A nagazara decorated with an unusual rectangular form Three Friends of Winter mon framed by border patterns incorporating a stylised landscape, and auspicious motifs, clouds, cash symbols and brocade patterns. The reverse decorated with taka-karakusa and kahana motifs. The foot-rim is decorated with a thunder fret border and the base painted with a four character fuuki chosun mark...

A long dish of conventional form decorated in senbeki, pencilled, style with a pair of four toed Chinese Dragons in pursuit of flaming pearls all set against a lightening field. The central reserve decorated with stylised tadpole like thunder bolts. The reverse decorated with further lightening motifs and pearls and a small square seal mark containing the character Ho, precious treasure...

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

Antique Japanese small box made all of sugi (cryptomeria) wood. 5 shallow drawers and one larger drawer on the bottom. Iron rings for drawer pulls.

Meiji Period (1868-1912)

Dimensions: 17 1/4" high x 12" wide x 14 1/2" deep

Amazing boro cloth which is one side of body part of noragi (farm wear). The ground cloth as well as mending patches are hand-spun cotton and vegetable indigo dyed. Sashiko thread is also indigo dyed cotton. Asa (hemp) thread is seen in the side seam and that means it is rather old. The second half of the 19th century. 32cm x 184cm

An antique Japanese Kunimatsu cash register made of hinoki wood with hand painted details in red and gold, tin knobs and scrolling trim. The center has an embossed manufacturer's trademark. The exterior has a white marble ledge. Under the ledge are the numbers in red ink, 50, 10, 5 & 1's. It is a working cash register with a bell when the drawer springs open. There is a key that opens the backside to change the paper roll...

Japanese antique small Ko Tansu (personal chest) made all of kiri (paulownia) wood with black lacquered iron hardware. This small chest has 4 drawers and 1 small door with 2 hidden drawers. The hardware is all made of blackened iron and includes 4 round drawer pulls, 5 locks and 2 side handles.

Date: Edo Period (c1850)

Dimensions: 12.5" tall X 14" wide X 8.25" deep

A nice Japanese bronze suiteki or water dropper in the shape of a coin. In very good condition, it measures about 2 inches long and a little over an inch high. Dates circa 1930's.

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820)...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square...

Antique Japanese ranma (architectural transom carving for over a door). Made all of hinoki (Japanese cypress) wood, this carving is a rare beauty in it's detail. A cross section view of a gnarled plum branch in bloom along side a stand of bamboo. The straight leaves of the bamboo contrasts sharply with the curving tendrils and round blossoms of the plum tree...

Japanese antique small Ko Tansu (personal chest) made all of keyaki wood with black lacquered iron hardware. This small chest has 7 drawers of various sizes; 1 large drawer & 1 small drawer on the top portion, 2 medium drawers and sliding panels & 5 small drawers on the lower portion. The hardware is made of blackened iron and includes 3 round pulls and 2 scroll drawer pulls.

Date: Meiji Period (1868-1912)

Dimensions: 19.5"long X 11"high X 11.75"wide

Female monkey seated on a square base, the hands forming the gassho adoration mudra, sculpted figurally from a gray-brown sedimentary stone. Late-Edo Period ca. 1850. Very good condition, with only minor old loss. Variegated lichen accumulation, including a whitish variety on the monkey's head.

Height, including base: 13 cm
Width of base: 7 cm
Depth of base: 7 cm
Packaged weight: 2 kg

A small-scale realistic depiction of Sarugami (lit...

Height: 2.9 cm (1.2 in)
Width: 2.9 cm (1.2 in)
Depth: 1.8 cm (0.8 in)

Fine Japanese ebony seal netsuke of a Shishi; intricate workmanship throughout; seal characters carved to base; excellent condition

A pair of antique Japanese vases finely cast with raised images on both highlighted with gold & shakudo. The images of a temple scene, hillside landscape with trees and monks are on one vase. The other vase has a scene of a bridge with people and a distant village. the clouds on each extend to the upper body.

Date: Meiji (1868-1912)

Dimensions:10.25"high X 5"wide X 3.25"top diameter

Kasuga-style standing stone lantern (Jp. tachigata ishi-doro) sculpted in six parts from a high-quality fine-grained granite. Late-Edo Period~early-Meiji Era ca. 1875. Desirable old loss as well as softening of the lines and contours overall. Light lichen accumulation.

Height: approx. 175 cm

A notably handsome, well-executed Kasuga-style standing stone lantern, sourced from the gardens of a private residence in central Tokyo.