Bronze incense burner representing an old man, riding a carp hands joined, in a tumultuous sea.

The man could also remind the deity of fishermen and prosperity, Ebisu, which is often represented with a carp. However, it is usually represented with a large hat called kazaori eboshi.

The carp is a fish symbolizing perseverance, courage and wisdom, as it swims up rivers and waterfalls against the current. It is said that if it manages to swim up the Yellow River, facing th...

Brush box (fudebako) made of wood and lacquer. On the lid, lacquer decoration representing sagittarius, a flower inlaid with ceramic and a leaf inlaid with mother-of-pearl (raden).
Interior and base of the box in nashi-ji lacquer.

Taisho Era (1912-1926)
Height: 1.4 in. (3.5 cm) - width: 2.8 in. (7.2 cm) - depth: 9.4 in. (23.9 cm)

Four-square inrô in hiramaki-e lacquer, maki-bokashii and mother-of-pearl inlay (raden) in the form of a man sailing on a boat, against a mountain background. On the back side, bamboos are in the foreground.

Horn netsuke of a man resting against a stone, a fan in his right hand.
Ojime in stone painted with white carnations.
Sold in a box which is not original.
Small boxes formed of interlocking compartments, inrō (印籠) are traditional Japanese clothing items...

Small iron lantern of rectangular format stretched in height with its base. The paper comes from a book page of classical Japanese literature. This writing is developed from the 8th century and is borrowed from the Chinese writing.

Japon - early 20th century Height: 11 in. (28 cm) - width: 3.4 in. (8.7 cm)

Wood and lacquer lectern (kendai) with a drawer at the foot. Takamaki-e decoration representing an eagle on a rocky promontory, surrounded by vegetation. Head down and wings half unfolded, it is about to fly away, perhaps to hunt its prey.

The eagle is considered as the king of birds. Its tail feathers are said to be the best feathers for an arrow. It is said that these were given to the imperial court and to the shrine of Ise (Mie prefecture), one of the most sacred places in Shint...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth. In the Chinese zodiac, taken over by Shintoism in Japan, the mouse (or rat) is the first of the twelve animals, a place that it owes, according to the m...

Fine Large Chinese Neolithic Banshan Painted Pottery Jar

This impressive pottery jar was, incredibly, made around 4,500 years ago during the Banshan Phase (c. 2600 - 2300 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province.

This jar is made from a relatively highly-fired pale reddish pottery. For its size it is relatively thinly-potted. It has two sturdy loops handles on opposing side of the waist. It has a smooth burnished s...

Large Chinese Neolithic Machang Painted Pottery Jar

This impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist. The outside of the jar and the mouth have been decor...

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

A bowl deeply impressed with Jomon rope designs by Living National Treasure Shimaoka Tasuzo enclosed in the original signed wooden box. It is 7.5 (3 inches) tall, 13.5 cm (5-1/4 inches) diameter.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo Kogei Daigaku Ceramics division in 1939. The following year he would meet Mashiko Mingei potter Hamada Shoji, and the course of his life was thought set, graduating in 1941. However he was drafted in 1942, and sent to Burma...

SPOOLS

Various types of Korean wooden spools of early 20th century. Thread is the one originally reeled at that time. 10.5 x 6 x 0.8 (4.13 x 2.36 x 0.31in) - 12.5 x 6.5 x 1cm (4.92 x 2.55 x 0.39in)


selected by kikue




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Small deer in cast bronze. The animal is shown lying down. It's a roe,stag or maybe a deer. Very good quality of sculpture. The perfection of the volumes, the search for detail and the neat finish are similar to those that we admire on the Netsuké. This little deer must be a Japanese work rather than a Chinese one, it is impossible to date it with exactness. Probably Edo or earlier. The deer was the protector of Buddhism. 85mm x 54mm The base pierced with a square hole. Very beautifull old pat...

Wood tray mended with metal hinges. It has beautiful annual growth rings and grains. The first half of the 20th century. W:27.5cm, L:40cm, H:4.8cm, Weight:1100gm

Beautifully plaited bamboo basket we think by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. It is not signed but exactly like the signed Kyokusho (Sounsai's art name) pc4 we have on the site. Circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" tall by 10" wide. Great condition. Ask for shipping quote.

Khmer 12th Century Glazed Stoneware Jarlet

This unusually-shaped small stoneware jar was made during the 12th Century. It has a globular body that flares down into a relatively wide foot with a flat base. The body is decorated with four groups of three vertically incised parallel lines. Around the mouth is a serrated edge.

Height 6 cm. Where the glaze is at its thinnest it has flaked from the surface in places, but there is no restoration or repair.

From the estate of a London collec...

Rare Khmer 10th Century Glazed Covered Stoneware Box

This very rare and unusual stoneware box dates to the 9th or 10th century. It is quite "heavily-potted" and coated both inside and out in a thin transparent pale green glaze. Iron particles within the clay appear as black spots in the glaze. Although the base is flat it is a little uneven and the jar appears to "lean" depending on which angle it is viewed at. To the base are purpose-made incised lines, often seen on Khmer ceramics from the...

This raw form covered in scorched white has been slabbed off in the Shinogi style by Atarashi Manabu. The word Shinogi denotes the curve on a samurai Sword blade, and has come to be used in pottery to describe things which have been scored or sculpted with a knife. The sake vessel is 15.5 cm (6 inches) tall and in excellent condition and comes enclosed in the original signed wooden box titled Shino Shinogi Tokkuri.
Atarashi Manabu has been growing in popularity as one of the leaders in ...

What a joy to hold this igneous Guinomi by Atarashi Manabu, the stone like texture and form are a pleasure to the palm. It is covered in thick ash outside, pooling into crystalline shades on the surface outside, while the inside is largely left untouched, offering a view of the clay and a stark contrast between the inner and outer surfaces to enjoy visually. It comes enclosed in the original signed wooden box titled Iga Shinogi Guinomi. The vessel fits perfectly in the palm, roughly 7.5 cm (3...