Gorinto (5-tiered stupa) sculpted in four parts from a grayish andesitic tuff, a relatively soft stone composed primarily of volcanic ash. Muromachi Period ca. 1500. Minor old loss. Variegated lichen accumulation.

Height: 68 cm
Base width: 31 cm
Base depth: 31 cm

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space...

Large Japanese Keyaki lacquered Hibachi vessel with glitter design.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 32 C.M. / Width 51.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Distorted shoe shaped (kutsugata) tea bowl with a flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and its brim. It dates back to the early Edo Period (1603-1868).

It is covered with a very deep black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with two fish nets hung for drying...

Japanese antique old silk yuzen-dye & Tie-dye & beniitajime dye( natural Safflower dyeing) kimono edo era(1800-1867)very rare.It has a few thin stains & discoloration. However,It does not stand out. It is no damage.They are not disturbing, and as a whole it is in very good condition. Sizu: :Length 147cm (57.8inch) sleeve to sleeve 124cm (48.8inch)

Antique Japanese set of 10 imari plates with foliate edges, underglaze motifs of and scrolling vines with gilt accents. The underside features cobalt blue underglaze auspicious objects and a four character signature.

Size: 9.5" W x 1.75" H

Antique Japanese hardwood cha tansu (tea chest) with four tiered shelves for the display of tea ceremony articles such as tea pots, plates, etc. The top right section holds a storage compartment behind two sliding panels, while the lower section holds both a large shelved compartment and a secret hidden drawer. Late Meiji period (1868-1912)

Size: 28.75" L x 10.75" D x 36" H

Nyoirin Kannon Bosatsu in characteristic seated pose of royal ease, the left hand holding a long-stemmed lotus bud, sculpted in relief from a gray-brown basaltic tuff with dark-blue inclusions. Meiji Era ca. 1900. Very minor old loss. Light dried-moss accumulation.

Height: 46 cm
Width: 28 cm
Depth: 19 cm
Packaged weight: 28 kg.

A well-executed Nyoirin Kannon stone in excellent condition.

Hokora shrine sculpted in three pieces from granite. Mid-Edo Period ca. 1700. Very minor old loss. Significant lichen accumulation, especially on the roof.

Overall height: 31 cm
Width of roof: 37 cm
Depth of roof: 32 cm

Originally employed as a symbolic dwelling for the ancestral deity of a family or clan, this hokora is highly unusual inasmuch as it includes a removable door.

The little Jizo stone appearing in the first photo is not included.

Silk crepe cloth with beautiful embroidery of wisteria motif which is one of the long sleeves (furisode). The ground cloth is white silk crepe (chirimen) and the embroidery threads are vegetable dye. It has kata-kanoko (stencil-dye pattern) imitating small shibori pattern named kanoko shibori. In excellent condition except for a light brownish line in the center. The first half of the 19th century (late Edo period). 35cm x 190cm

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl...

Antique Japanese kannon biraki tansu of an unusual small size, made of Kiri (paulownia) wood. The front of the chest is covered in ornate iron hardware with studs. The central lock is a motif of Kiri leaves with two door pulls. The doors open to a shelved interior space with two exterior drawers below. All original condition.

Meiji Period (1868 - 1912)

Size: 22.5" L x 15.25" D x 19"H

A Beautiful unusual Japanese display cha dana tansu, with 3 sets of sliding Keyaki burl front panels with copper handle pulls, 11 drawers with iron warabite handles, and an open compartment with shelves for the display of tea ceremony articles. This piece features a secret compartment hidden underneath one of the top panels.

Meiji period (1868-1912) 19th century.

Size: 69.25" L x 14.5" D x 36" H

Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. This small dish fashioned from coarse clay and covered in a silky ash glaze. Slightly oblong with one edge gracefully arching upwards, both sides of the dish have been traditionally repaired using lacquer and gold...

Ohara Koson (Shoson)
Cockatoo and Pomegranate at Night
Size: Chuban. Approximately 10.5 x 7.25 inches.
Date: ca. 1930.
Publisher: Watanabe Shozaburo.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: AS.27 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...

Itahi stupa, commonly referred to as an aoishitoba (lit. blue-stone stupa), in blue-green schist, a gorinto (5-tiered pagoda) sculpted in bold relief on the front surface. Clearly dated to the fourth year of the Bunroku Era (1595), Momoyama Period. Old loss to the upper perimeter; otherwise, very good condition, with desirable patination overall.

Height: 76 cm
Width: 31 cm
Depth: 8 cm

The earliest extant examples of stone itahi date to the mid-Kamakura Period ca...