born in the heart of Shigaraki in 1954, and was fascinated with the medium from a very young age...

Fog descends to dark olives and shadows tinged with blue above a somber charred base on this exquisite Chawan by Ohmae Satoru enclosed in the original signed wooden box titled Shiro-kuro Chawan, Fujisan (Black & White Tea Bowl, Mt. Fuji). It is 11.5 cm (4-1/2 inches) diameter, 10 cm (4 inches) tall and in perfect condition, directly from the artist.
Ohmae Satoru was born in Osaka in 1972. He began decorating Kenzan style pottery in Kobe in 1991 with his brother...

A fabulous pair of daisho iron tsuba. Haruta school, with the character “Haru” still legible in the seppa-dai of the larger. Realistic depiction of weathered wood with a few gin-zogan (inlaid silver) woodworms in the decoration of the larger. I’ve seen similar work attributed to Hirata school, but that must have been misheard from Haruta. Excellent condition, and the two having started life together. Later Edo period, early 19th century. Larger 3 1/8 by 2 15/16 inches...

A vintage Japanese iron garden lantern with six sided roof and Hoju finial. Mounted to a natural looking tree trunk with roots extended for feet and a decorative lucky gourd shaped cutout in the trunk. It is wired for evening light.

Age: Mid century

Dimensions: 12" Wide by 32" High by 11" Deep

An antique Japanese Choba Tansu (merchant chest) made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware with naturally acquired patina. Used by a store owner to keep business supplies, money and valuables, store business records and writing tools. The hinged security door has two small drawers of which the bottom drawer hides a secret box.

Age: Meiji Era (1880-1890)

Dimensions: 32" Wide by 35 1/4" High by 16 1/2" Deep

An antique Japanese unusual 3 section Kasane Tansu made entirely of Kiri (Paulownia) wood. All original hand forged iron fittings and naturally acquired patina. Bespoke additional 3rd section designed for additional Kimono storage. 2 small drawers behind hinged security door with secret box hidden behind the bottom drawer.

Age: Meiji Era (1880-1890)

Dimensions: 38" Wide by 53 3/8" High by 16 3/8" Deep

HIGH BASKET

Quite a unique mingei folk art tool as originally a primitive handmade backpack for farm work use combined bamboo basket to cuboid stand made from folded single piece of hard and thick wild bark, coming from a rural old house in Kumamoto region in Japan as the latest provenance, but it looks very similar to the one from Ede ethnic group in Vietnam as well. H 47.5 x 37 x 36 cm (18.70 x 14.56 x 14.17in)...

Japanese 19th C. Seto Stoneware Ishizara heavy Food Dish, Platter, with Creamy Color well potted and good color of typical Setoware Food Plate, 14" diameter 2 1/2" high, the condition is one of the best old Kiln Seto ware in Edo Period. Kanji Mark inside unglazed center on the bottom.

This is an exceptional pen holder in black urushi lacquer (roiro) decorated with a branch of peonies and a bird in flight...

Pure Aka-Raku Chawan by the 9th generation Raku Ryonyu (Raku Kichizaemon IX) 楽了入 (9代 楽吉左衛門) enclosed in its originally signed and sealed wooden box. It bears Raku Kichizaemon Ryônyû’s stamp clearly impressed beside the foot ring. The bowl was made around the beginning of 19th century about 200 years ago during the Edo era.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminis...