Antique Japanese two section futon tansu. The upper section has double sliding burl wood panel doors which house a roomy storage interior. The bottom section is comprised of six burl front drawers with decorative cloud design locks.

Size: 69" L x 28.25" W x 69.25" H

An early Meiji Period (~1872) Bronze Censor with Scholar riding a Carp. Signed. Size: 25 cm. x 29 cm. x 16 cm. Weight: ~ 2.5 kg (~ 5.25 lbs.)

A good Japanese ukiyo-e painting on paper of a Kabuki actor. Early 19th century.

Approximately 47.3 x 23.4cm long. Laid onto backing paper. Some paper and paint losses...

A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs...

Judging by the tomobako, the shifuku, and the patina of the bowl, this piece was likely fired in early Showa (1926 - 1936) when Sosen was thought to be most active.

Perfectly formed and resting firmly on a well-grounded kodai (foot/ pedestal), this chawan is vivid, light in the hand, and has a calming presence. The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” stoneware of various forms...

Signed by the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979) this exceptional tea bowl bears the poetic name Asahi or “Morning Sun.” Brilliant ochre and ash hues highlight molten swirls and dynamic features. This bowl has exceptional keshiki, or “ceramic landscape.“

Bizen’s distinctive and easily recognizable style originated in Okayama (south-western Japan) and has a long history...

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition...

A large swirling form covered in fissured celadon by Minegishi Seiko enclosed in the original signed wooden box. The glaze is amazing to behold, the layers shattered into thousands of transparent crystallized flakes stacked upon one another. It is roughly 12 inches (31 cm) tall and in excellent condition.
Born in 1952 in Saitama, Minegishi Seiko studied under various masters in Nagano, Tochigi and Ibaragi, going solo at the young age of 22...

A Japanese palace scene painted by an unknown painter of the Tosa School, circa 17th century.

The Tosa School was founded in the Muromachi Period of the 15th century, and its painting was devoted to the aristocracy and its lifestyle.

Painted in pigments including silver leaf and black lacquer on paper. The fan is mounted on a paper backing sheet.

Approximately 49 cm. maximum length. 18.2 cm. width. Generally in good condition, wrinkled corners...

Japanese Tokoname Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333).

Size: 4 cm height x 15,6 cm (max) in diameter.

Shipping included

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Kawase Hasui
Mt. Fuji in Rain (Ame no Fuji)
Size: Koban. Approximately 7.75 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.
This print features silver mica streaks of rain.

Wonderful hand-shaped Shino Chawan by great To-en Miyamura, made around 1935, enclosed in its origninally signed and sealed wooden box. Smooth and very aesthetic Shino glaze and a true wabi-sabi aura.

No chips or cracks. Impressive feeling holding this big tea bowl in your hands.

Size: 8,5 cm height x 11,5 cm in diameter.

Shipping included.

A pointed tower in burnt gray clay by Mihara Ken enclosed in the original signed wooden box titled Kaki. Here the artist has joined three slabs into an unconventional horn, slotted on one side to accept a flower. A single camellia blossom in rich red, a few green leaves against the gray body in the dark corner of a Tea Room would be incredible. It is 11 inches tall and in fine condition.
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of ...

Well proportioned and exceptionally light in the hand, this lovely tea bowl features a stylized depiction of a horse in stride in what appears to be a brown ferrous glaze on a background of ash glaze (灰油 hai-yu). A creation of Kyoto potter Kimura Moriyasu, this is a difficult style to perform, with results dependent on how the clay and glazes interact when exposed to the specific firing condition in the kiln.

The youngest of three brothers famed for their potting skill...

Ohara Koson
Frog on lotus leaf
Size: Shikishiban. Approximately 9.75 x 9.75 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (149).
Reference: K39.10 and plate 95 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with small thin spot near top leaf.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father,...

The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim, complimented in several areas by antique kintsugi repairs. The maki-e gold repair at the base—with its design of half waves and half flowering vines—though quite old, seem not quite so old as the repairs along the rim. The small delicate kodai (foot) supports this fine work with grace and effortlessness.

Though the exac...