HONEYCOMB ROOSTER

Rooster of Japanese honeycomb paper craft called 'Denguri' (lit. Somersault) in Japanese for its acting as "fliping it over", Showa period, pre-1960s, approx...

A black Raku ceremonial tea bowl displaying an excellent patina bestowed by time. The light colored clay peeks through in areas giving this piece a unique feel. Though the box is signed by the artist known as Rakuen, details on this particular potter seem to be lost to time...

Six matching pairs of sterling silver salts and pepper shakers, artistically done in the form of the koi (carp or goldfish). The container for the salt is also silver, and the finely ground pepper loads into a threaded hole at the base and comes out of the holes in the mouth and eyes. Each fish measures about 3 1/2" long, and is marked "sterling". The 12 pieces weigh a total of about 11 ounces...

Mother of pearl flowers rise among the large leaves of a paulownia tree on this small lacquer box and tray dating from the early 20th century enclosed in the original signed wooden box by Yoshida Rissai. The workmanship is flawless, with a fine sense of depth brought on by the mother of pearl lined with gold powder and set against a ground of golden mist on black. Inside is a rich, red tinged nashiji ground...

A large Japanese porcelain plate with blue and white decoration showing a bird sitting in a peach tree. The chargers' decoration has been done in a manner that should appeal to Chinese style and taste. In Chinese mythology the peach is symbolic of long life and immortality, and the hoho bird also carries the wish for long life. The charger measures about 2 1/2" high x 14" in diameter, and it dates to the Edo Period, early 19th Century. The condition is excellent/perfect...

Hiroshi Yoshida
A Little Temple Gate
Date: 1933.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Reference: Abe #181.
Condition: Excellent color. Light foxing on back very faintly visible in sky in places...

The potter who made this exquisite Oribe tea bowl came to be master of his craft in a rather unusual way. Born into a potting family and eventually taking over as the 6th generations head of the kiln. He carried on the family tradition while incorporating ancient potting techniques and methods from foreign lands...

A Japanese thinly potted porcelain bowl that is decorated both inside and out with scenes of a Japanese village. The artist has detailed the houses, lake, boat, fisherman, people and a temple, and applied a beautiful gold border. The bowl measures about 2 1/2" high x 6" in diameter, and dates to the end of the Meiji Period. The bowl has been signed "eight days made", which is similar to the names of other Kutani studios from this period. The condition is excellent/perfect...

The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of reflective powdered shell on a backdrop of thick, translucent glaze with hues of orchid, salmon, and ivory. One of our favorite Hagi potters, if you have not previously experienced works by this artist we cannot recommend him enough.

Like the seven generations who proceeded him, Masanao Kaneta (b...

According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering this finely shaped vase. Not only was it a challenge to achieve the demure milky translucence of the glaze—similar to the appearance of a grain of rice when held to the light—but also to get the right flowing consistency and pooling effect in desired areas...

A medium sized Imari bowl from the 19th Century. The bowl is of fine quality and has a rare, hand applied, overall brocade decoration. In the inside there is a garden scene and a golden hawk that are made to look like they are from a rolled out scroll. The bowl measures about 2 1/2" high x 8 1/2" in diameter, and it is in excellent condition. There is a little wear on the gold highlights. The asking price includes shipping within the USA.

The end of the Edo period omijyofu indido dye hemp kasuri child kimono of charming pattern of treasure.There is no stain. There are two small holes in the sleeve. , but they don't stand out. It is a very delicate jyoufu hemp and is the best children's kimono. A hand-embroidered amulet is attached to the back...

The size of Emperor: 5 1/8" w x 3 9/16" D x 6 1/4" H, 13 cm x 9 cm x 16cm
The size of Empress: 5 1/2" w x 3 9/16" D x 4 3/4" H, 14 cm x 9 cm x 12 cm
This is rare Japanese Oribe Yaki Hina Dolls set by Japanese Artist. Artist name written on the back side of Emperor. Left side written as "Okina Senichi Saku" (Okina mean old men in Japanse, Senichi made). I checked calligraphy for this artist name. It came up as Senichi. Right side Japanse said "Soroi Hyaku Rokuju Sai" translated into Eng...

Additional Photos for Oribe Hina Dolls w/Tomobako

A stunning fine antique Japanese makie lacquer box decorated with a tataki-nuri style black background with makie of vines and gourd and folding fans on the exterior. The interior is decorated in nashiji with a still life of a flower arrangement set in a basket with a charming lifelike rabbit and autumn grass for the inner tray. The vibrant colors and designs are often seen in lacquer works from the Edo and Meiji periods. Overall excellent original condition.

Age: Early Meiji Period...

In Asian folklore, the peach is said to represent long-life for mortals and immortality for the gods. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. Here we have an exceptionally rare set of sake cups by Suwa Sozan, one of only 5 Imperial Court Artists from Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song D...

One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections around the world. The kintsugi used here was recently reapplied by a top artisan and uses copper, which, with age should display a blueish color to complement the cobalt blue of the dish.

Born the second son of the head priest of Kamigamo Shrine in the north of Kyoto (very close to our gallery), Kitaoji Rosanjin (1883-1959) is...

A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through in areas. This piece along with others by the same artist tend to push the bounds of what you usually see in Bizen pottery.

The craftsman who made this piece, Takahiro Ishii, was born in Tokyo, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. H...