The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations...

An antique Japanese Ko-Giri Tansu from the Taisho period. Made of all-kiri wood with two round locks, "c" shaped handles, original copper hardware.

Date: Taisho Period (1912-1926)

Dimensions: 16' tall X 23.5" wide X 12" deep

An antique small tansu of kiri wood from the Taisho period. Sliding doors behind which books and small objects were stored. Lower drawers were used to store documents, photos, ephemera, receipts, etc.

Original bronze hardware...

A tall, cylindrical shape bronze vase by Nakajima Yasumi II (1905-1986). Patinated dark reddish - brown bronze. Vase ornamented with horizontal bands raised in relief and flaring out at the waist and sloping inward to the shoulder. Wood box inscribed on the outside of the lid and signed and sealed on the inside. Vase signed at the bottom: Yasumi. H. 28.5 cm. Showa period. *** Nakajima Yasumi II (1905-1986) was a very well known Osaka bronze artist who's real name is Nakajima Mitsuo...

This is a Japanese antique Edo Period of habutae-silk kaga-noren of Mount Fuji and the seaside landscape(miho no matubara). High quality hand-yuzen dyed Kaga Noren. With indigo and gray hand-drawn dyeing, it expresses an elegant and beautiful landscape. This kaga-noren is a very rare design and I think it was made by a special order by a wealthy merchant. It has a light stain but no damage and is in very good condition.This color of Yuzen dyeing is very well preserved. kaga-noren is made of...

The Size of Tolkkuri: 4 5/8" High x 2 3/8" Dia, 2 1/16" Bottom. The size of Each Sake Cup: 1 5/8" Dia x 1 13/16" High. This is very unusual and fine classy Japanese Kiyomizu Yaki Sake set by Sawamura Tosai 3 rd (1951-). It is made with fine quality Kiyomizu Yaki refine earthern body. The wall thickness on Tokkuri is only 1/16" Thick less than 2 mm. So as Sake cup has only 1 mm thick on wall. Tokkuri as well as 2 sake cup has the hand written signature of Tosai in blue underglaze (sometsuke)...

Additional Photos for Sawamura Tosai 3 rd Sake Set with Tomobako.

Japanese Porcelain Kutani Tea Pouring Cup or Tea Water Cup, Ca...

Japanese "Kutani" Porcelain Dish, or Saucer, 4 3/4" diameter, 1" high, over glazed red and gold Mythetical Animals in 3 Cartouches, all highlighted in gold, 3 Red overglazed Fish under water between Coral and Seaweeds forest, surrounded with underglaze blue diaper design border, Peony tree flower branch in the center, red "Kutani" mark on the bottom in the center and Underglaze blue foliage design. the condition is good.

A vase with a carved-comb surface of white clay by Sakiyama Takayuki enclosed in the original signed wooden box titled dating circa 1998. It is 9 x 7 x 15 cm (3-1/2 x 3 x 6 inches) and is in excellent condition.
Sakiyama Takayuki (b. 1958) graduated the Osaka Art University in 1981. In 1984 he exhibited for the first time at the Nitten National Exhibition...

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A Japanese Tsukioka Yoshiyoshi (1839-1892) tryptch "Toin no Akinotsuki" from the "Legend of the Hero and Warrior" series. Autumn Moon at Toin: Flute Player Yasymasa.

Date: 1894

Dimensions:13.25"h x 27.25"w

Delicious kiln effects are displayed across the surface of this triangular slab by Sugimoto Sadamitsu enclosed in the original signed wooden box. The three sides measure 33 x 36 x 41 cm (13 x 14 x 16 inches) and it is in excellent original condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...