A rare pair of original Japanese six panel screens depicting the four seasons of Ginza. The panels are painted in the traditional Kano school. Using exceptional technique, the images are hand painted with natural rimpa paint and ink and gold leaf ground on gofun paper. The six panels depict the seasonal landscape of a Ginza garden. Excellent overall condition.

Date: Edo Period (Early 19th Century)

Dimensions:41 1/2” high X 110 1/2” wide (Each screen)

An unusual Japanese six panel screen of Ducks, Egrets, and Pheasants. Painted with rimpa paint on an unique mix of gold and silver leaf gofun paper, which gives the screen an incredible look and balance of cold and warm tones, depending on lighting. The painting composition shows influences of natural history and the importance of empty space.

Date: Meiji Period (early 19th Century)

Dimensions: 67” high X 147 1/2” wide

An antique Japanese six panel screen depicting a quiet pool with birds taking a rest amongst the grasses and flowers. Ink and light colors on paper. Silk boarder. Condition consistent with age.

Date: Taisho Period (early 20th Century, 1912-1926

Dimensions: 65” high X 148” wide

An antique Japanese 4-panel screen painting. Each of the flowers shown has a meaning known as the Language of Flowers, depicting Love, Loyalty and Family. Painted with mineral pigments and raised gofun on gold leafed paper.

Date: Taisho Period

Dimensions: 67 1/2” high X 96” wide

Used as a "top coat" by a Han Chinese person. Lush black satin weave silk fabric, ornate frog closures, original matching streamers, wide embroidered sleeve panels using metalic covered thread and couching technique. Pristine condition... seal from Chinese Gov agency certifies age to be 100+ years...I bought in China in the late 90's

Vintage Woman's Jacket from Miao Ethnic Minority of Southern China. Indigo Dye fabric, covered with intricate batik pattens. lower panel on back has rows of hand woven decorative tape... comfortable to wear or use as great wall decoration. 36 inches long x 21 inches across shoulders. Fits med size woman...field tested...

A truly stunning Japanese six panel screen hand painted with raised rimpa paint on gold ground leaf gofun paper. The subject matter is a view of a natural overgrowth of hollyhock, sweat peas, and morning glories cascading and creeping over the bamboo fence.

The Hollyhock flower in Japan represents is fertility and fruitfulness. During the end of its life cycle when the leaves and stem begins to droop, the hollyhock produces a round disk that encompasses many different seeds so th...

Takahashi Shotei (Hiroaki)
The Sumida Bank in the Night (aka. Sumida Dike in the Night; Boat by the snow-covered bank of the Sumida River)
Size: Approximately 14.75 x 5.75 inches.
Date: 1907. Pre-earthquake.
Shotei seal at right.
Publisher: Watanabe Shozaburo.
Reference: The first illustration in The Collected Print Works of Shotei Takahashi, a Modern Ukiyo-e Painter, p. 10.
Condition: Excellent. The slightest creasing at left.
Considered to be both Shotei...

Unsigned acrylic/oil portrait of a woman worker acquired from a Hong Kong auction. I am assuming this was painted while China and Russia were still friends so would date this pre 1960. Good example of Socialist Realism (girl meets tractor) kitsch, W: 35cm/13.8in and H: 45.cm/17.8in.

Lovely Chinese basket most likely woven by the Zhuang or another of the many ethnic minorities in Guangxi Zhuang, China where I bought this over 20 years ago. This woven from split reed stalks and has a nice soft feel to it. This piece is quite old, 50 to 100 years (best guess). It has an unusual trapezoidal/oval shape and I like it for its sturdy simplicity. Minor unraveling of some of the weaves here and there but in very good condition given it age. H: 14cm/5.5in and L: 24cm/.5in...

A monochrome porcelain Vietnamese bowl from the 14th-16th Century. The clear ivory glaze has an incised design of a flower with 2 lines above it. The exterior of the bowl has a carved lotus pattern that extends to the bowl's small footing. During the 14th century, a second stacking method for firing was introduced using a ring-shape separator. It became the preferred stacking method by the 15th century. Vessels fired using this method have an unglaze ring on the inner base. The stacking process...

A lustrous antique Vietnamese tea bowl from the 11th-13th Century. The ivory coloring glaze has hints of blue in the central portion. The bowl is incised with 2 little boys surrounded by floral and pomegranate with a ring of dots. Indication that this piece was pressed from a mold. The rim is unglazed, as is the small footing. Yingqing (“shadowy blue”) ware is distinctive for its light buff-to-white, usually translucent body covered with a white (bai) glaze that is tinged with a pale blue (...

This is a Nepalese illuminated manuscript, dating to circa the 18/19th century. Done in the customary "accordion" format, the book features a large multi-armed Goddess (probably Durga or Kali), with multiple attendant figures. The illuminated area measures 8-1/2" X 11-1/2" and occupies three panels of the manuscript. The reverse side consists of handwritten text (Devanagari? Sanskrit?), the whole on thickened yellow paper. "unfolded," the manuscript measures 8-1/2" X 36" (approximately), as each...

A beautiful antique Annamese Vietnamese jar with a clear ivory glaze. On the shoulder are 4 applied rosettes between 2 raised lines. Vertical lines extend from the rosettes to the unglazed base. The jar has a short neck and rolled rim. Some imperfections. Annamese refers to Vietnamese porcelain, since Annam was the name of the southernmost province of China after the Tang dynasty. The name is the Vietnamese form of the Chinese name "the Pacified South". In modern time, Annam was a French protect...

Japanese gold lacquer Inro with five compartments, decorated in low relief landscape scene of temple in the mountain surrounded by pines and connected by a small bridge over a river in gold lacquer. The reverse side shows mountains in the distance and a small seaside village. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). The cord has a metal ojime. Inro (seal basket) are small decorative containers that hang from the waist. They originate at the end of the 1...

Qing dynasty 18th century Kangxi period blue and white saucer dish, decorated with Chrysanthemum and butterfly. Mark within double circle to base. Condition is very good excepted minor fritting to rim side, no crack and free from restoration. Diameter: 11,6 cm.

This is a Japanese antique beautiful tsutsugaki Hand drawn yuzen dye silk child kimono Pattern of Rabbits flying above the waves of the edo era. t is a very good-quality kid kimono.It is very carefully drawn by hand. The rabbits flying between the waves are dynamic and very charming. It has a thin stain on the back. However, The stain does not stand out. It is no damage.They are not disturbing, and as a whole it is in very good condition. size::Length 114cm (44.8inch) sleeve to sleeve 112...

A rare and exquisite of Early Qing Dynasty 18th century Guan type tripod censer standing on three animal legs, covered overall with grayish celadon with unglazed crackled pattern. Condition is perfect, no any chip, no any crack and free from any restoration. Diameter: 11,1 cm and Height: 7,7 cm.