From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

From our Southeast Asia Collection, a contemporary but very beautiful Burmese shwei-zawa wall hanging from Pagan, Burma, executed in brilliant gold leaf against a shiny black lacquer ground. The scene depicted is most likely something from the Jataka Tales (the stories of the previous lives of the Buddha), though we are not positive which exact scene is being portrayed...

Fine old Cambodian lacquered woven bamboo betel box. No damage or restoration other than natural wear, as to be expected. Any lacquer coming from Southeast Asia with no signs of use is a strong indicator that its new. Circa 60 to 90 years old. D: 21.5cm/8.5in and H: 9cm/3.5in

From our Southeast Asia Collection, a stunning and large martaban-type lacquer jar from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

From our Southeast Asia Collection, an extremely fine and very attractive dome-shaped, two-piece lacquerware box from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

From our Southeast Asia Collection, a very attractive 5 piece Pagan-style lacquer hsun-ok (offering vessel) from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

From our Southeast Asia Collection, a very striking contemporary Burmese writing box done in the "shwei-zawa" technique, with gold leaf floral designs known as "chupan" set against a shiny black lacquer ground, all done to very striking and dramatic effect...