Antique Chinese table screen made of serpentine from the Nangyang region. In two separate pieces: the picture slab of prized serpentine is framed in Huanghuali which sits into a carved frame. Valued for it's undulating natural snake-like layers, this serpentine screen once sat on a scholar's table. There, it could be admired and pondered for it's beauty.

Age: Ming Dynasty 17th Century

Dimensions: 22 1/2" high x 13 3/4" wide x 8" deep

Antique Chinese bronze censer deeply incised with designs of protector dragons and magic pearls in the clouds above a river. Round, squat form with wide mouth. The bottom has a 6 character Xuande mark.

Cartouche Ming Dynasty - most likely 19th century

Dimensions: 7 1/2" wide x 2 1/2" high

Antique Korean porcelain vase with blue underglaze design of the great dragon protector and the magic pearl flying in the clouds. Baluster form with high neck.

Ceramics are a form of popular art during the Joseon Dynasty. Examples of ceramics include white porcelain or white porcelain decorated with cobalt, copper red underglaze, blue underglaze and iron underglaze. Ceramics from the Joseon period differ from other periods because artists felt that each piece of art deserved its ow...

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.

Image: H 43.25 x...

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches.
Total length: 58 inches.

Few old water stains on brocade, few tiny stabilized damages in paper, some damage to embroidery, all in all very good cond...

Height: 18 cm (7.2 in)
Width: 7 cm (2.8 in)

Satsuma vase; hexagonal in shape; two main panels of figures in rural settings; additional scenic panels decorated with sepia colour tones; raised gilt and enamel features throughout; some wear to gilding; good condition

This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this era, it is fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen, is of the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produc...

Swirling white brush strokes decorated with dabs of iron like leaves blowing in wind on this square form by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Hakeme Take Moyo Hoko (Bamboo Pattern on Brush Stroke Square Bottle). It is 10-1/2 inches (27 cm ) tall and in excellent condition.
After serving in World War II, Tatsuzo apprenticed under world famous Mashiko Mingei potter Hamada Shoji, establishing his own kiln in 1954. Working with rope p...

Japanese Antique Kesa Cloth (Buddhist Priest's Vestment) made with prized brocade displaying the crest of the Tokugawa shogunate and framed with a rare purple and gold silk brocade with red accents. The "triple hollyhock" mon belonged to the Tokugawa feudal military government of Edo Japan (1600-1868).

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched ga...

Bronze sculpture of a pair of geese, necks stretched out. Both are abstracted into a beautiful silhouette with only the most essential lines to indicate movement and character. One goose is stretching its head towards the sky (or full moon), the other stretching its neck towards its companion.
Bronze with brown patina.
One goose signed Sou for Saegusa Soutaro
Japan, Showa era, ca. 1950s.
Geese (and full moon) are a symbol of the fall

H 12 ¾ and 6 ½ inches

Excel...

An antique Korean Bundaji (bedding chest) made of Elm, Genko and dense Pine woods. Likely commissioned to be made and presented as a wedding present for a married couple it features its original brass hardware filled with a multitude of auspicious symbols. The five gourd hinges represent fertility and wealth. The double cabbage design represents a harmonious marriage. The Sea Bream represents wealth while the diamond shaped archaic pyramids surrounding the front symbolizes the ancestral fami...

Rare Nakamura Donen (1876-1937) Mishima Ware Chawan Bowl with Gold Repair Kintsugi. Nakamura Donen was a famous potter during Meiji-Taisho periods who worked in different styles such as Raku and Mishima. He has a lot of Korean influence in his works as he studied the pottery in Korea. Size Width 11.5cm Height 8.6cm Condition Overall good, the bowl the some repair with gold. Please see the images for details. Supplied with old wooden box.

Pure elegance and simplicity of form by Komazawa Risai enclosed in the original signed wooden box titled Mage-Kensui (Round Spent Water Container). It is lacquered outside is tame-nuri opaque wine-red, inside is polished ro-iro black decorated with gold reeds overlapping from all directions. It is 16 cm (6-1/2 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition. It is made by Komazawa Risai; head of one of the ten crafts families of the three Senke tea schools adhering to th...

Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.

Length 13-1/8 inches

Tiny chip at leaf edge. Fine condition.

A pair of antique Japanese lacquer presentation processional boxes finished in original Urushi. Constructed of Hinoki (Cypress) wood it was made for both strength and to make it light in weight. The tops each have a hook style hinge on one side and a clasp on the opposite side where a cord or a lock would have kept the contents secure. The interior is lacquered and the floor contains two rings which were used in conjunction with a cord to secure the valuable content from shifting about. The ...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Karakusa Hachi (white porcelain bowl with Chinese Grass Design). The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 19 cm (7-1/2 inches) diameter, 8 cm (3 inches) tall and is in excellent condition.
Tsukamoto Kaiji (1912-1990) was fascinated with Song period Hakuji and Se...

Urushibara Mokuchu (Yoshijiro) (1888-1953)
Horse (Facing Upward)
Date: ca. 1940s.
Size: Oban. Approximately 14.75 x 10.75 inches.
Signed "Y. Urushibara" in pencil.
Sealed "Mokuchu".
Round watermark at top margin.
Medium: Japanese woodblock print.
Condition: Excellent.
Removed from original folder.

This is Japanese vintage indigo dye cotton and kasuri ikat sashiko boro noragi Thick jcaket of It is a big noragi. There are finely detailed fine stitch sewing by hand. It can enjoy both sides. Although there are slight dirt, discoloration over many years, it is not noticeable It has no damage. They are not disturbing, and as a whole it is in very good condition. noragi jackat can be worn wearing easily like a light jacket or cardigan according to clothes such as shirts and blouses, ...