A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School. The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot...

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a gobenka motif in the centre...

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a gobenka motif in the centre...

A rare Ko Imari rice bowl and cover decorated with European figures in a garden landscape one bald and holding a vase and the other with a broad rimed hat and a walking cane. The interior of both the bowl and the cover painted with a diaper band with demi-florets and an image of a “Dolphin” on a raised roundel. Both the cover and the bowl are quite delicately potted and the enamelling and painting is of a very high standard...

A four sided vase in Aka-e design by important 20th century potter Kawamoto Goro enclosed in the original signed wooden box titled Aka-e Kamon Hanaike exhibited in 2001 and published in the book Kawamoto Rekitei, Goro, Taro, San-Dai-Ten (Three Generations of Kawamoto Family). It is 27.5 cm (11 inches) tall, 16 cm (6 inches) square and in excellent condition. The Book is included.
Kawamoto Goro (1919-1986) was born in Seto to a family of potters...

Japanese Ceramic Wall Vase, or Wall Pocket for Ikebana flower arrangement with green drip glaze on brown rope twisted surface, hole in the upper back to hang on the wall. The condition is good.

A set of three bronze macaques with fine incised detail in their faces and fur. Their postures are a highly naturalistic rendering. The underbelly of each monkey is signed by the famous bronze animalist artist, Genryusai Seiya. Perfect condition. Provenance: Austrian private collection.

Date: Meiji Period (1868-1912)

Dimensions: largest monkey - 4"X 2.5" X 2"
- medium monkey - 3.5" X 2.75" X 2"
- smallest monkey - 2.75" X 1.75" X 1.5"

Japanese Metallic Silver and Turquoise color Silk Obi, 156" long, 13" wide, single thickness, one is brilliant color and the other side somewhat faded green and silver metallic color, both ends are folded over and finished.

Japanese brocaded Silk Obi, small silver repeated leaves on double thickness and double sided soft silk, 20" wide, 96" long, very little small spots of stain, otherwise the condition is good.

This is a fine Japanese Satsuma sake pot or small teapot. It is signed by Kinkozan. Still retains part of the original Kinkozan sticker on the underside of the lid. Which means this piece was never used as a saki or teapot. It measures 4 1/2 inches across at the spout. The handle is slightly tattered but the pot is in excellent condition.

An exact miniature version of a Tanegashima matchlock rifle in the form of a Netsuke with a little gilt metal loop as himotoshi. The match-lock rifle was introduced by the Portuguese in 1543 and is rarely seen in Netsuke art. The rifle is iron with brass and black lacquer and gilding. In good condition with minor wear to lacquer and gilding...

Antique Japanese cast copper jizai okimono of an articulated cricket. Small, articulated metal figures of this type are called jizai okimono (literally "free decorative object"). They typically have moveable bodies, arms, legs. Each copper section of this okimono is finely cast, depicting a natural realism, a style that was prominent during the Meiji Period. All six legs, wings and both long antennas are movable...

Kimono with lining with geometric pattern which is cynthetic. In excellent condition. Mid 20th century. 125cm x 145cm

An antique, Japanese boxwood lacquer comb with two kanzashi hair pins decorated with niello silver & mokoume-gane etched cat on gilt. The fine toothed comb is hand carved with floral motifs and a man walking over a bridge. The reverse side shows a house surrounded by mountains. Wooden combs in Japan were once believed to have shamanic qualities. Women would brush their black hair thinking that the combs would gather each strand’s spiritual energy...

A Japanese hand forged iron tsuba. A tsuba is an important fitting on a samurai's sword to protect their hands from the blade and provide balance. This tsuba has cast motifs of a 5 petal flower and oblong hole. The tsuba is from the Myochin school (1573-1867).

Date: Edo Period (1603-1868)

Dimensions: 2.75" in diameter

A rare Japanese Hirado porcelain Netsuke with a movable tongue. The unglazed porcelain of the Hotti has a laughing face with a tongue that moves in and out of his mouth. He is carrying a guord and walking stick. Netsuke are miniature sculptures that were invented in 17th-century Japan to serve a practical function (the two Japanese characters ne + tsuke mean “root” and “to attach”)...

A Japanese gold lacquer Inro with five compartments. A relief of a pair of silver horses dominates the landscape scene of a seaside village with drying racks of fish and pines and clouds in the background. The horses are galloping over a creek with foliage. The reverse side shows a lone horse under a fruit tree and thatched cottage. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). The cord has an agate ojime...

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto...