Tsuchiya Koitsu (1870 - 1949)
Kameido Tenmangu Shrine.
Date: 1933.
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Also has Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: TK-DH-4.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.
There is also a version of this print in which the shrine is red...

Gorinto (5-tiered stupa) sculpted in four parts from tuff, an igneous stone composed primarily of volcanic ash. Late-Muromachi Period ca. 1550. Old loss, with good lichen accumulation.

Height: 46 cm
Width: 19 cm
Depth: 19 cm
Packaged weight: 18 kg

A pair of Kinsai Tokkuri on red ground by Eiraku Zengoro from his Kutani kiln dating from the late 19th or early 20th centuries enclosed in the original signed wooden box. Complete with lids, they are 5 inches (13 cm) tall each and in excellent condition.

Tsuchiya Koitsu
Morning Rain at Lake Hakone
Date: 1938.
Size: Oban. Approximately 16.5 x 11.0 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada.
This combination of seals indicates an early postwar edition. Also bears the Doi watermark.
Condition: A couple of faint foxing spots in water.

Exceptional set of 6 fan shaped Shino ceramic plates in the original signed box. Taisho Period, C.1915. Inscription on the box reads "Shino Yu Ogi Gata Sara" meaning Shino glazed fan plates. Excellent condition. Size 7" by 5" . Ask for shipping quote.

A briliant late Taisho Period C. 1930 murashido bronze brazier/flower vase. Murashido is now a favorite among bronze collectors for its art deco appeal and sensual colors. Dipped in hot oils at firing and then using straw smoke for added coloring. Heavy bronze. Good condition. Ask for shipping quote. 12" hig and 9" in diameter. heavy bronze.

Birds in white plumage decorate the shadowed raw clay of this vase by Miyagawa Kozan enclosed in the original signed wooden box. It is 21.5 cm (8-1/2 inches) tall, 19 cm (7-1/2 inches) diameter and in excellent condition.　
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo...

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 30 1/2" H

Gorinto (5-tiered stupa) sculpted in four parts from a high-quality granite. Nanbokucho/early-Muromachi Period ca. 1400. Very minor old loss, with light lichen accumulation.

Height: 61 cm
Width: 23.5 cm
Depth: 23.5 cm
Packaged weight: 50 kg

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood. The piece holds a large upper and lower storage compartment with four sliding door panels.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 29" H

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns, stacked and strung together. Numbered 132/300, titled, signed in pencil.

Dated 1981.

Dimensions: 7 3/4" X 10 1/2" H (artwork 2 3/4" x 5 1/2" H)

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns in a basket with one fish lantern hanging overhead by a string. Numbered 97/120, titled, signed in pencil. With red chop.

Dated 1980.

Dimensions: 10" x 13" H (artwork 5" x 6 1/4" H)

Standing Jizo Bosatsu with hands forming the gassho mudra of adoration, figurally sculpted from tuff, an igneous stone composed primarily of volcanic ash. Mid-Edo Period ca. 1700. Minor old loss and overall softening of the lines and contours, with significant lichen accumulation.

Height: 36.5 cm
Width: 16.5 cm
Depth: 12 cm
Packaged weight: 9 kg.

A notably charming example of early- to mid-Edo Period stone sculpture.

Hiroshi Yoshida (1876-1950)
Grand Canyon (from The United States series).
Date: 1925. First state with jizuri seal, indicating self-printing by the artist.
Size: Oban. Approximately 16.0 x 11.0 inches.
Pencil signed and titled in English. Signed and sealed in Japanese within the image.
Condition: Margin has two numbers noted in pencil and two original drying pinholes.

Jizo Bosatsu seated upon a lotus-form dais, the hands forming the gassho mudra of adoration, figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1750. Excellent condition, with variegated lichen accumulation.

Height: 39 cm
Width: 24 cm
Depth: 22 cm
Packaged weight: 17 kg

An unusually well-sculpted Jizo with a lovely visage, in virtually flawless condition despite significant age.

Japanese abstract print, titled "Flame Tracer" # 42/90 in its series. Hand signed by the artist Kurosaki Akira (b. 1937). Embossed with print studio logo.

Akira Kurosaki began studying at the Kyoto Institute of Technology in 1956 and earned his BA degree in 1962...

Tsuchiya Koitsu
Nezu Shrine.
Date: 1934.
Size: Oban. Approximately 15.5 x 10.50 inches.
Publisher: Doi Hangaten. Doi watermark present at upper left corner.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-16.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976...