Gorinto (5-tiered stupa) sculpted in one piece from a brick-hued sedimentary stone. Early-Edo Period ca. 1650. Very minor old loss. Variegated lichen accumulation.

Height: 50 cm
Width: 14 cm
Depth: 14 cm
Packaged weight: 17 kg.

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space...

Very beautifully sculpted in the mass of bamboo, the decoration in gold lacquer and polychrome represents 2 Tengu (Japanese legendary creature or demon) under a pine pointing with a finger a vajra (ritual Hindu and Buddhist object, representation of the lightning and the indestructibility...). On the other side a decor of butterflies fluttering over a box in gold lacquer and a lance with at their feet are flowers in polychrome. The whole is very finely carved. Origin: Japan...

Japanese 20th century silver bowl. This contemporary designed bowl was made by Living National Treasure artist, SEKIYA SHIRO. The bowl is signed SHIRO on the bottom. It measures 11 1/2" in diameter and 2 1/2" tall. The bowl comes with TOMOBAKO or original artist signed wooden storage box.

Japanese early 20th century vase by Sasaki Niroku. The vase is done in the shape of a well bucket with crab on the side. The piece is done in fine detail and very realistically. The vase TOMOBAKO, or original artist signed wooden storage box. The piece measures 9" tall, 6" wide and 6 3/4" deep.

Stone gorinto (lit. 5-tiered stupa) sculpted in four parts from an andesitic tuff, a relatively soft stone composed primarily of volcanic ash. Muromachi Period ca. 1500. Minor old loss. Variegated lichen and moss accumulation.

Height: 52 cm
Width: 21.5 cm
Depth: 21.5 cm

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space...

With short neck and ovoid body, this beautiful Japanese copper ‘do-chu' vase is marked 'Hisayoshi' on the side. The brilliant rich color of this type of ware is achieved by adding smoked straw during firing and often deepens over time...

The inside of the bowl is painted with cherry tree boughs laden with blossoms—done in a dazzling underglaze blue-and-white porcelain distinctive of Imari-wares. Below, the trunks of the trees can be seen grounded in a grassy field resting on an abstract ring of karakusa (arabesque). The center of the bowl displays a fashioned wreath of cherry blossoms strung together with field grasses...

Antique Japanese scroll painting attributed to Kano Seisei (1795-1846). The image is an arrangement of red and white flowers with kiri leaves in its center, hanging from a sudare (bamboo screen) with long tassels. Signed with red chop.

Size: (entire scroll) 8.75" W x 62.5" H (artwork only) 6" W x 39" H

Japanese noh theater mask of a woman, carved with pierced eyes, mouth, and nostrils for the wearer, as well as two pierced holes at the temples to be secured against one's head. Lacquered in flesh tone, black hair and blackened teeth and eyes, red lips, and black lacquer interior. With kiri (paulownia) tomobako, inscribed with the name "Zouonna".

Size: 5.5" L x 3" D x 8" H

Antique Japanese Oribe mizusashi (water container) for use during the Tea Ceremony. Coil form body, glazed with thick deep green glaze with hints of a lovely deep red in areas. Custom fitted with a simple black lacquer lid.

Meiji Period (1868-1912)

Dimensions:5 3/4" high x 5" wide diameter.

Antique Japanese pair of boxwood okimono Nio. The Nio are guardians to Buddhist temples, and enforcers of physical confrontation to fight back against evil. Nio are typically placed on either side of a temple door. One statue, named Misshaku Kongo or Agyo, has an open mouth to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence...

Japanese 17th/18th century scroll painting of a buddhist priest, outlined in a very rare style of incredibly tiny calligraphy mantra. The mantra repeats "Amida Butsu Nam Mo". The meditating priest holds a strand of mala beads and a willow branch and is seated upon a green lotus throne on clouds. The figure is most likely "Dengyo Daishi", the monk who brought Buddhism into Japan...

Impressive Japanese Kyo-yaki Chawan, hand molded by legendary Nin'ami Dohachi during the Edo Period. His signature is written on the bottom of the chawan.

It comes with an older wooden box. Size: 7,5 cm height x 14,8 cm in diameter.

Chawans of Nin’ami Dohachi are exhibited in the most important museums, for example the British Museum...

Exceptional and rare thick earthenware ceramic ebisu and daikoku masks that have slots on the top of their heads for money. Holes on the back to hang but piggy banks would have to be broken to get out the money. Great expressions and beautifully made folk art. 11" high by 10" wide. Ask for shipping quote.

Kanmei F. K. (Active 1940s)
General Douglas MacArthur, 1947.
Size: Oban. Approximately 16.75 x 11.0 inches.
Edition: First and only.
Publisher: Watanabe Shozaburo. Bears rarely used Watanabe seal at lower right margin.
Carver: Aoyanagi Isao (seal)
Printer: Ono Gintaro (seal)
Sealed by the artist and signed in English and Japanese.
Medium: Japanese woodblock print.
Condition: Paper slightly toned. Small surface spot at right...

Ninani Dohachi (1783 - 1855) was second in the long line of Kyoto potters that continue to this day to be held in high regard...

Toshi Yoshida (1911-1925)
Crabs
Date: 1925.
Size: 11.25 x 6.0 inches.
"Toshi" Japanese signature and seal.
Pencil signed and titled in English.
Condition: Excellent. Small tape remnants at top back.
This is the first woodblock print created by Toshi Yoshida. He was 14 years of age.

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.