Fine old Burma lacquerware box. This piece is quite rare in that it is a complete set with three compartments on top and one shallow “hidden” compartment in the base. There is an old repair on the cracquelure on the lid as well as some traditional restoration on the undecorated portions. This is an early 20th century piece (possibly 19th century) from the Gadu-Ganan region, Shan State. D: 16.cm/6.2in and W: 16cm/6.2in.

A rare Burmese book with paper (made from mulberry tree bark) pages, the front and back covers with lacquer relief decoration with small inset glass spangles. The central panels showing the title of the book in Burmese script. Approximately 280 pages, handwritten in black Burmese script, edges gilt. Condition: covers are dusty (one is dirty) and with some wear, some corners with small losses. Pages with few stains, but wormholes. Dimension: 39.4 x 17.6 x 9.5 cm, weight: 2.4 kg.

Large, authentic, antique Burmese lacquered gilded statue of the crowned Shakyamuni Buddha, 19th Century, Mandalay period, Burma...

Rare late 19th/early 20th century Thai tobacco/betel box, with original inner tray. Minor losses to lacquer and the footrim repaired and replaced. Stunning delicate deep dark red and black floral scroll pattern. D: 19.5cm/7.8in and H: 7.4/2.9in.

Fine old Shan Burmese lacquer box, circa early 20th century with one tray and depicting monkeys playing in foliate background. This piece is a real classic beauty (IMHO). There are a couple of repairs at the edge of the rim noted in enlargements as well as craclature on the surface and nicks around the foot. H: 19.2cm/7.6in and D: 22cm/8in.

A rare Antique Thai Cinnabar/Black lacquer offering tray. 19th Century, Northern Thailand. Condition overall good. Size: Height 11" x 16.5" diameter on top (28 cm x 42 cm).

Fine old lacquerware antique, cylindrical box, possibly Karen or Shan, from North Thailand, with rattan bindings, these are becoming increasing difficult to find these days. Some loss of lacquer on the surface. H: 15cm/5.8in and D: 7.3cm/2.8in.

Superb antique lacquered bamboo woven box from the Lisu ethnic minority, Northern Thailand. This piece is in good condition with minute losses to lacquer but perfect woven body. Please view enlargements to appreciate the fine detail on this, also note that this double walled. L: 11.cm/4.2in, H: 5.5cm/2.3in and W: 6.5cm/2.5in.

Nice old Cambodian “siri” box. This piece predates the Khmer Rouge regime and circa 60 or 70 years old. In good condition, this has an unusual 4 carved bamboo bands- most only have 1 or 2, so it is quite ornate There is no significant damage other expected signs of use and wear. In recent years Khmer lacquerware is making a comeback, however most of this is used for “home décor” export items, as far as I know no one is currently resurrected items for common household use...

Magnificent lacquered basket with domed lid from the Karen ethnic group Northeast Thailand. The walls are constructed of strips of bamboo with rattan bindings and wooden base. The lid has one layer of woven bamboo with a tihck layer of natural lacquer while the lower half has a classic double layered wall with another coating of lacquer inside, which would have made this piece virtually water proof. Minor layers of lacquer loss in the interior, otherwise super fine condition...

Very large Cambodian brown lacqered clothing box with beveled dome lid and rattan bindings. Nice old village construction circa 50 or 60 years old. Constructed from molded wood and in good condition except for minor loss to crenellated decoration around the base. D: 38cm/14.9in and H: 22cm/8.6in.

A large betel-box "kun it" with one internal tray, made of woven and coiled split bamboo covered with lacquer. The slightly domed lid and the drum with yun decoration of king and court scenes and several inscriptions. The interiors with plain cinnabar red lacquer. Condition: traces of usage, some age cracks and wear, rim and lacquer losses, lid with a damaged area. Dimension: diameter: c. 23 cm, 21.3 cm high. Provenance: Swiss collection.

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese metal manuscript (KAMMAVACA) made from metal coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

Cambodian semi antique Khmer basket circa pre 1950. Excellent condition, with natural lacquer and some painted design. Woven with split bamboo it is still quite serviceable, please view enlargements to appreciate the detail of this weave- you will not find any genuinely old baskets in Cambodia anymore (or anywhere else for that matter). Dimensions: 27cm/11.8in diameter and 15cm/6in height. There is some damage to the footrim noted in last enlargement.

Complete set of five Shan esoteric Buddhist images. These consist of a Buddha, three monks and a chedi. These are covered with traditional gold and back lacquer and the bodies are made from compressed powdered herbs or temple incense ash. They have a quirky abstract quality to them, their facelessness represents that the individual is inconsequential but has the potential for becoming a Buddha, on the bottom are the eight Burmese zodiac symbols based on the days of the week...

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate...