Koshinto stupa featuring a standing six-armed Shomen-Kongo with three seated monkeys underfoot and a chicken on either side, sculpted in relief from a relatively soft sandstone. Mid-Edo Period ca. 1775. Old loss and overall softening to the lines and contours. Variegated lichen accumulation.

Height: 65 cm
Width: 30 cm
Depth: 18 cm

Japanese vintage kimono made of navy blue silk with embroidery of chrysanthemums on long vines down the front, and branches with cherry blossoms on the sleeves. The backside has a large, beautiful bunch of embroidered chrysanthemums and cherry blossoms cascading down with two small birds in flight. The collar is lined with a charming fabric of dragons, flowers, and oriental designs. Size: 53.5" height, 47.5" width

A large Ukibori vase covered in iron with yellow slip raised imagery of birds in a pomegranate tree by Ito Tozan I enclosed in the original signed wooden box dated 1917. It is 16 inches (40 cm) tall 10-1/2 inches (26 cm) diameter and in fine condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku...

A beautiful exceptional pair of Japanese bronze vases, wonderfully cast with trumpet shaped necks and receded panels around the main body. Shakudō (赤銅) is a billon of gold and copper (typically 4–10% gold, 96–90% copper) which can be treated to form an indigo/black patina resembling lacquer. Bordered design with gilt designs of leaves. Gilt imagery of wild birds among crossing branches, reeds, chrysanthemums in bloom, and a bundle of hay decorate either vase...

This is long Coat which Kagokaki wore for Edo period. This is dyed repeatedly many times by a beautiful natural indigo plant. It is an original act in this respect. Therefore an indigo plant is left densely. As for this which this is Katazome of most Tsutsugaki and some parts, and is produced, cotton spun by hand is thick. This cotton is typical cotton used in country side. For Edo period, much local cotton can watch the taste that is great Folky...

A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors...

Antique Japanese bronze yatate, a pipe shaped container for the carrying of cotton saturated with calligraphy ink with a long shaft for a brush. The main component is cylindrical in shape with an inner compartment and an outer decorative area with scrolling vines and flowers. The lid has a kiri leaf design. The brush shaft has a fu dog towards the top and scrolling vines with kiri leaves running down towards the end, where it stands on an elephant's head...

This is really an exquisite piece of Japanese Satsuma. It is signed by Seikozan who was one of the finest satsuma artists. The pot is not overly large being 6 inches tall and 6 1/2 across including the spout/handle. The Condition is fabulous. This is a great piece of Satsuma especially at this price.

Antique Japanese bronze mirror with a recessed interior scene in which two cranes and a large turtle kiss in a marshy environment. The turtle's shell has been pierced through so that a cord may be slipped through for holding the mirror. 18th Century Size: 4.75" diameter, .75" depth

Antique Japanese iron medallion with the image of a shrine to Buddha within a forested area. The figures have been nicely sculpted and are accented by natural patina. 19th Century Size: 4" diameter

Antique Japanese chop case made of boxwood and carved with a beautiful lady. The Inside of the box is still coated with powdered orange-red seal ink, at the base of the box is a semi circular bead made of amber, the top of the box is closed with a bead of bone and a smaller one of coral, the toggle is the shell of a cone snail, the sea creature hunts with a venomous barb. Meiji Period (1868 - 1912) Size of the box: 3" High

Antique Japanese large bronze suiban, or shallow dish for the display of viewing stones and small plants. The legs have been wonderfully casted to resemble gnarled vines, or perhaps a Buddha's hand citron fruit. One side of the suiban displays a raised dragon flying through incised winds. The other side shows two lounging tigers...

This is Noshime used in a district for the Meiji period. This is woven with silk and cotton. The line of the part of the waist is drawn on this freely by hand. This has several places of changes of color of the aging, but does not stand out. This does not have damage. This is Kyougen clothes used in a local side. In the present age, this is not seen very much. Size 130cm x 131cm (51.1 "x 51.5")

A Japanese woodblock print titled "Nikko Sacred Bridge"by renowned artist Tsuchiya Koitsu (1870-1949). Inscription and red seal in bottom corner. Born in 1870 near Hamamatsu City (Shizuoka Prefecture) with the name"Sahei." Koitsu moved to Tokyo at the age of fifteen. He had planned to apprentice with Matsuzaki, a carver for the artist Kobayashi Kiyochika, but instead, he became Kiyochika's apprentice and moved into his home to study art and print design...

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875)...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

Antique Japanese Yonezawa two-section lacquered tansu. Made from Kiri wood (paulownia) front with Sugi (cedar) wood frame Its drawers open with iron mokko/melon style handles, and with large, round lock plates incised with kiri leaf mon as well as fan-shaped corner hardware. Side lockbox has two small drawers within. Original Charming lacquer finish. Late Edo early Meiji Period (circa 1850's - 1900) Size: 45.25" height, 44" width, 16.75" depth