A lacquered writing box in the shape of a kimono sleeve (sode) covered in soaring silver and gold geese among autumn reeds and Togidashi clouds with a secondary (inner) sleeve shape covered in Karakusa vine tendrils on black enclosed in an age darkened kiri wood box. The inside is covered entirely in nashiji gold powder, and contains a grinding stone, and a water dropper of copper inset into the tray...

STONE TANUKI

Traditionally auspicious Japanese okimono of tanuki (raccoon dog) especially for thriving business that literally stands for "Getting a lead on other" in Japanese words, but or that's why? with such a fool but a lovely face. 1940s...

GIRL

Anonymous Japanese cubism oil painting on canvas, Showa period, 20th century, 32 x 41 x 1.5 cm (12.59 x 16.14 x 0.59in). Aged deterioration as is.


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(After) Imanaka Soyu (1886-1959)
Pheasant
Dated August 13th, 1936.
Size: 7.5 x 5.375 inches (19 x 13.6 cm).
A cover of a menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print after a Soyu painting...

Polychrome ivory okimono depicting the study of a peeled banana, finely carved in real and natural details. Period: Meiji – Taisho, early 20th century. Dimensions: 10 x 3.5 x 2 cm. Conservation status: Excellent condition

Vase in metal and cloisonné enamel with a yellow monochrome background, decorated with three flying butterflies with the Ando Company brand. Period: Taisho 1920 ca. Dimensions: 21 x 10 cm. Conservation status: Excellent condition

A very unusual Shuchu sake server made in box-like form with an angular spout, brass handle and wooden lid accompanied by a cubic Guinomi sake cup by Bizen master potter Isezaki So enclosed in the original compartmentalized signed wooden box titled simply Bizen Kaku Shuki (Squared Sake Vessels). Both feature burnished raw red clay with a smattering of ocher colored ash and red veins of hidasuki. The cup is 5 x 5 x 5.5 cm (2 inches) tall...

Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal...

Boxwood netsuke depicting the smiling Okame mask. Shuzan signature engraved on the bridge on the back. Period: Edo 19th century Dimensions: 6.5 x 4.5 x 2.5 cm. Conservation status: Excellent condition. There is a small chip on the right eye.

Ivory netsuke depicting Chokaro clinging to the pumpkin from which the head of a horse emerges. The subject represents the miniature horse of Chōkarō 張果老. It refers to the legend of Chōkarō Sennin, an immortal being who owns a horse that he can summon as if by magic from a pumpkin if necessary. In Japanese there is a saying “hyōtan kara koma”, “horse appearing from a pumpkin”...

Boxwood netsuke with three opposing Noh theater masks, including Okame, Usofuchi and an Oni. Period: Edo 19th century Dimensions: 3.7 x 3.7 x 2.4 cm. Conservation status: Excellent condition

Boxwood okimono with a light patina depicting two walking Oni, represented with notable artistic mastery. The taller of the two oni holds a jar and a large sack. The younger of the two holds a wooden bucket on his shoulder, connected to a sack, while exchanging an envelope, presumably containing money, with his companion. His eyes are dark horn. Period: Meiji 19th century Dimensions: 11.3 x 7.7 x 6.8 cm. Conservation status: Excellent condition...

Ivory okimono depicting a farmer sitting on a bamboo stick, captured in a moment of pause and serenity. The sculpture shows the farmer holding a bento box and chopsticks, ready to enjoy a meal that includes rice, edamame and bamboo...

Satsuma ceramic vase finely painted and glazed with great attention to detail. The surface of the vase is divided into two main reserves, each of which features elaborate scenes and decorations. The upper preserve is adorned with intricate floral patterns and birds in flight, painted with a polychrome palette that captures the beauty of nature. In the lower reserve, the vase depicts geishas dressed to the nines, with detailed kimonos displaying rich pattern and color...

Ivory netsuke depicting a koi carp with a half-open mouth and dark horn eyes. The variations in color and patina on the surface of the ivory give the work a feeling of antiquity and authenticity. The texture of the scales is rendered realistically, adding realism to the sculpture. Period: Meiji end of 19th century. Dimensions: 2.2 x 6.2 x 1.7 cm. Conservation status: Excellent condition. There are stains.

A set of five lacquer lined covered bowls made from natural gourds enclosed in an age darkened wooden box titled Hyo Suimono Wan indicating they are for serving thin soup to cleanse the palate between courses. In Japanese cuisine, presentation is everything. Texture and color may in fact be more important than flavor. The dishes used as well, should be a feast for the eyes, and you will find every aspect of the traditional meal is presented in its own unique setting...

Meiji (1868-1912) Japanese Satsuma Bowl by Hiramatsu Genzan 平松元山 with Temple Heaven Scene of Gods & Figures

It is 2.4 inches (6.2 cm) tall by 6 inches (15.2 cm) wide. It is 0.7 lb.

It has rubbing of gold, stains at the bottom, and surface wears and scratches (as seen in the photos).

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An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies...