Antique Japanese small bronze door latch in the form of a rabbit. The rabbit sits on a section of hollowed out log. The log is patinated green and the rabbit, a deep orange. With signed tomobako.

Age: Taisho/Showa Period (circa early 1900's)

Dimensions: 1 1/4" high x 2 1/8" long x 1 1/4" wide

A rare small size bronze Laos rain drum. Would have originally been given as a gift to a wealthy family's children to play. Stunning relief work seen with great detail on all sides. Pair of four frogs sit atop the flat surface. Excellent original condition with beautiful patina consistent with age.
With a lot of respect, if not fearfully, Kmmu played bronze drums for all kinds of ceremonies: to pray for the rain to come or to stop, to protect against animals or thieves in harvest times...

A very rare blue and white tripod censer standing on three legs, well balance potted with two straight ears, surrounded to the neck with six emblems mark. The body with the design of three friends of winter, these are the bamboo, prunus and plum blossom and one Fungus scroll such known as Ruyi. Ming Dynasty 15th century possibly Interregnum period Thianshun to Early Chenghua period. Found at Kalimantan Island Indonesia. Condition is very good, no any chip, no any crack and free from any restorat...

A Southern Song Dynasty Longquan area celadon lotus bowl, covered overall with olive green glazed. Condition is very good, no any chip, no any crack and free from any restoration. Diameter: 16,5 cm and Height: 5,5 cm.

An early celadon ewer with small crackled glaze to entire body, covered with a deep green glazed. Base with spurs mark and glazed. Northern Song Dynasty possibly earlier. Condition is very good, no any chip, no any crack and free from any restoration. Found at Java Island. Height: 14,5 cm.

Carved amber glass snuff bottle, a stylized animal head to each side. China, late 19th century. Height "2/ 5.2 cm. Condition: minimal nicks to rim (cf. pics).

I find this piece captivating, the golden thorns rupturing the rough and blank matte white clay. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun. Though the visible surface may be flat, rough-hewn, colorful, torn, mat...

Antique Japanese figure of seated Quan yin, made of carved cinnabar lacquer. She is seated on a lotus throne and holds a scroll in her hands. Her robes are carved all over with floral and Buddhist motifs. Her facial expression is serene, befitting her role as goddess of compassion.

Age: Meiji Period (1868-1912)

Dimensions: 6 1/4" high x 3 1/2" wide x 3 1/4" deep

Antique Nepalese bronze figures of Yama Dharmaraja and Yami in tantric embrace. The buffalo headed Buddhist protector, Lord of Death and Justice stands with his consort. He tramples a male buffalo with one foot, a female victim with the other. He brandishes a skull-tipped stick in his right hand and his hair streams out in flames behind his horns.

Age: 19th century

Dimensions: 5 1/4" high x 3 1/4" wide x 2" deep

Antique Chinese pair of ornately carved gilt wood panels. Each panel is a mirror of the other and depicts a scholarly display of flowers in an elaborately carved vase. Among the flowers are lotus, peonies, berry stalks and blossoming fruit branches. Attracted to the berries, are a pair of kingfishers. Each vase stands on a multi tiered display with scrolls in boxes and upright containers surrounded by bats and kylin (qilin). Later backed with dark purple glass.

Age: 19th century <...

A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves.
The obi has been opened; a practice quite common in order to have the material cleaned. There is a paper (dry) cleaner’s tag on the obi.
Japan, ca. 1950s.
L ca. 13 ft, H ca. 13 inches

Fe...

A large Japanese wood okimono of a shishi with its puppy on a wooden base. Silk, enamel and glass eyes. Edo period 18th century Sizes: 37 x 50 x 30 cm Condition report: Good condition

A shell incense box (kogo) painted in relief pure gold with waka writing inside with probably poetic or romantic references. Very similar to shells for the game of kaiawase, but larger in size. Edo period 19th century Sizes: 5 x 10 x 8 cm Condition report: Good condition – with tomobako

The size of Box: 4 1/4" Square x 2 3/8", Medallion size: 2 5/8" Dia x 1/4" High dome shape. The si"e of Presentation Box: 9 7/8" Long x 7" Wide x 3 1/4" High. The title of work: Dream Mist. The design depicted from Nadeshiko (Dianthus, Pink) flowers with such a delicately made by very thin/fine silver wires. This Japanese Cloisonne, Shippo Medallion was created by Fine Japanese Cloisonne Artist, Shinya Okamoto from Chiba Prefecture, Japan. I am proudly present first time his work for selling in...

Antique Japanese wooden bowl carved in the form of a wide lotus leaves. On the inside of the bowl, a frog with turquoise eye climbs the stalk of a lotus blossom. Two more frogs cling to curling leafy edges. The underside of the bowl is carved like the underside of a lotus leaf including it's spiraling stalk.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/4" wide diameter x 3 1/4" high

Fantastic Bizen Sangiri stoneware vase made by Jun Isezaki (b. 1936).

Sangiri is the Bizen technique when the vessel is partially buried in sand in the kiln. The exposed area turns blackish because the ashes that cover it retards oxidation.
Jun Isezaki was named a Living National Treasure in 2004.

Bizen ware was originally produced in Imbe village of Bizen province since Kamakura period of 14th century.

Size
Height 22cm
Diameter 12cm

Co...