Vintage rattan and walnut oval dining table with two leaves. Each leaf is 18 inches wide. This table can adjust to a 45 inch round or up to a 81 inches and 29 inches high. It can easily seat 6 -8 chairs depending on the size of the chairs. The legs and trim are a striated organic rattan with the top and leaves in walnut. Two original leaves included.

Age: 1980's

Dimensions: 45ʺ Diameter (74" long with 2 leaves) × 45" high

An ivory okimono depicting a man, frightened by the presence of two mice moving around him. At his feet, a mouse is positioned on an inverted lantern, carved with a small hole from which it seems to have just emerged while another mouse climbs onto his kimono. Period: Meiji late 19th century. Dimensions: 10 x 5.5 x 4.5 cm. Condition: Excellent. There are natural ivory threads and the typical ivory nerve is visible under the man's chin.

A Tokyo School ivory okimono depicting a young fisherman boy returning from a day of fishing. In his left hand he holds two fish while in his right hand he holds two bamboo poles. Signed Shunsei (Toshimasa) 俊正 under the base. Period: Meiji late 19th century. Dimensions: 20 x 9 x 7 cm. Condition: Excellent. There are natural ivory lines, in particular a vertical one on the kimono along the boy's left leg.

An ivory okimono depicting a standing Sarumawashi (monkey trainer) with a monkey on his shoulder and a persimmon in his left hand. At his feet, carefully placed, is the tool used for performances, characterized by a circular terminal part. Signature Gyokugetsu (Tamatsuki) 玉月 engraved under the base. Period: Meiji late 19th century. Dimensions: 21 x 6 x 5 cm. Condition: Excellent.

Cotton unlined kimono (yukata) with shibori (tie-dye) pattern, which is Ori-nui shibori (folded and stitched). Dyed with vegetable indigo and brown color. In good condition, but has light stains in the back, around neck. 20th century. W:124cm, L:123cm

Small boro which is used to be a futonji. It is made of handwoven and vegetable indigo dyed cotton. The second half of the 19th century. W:63cm, L:106cm

Asa (hemp) girl's ceremonial kimono which is made in Ohmi region (now in Shiga prefecture), which is called "Ohmi-jofu). Jofu is a textile woven of very fine asa (ramie or hemp) yarn. It has red katazome cotton cloth Inside, around neck. Late 19th to eary 20th century. In excellent condition. W:100cm, L:103cm

Gustav Stickley Side Chair c1902-3 Excellent example of this rare, iconic side chair. Signed into the wood on backside cross rail. Original finish. Quartersawn oak hardwood with Unobscured wood grain
Gustav Stickley was an American furniture manufacturer, design leader, publisher, and a leading voice in the American Arts and Crafts movement...

(After) Kawase Hasui
Pine Beach at Miho
Date: January 1936.
Size: 7.875 x 5 inches (20.1 x 12.8 cm).
Note: This rare print was the cover of a dinner menu for an N.Y.K. Line cruise ship. There is no menu inside.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Shin-hanga woodblock print...

Takahashi Shotei
Drawing up seawater under moonlight.
The figures are engaged in saltmaking, likely at Suma Beach
Date: pre-1936.
Size: Approximately 7.125 x 4.875 inches.
Shotei's Rakutei seal at left.
Reference: S-50 in Shotei catalog.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Lightly foxed. Paper residue on back.

An antique Japanese artist carving of a mated pair of Sika deer. Made of a rare Palm wood with real antlers, this pair is resting peacefully in a meadow.
,br> Sika deer symbolize longevity. In Shintoism, they are considered a sacred animal and a messenger of the Gods. This is one reason they are allowed to roam freely around Japanese temples and shrines...

An antique Japanese root wood composed of many intertwined pieces of various root woods including Keyaki, Hinoki, Kuruminoki, Tsugenoki, Honoki, Sakura, and Wisteria. Beautiful finish in a blackened soot with a Urushi lacquer top. Used for Ikebana and Tatehana.

Age: Meiji Era (1880-1900)

Dimensions: 20 1/2" Wide by 19 3/4" High by 14 1/2" Deep

The gaze is stern on this Edo period image of the divine general Shori Ken (Chinese: Zhongli Quan or Han Zhongli), god of war and one of the eight immortals in the Daoist pantheon. This character is most discernable by his feather fan which was said to be able to resurrect the dead and here he holds out prominently in front of himself. Astride a typical stocky Japanese horse in full trappings, he would have looked down on visitors from a gate or the eaves of a palace or shrine...

This is an vintage cotton yukata kimono for children made in Japan during the Showa period. There are some stains. No damage. Size: Length: 108cm/42.5 inch Width: 112cm/44 inch

This is a Japanese vintage cotton children's yukata kimono in from the Showa period. There are some faint stains. But it's not prominent. There is no damage.There are some dye spots. Size: Length: 88cm/34.6inch Width:: 106cm/41.7inch

A very rare pair of Art-Deco era bronze candlesticks covered in polished nickel by Hata Zoroku enclosed in the original signed wooden box. Each is 12 x 7.5 x 35 cm (5 x 3 x 14 inches) and is in overall excellent condition, with some minor wear to the nickel. They come with teh original adapters for samller candles.
Hata Zoroku I (b. 1823) was especially famous for his iron kettles used in tea ceremonies, which often featured intricate designs and ornamentation...

A horse shaped koro from the kilns of Bizen dating from the later half of the Edo period enclosed in a period iron bound wooden storage box. The ears are removable, and the saddle lifts off to reveal a compartment for burning incense. It is 27 x 14 x 17 cm. One ear and one tassel along the saddle have been repaired...

Shoda Koho
Country Scene (sepia version) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.25 x 7.5 inches.
Date: 1910s-60.
Publisher: Nishinomiya. stamp on verso.
Sealed by artist.
Medium: Japanese woodblock print.
This example bears the unusual "Nishinomiya Art" stamp on the back. The print was issued, adhered in this case, to a thick card like some very early Hasegawa Night scene editions...