Antique Japanese porcelain maneki-neko, or "beckoning cat", a popular image for welcoming good fortune into the home. They often come in colors such as white, black, or gold. This porcelain statue happens to be in what is considered the luckiest color of calico. Beautifully hand painted with gilt accenting.

Meiji period c1900. Dimensions: 12" H x 5" W

A beautifully formed bowl in the typical Gohon style, produced in Korea for the Japanese market during the 17th century. The light-grey ash glaze makes a tasteful backdrop for the pinkish speckles decorating the surface. These patterns are formed through a reaction of the iron in the clay and the ash glaze and are very typical of this type of pottery. One edge of the bowl is furnished with a dimple, making it comfortable in the hand while the gold repairs give it an added beauty and depth...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired this piece I thought it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “oni” Hagi which utilizes a rough textured clay and a milky translucent glaze (like the bowl shown here)...

Original silk screen print of sunflowers by the Japanese artist, Yukio Katsuda. The use of very thick ink was part of Katsuda's technique lending the finished image a pointalist effect. Born in Japan in 1941, Katsuda has worked and exhibited extensively in both Japan and in the United States. This print is signed Y. Katsuda in pencil and dated '81. It is numbered 35 of 100 in this series. Katsuda also gave each of his print series a number...

A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu. This item was made in Japan in the 19th Century during either the late Edo or the Meiji period (1868-1911). Condition: there are small marks on the paper and some losses to the gold leaf which predate the framing of this picture during the 1920s or 1930s. Frame: 32.5cm (12.75 inches) wide; 29cm (11.4 inches) high...

An etching entitled "Tamba House" by the artist Brian Williams depicting a beautiful old traditional Japanese house in a rural mountain setting. Set against a backdrop of pine forests and mountains in Japan, the house is immersed in a deep snow. Signed in pencil and dated '87. This is an original print #43 of 100. Unframed. Brian Williams was born the first son of American missionary parents in Peru in 1950. At age 16 he moved to California to finish high school and college...

Antique Japanese scroll painting of the wrathful guardian deity Fudo Myo-O standing along the edge of a cliff. His two fangs poke out of his mouth pointing in opposite directions. The sword he wields is named Kurikara, the demon slayer. The rope he holds in his opposite hand is used to bind demons. A ring of purifying flames burns around his backside. Artist chop in corner. 18th Century Size: (Entire scroll) 67.5" H x 20.5" W (painting only) 37.5" H x 15.5" W

Small mask of the Kyogen Theater, with a strong expression. Lacquered wood. Eyes made of glass painted inside. Japan, 19th century. Height: 16,5 cm. Several small chips, otherwise very good condition.

Six Jizo Bosatsu figures standing in a row, each with hands forming the gassho adoration mudra, sculpted in relief from tuff, an igneous stone composed primarily of volcanic ash. Early-Edo Period ca. 1650. Minor old loss and desirable softening of the lines and contours overall...

Seated Amida Buddha, the hands placed centrally on the lap in the Amida jo-in concentration mudra, sculpted in shallow relief from a light-brown igneous stone showing rust-brown patination above the line of soil insertion. Late-Muromachi/Momoyama Period ca. 1550...

Antique Japanese ceramic chawan (tea bowl) by the famous artist Otagaki Rengetsu (1791-1875) with a cream crackle glaze and bare foot. The sides of the bowl are inscribed with poetic calligraphy. Includes its own tomobako. Size: 2.5" H x 6" W (entire box) 4.5" x 6.5" x 6.5"

Antique Japanese noh theatre mask of the character Ko-Omote, a youthful girl. Very unusual that this mask is made of ceramic instead of carved from wood. Beautifully painted with red lips and blackened teeth, joyful eyes and dark hair with four loose strands, very important defining characteristics to tell each mask apart. The backside is signed in-between her eyes and has been affixed with parts for displaying the mask. Edo Period (circa 1800's) Size: 8" H x 5" W x 2.5" D

Antique Japanese Hirado ware porcelain puppy dog wearing a ribbon around its neck. Carefully hand sculpted in a realistic manner. It has an amusing expression on its face full of detailed character. Early Meiji Period (1868 - 1912) Size: 4" H x 5" L x 3.5" W

We proudly present this outstanding Mugi-de Oribe Chawan.

Distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife. With the exception of the foot ring the bowl is covered with a clear (wood ash and feldspar) glaze inside and out...

Antique Japanese red lacquer water dropper of an oval form. With a highly intricate carving of a male noh mask in its center, surrounded by a background of small geometric patterns. Early 19th Century Size: 3" H x 2.5" W x .75" D

Unsigned Japanese Woodblock Print
Woman in Purple on Balcony
Date: Early 20th century.
Size: 11.0 x 8.5 inches.
Provenance: From the collection of Canadian missionary Sybil Courtice, who was in Japan from the early 20th century up until WWII.
Medium: Japanese woodblock print.
Condition: Excellent.

10 Japanese Lacquer covered bowls with beautiful sprays of Chrysanthemums in gold and red colors continued from the top cover to the side of the bowl, 3 1/2" high with top on, 4 3/4" diameter-rim, gold painted wavy flowing water design under the cover. The condition is good, no damages.

Stone Dosojin comprising two human figures standing side by side in a semi-embrace, sculpted in relief from tuff, an igneous stone composed largely of volcanic ash. Clearly dated on the side to the seventh year of the Tenpo Era (1836), late-Edo Period. Minor old loss. Excellent lichen accumulation.

Height: 43.5 cm
Width: 36 cm
Depth: 18 cm.

Dosojin is the Japanese Shinto manifestation of a Chinese Taoist deity believed to guard the border between this world and hell...