This is a traditional Qing Dynasty woman's skirt. Chines skirts during this time period were made in 2 sections which were "buttoned" together with "frogs" The skirt was then wrapped around the hips so that the flat sections were displayed at at the front and back....the pleated sections were at draped the sides... The background fabric of this skirt is an unusually fine jacquard silk but the pattern of the jacquard does not show in the pics....the pleated sections of the skirt and also meti...

Rare Song Dynasty terracotta sancai glaze male attendant, Sichuan Province. Ht. 20 cm. Condition: glaze deterioration as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

A very rare and very unusual solid gold mythical animal for a pendant or part as a necklace. Never seen one like this. The gold is natural occurring gold which makes it an ancient item. Size: see last photo. Weight:7.48 grams

A shell shaped swirling form by young female artist Takatsu Mio enclosed in the original signed wooden box. It is 6-1/2 inches (16.5cm)wide, roughly 7 inches (18cm) tall and in excellent condition.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited works were in 1999, and then again in Tokyo in 2001. ...

Large Chinese ink and acrylic on crumpled paper painting of a mountainous landscape scene with trees in the foreground by Zhu Yixiong (Ju I-Hsiung). Titled, dated 1978 in cycle years, and signed in black ink with two red artist seals below the signature. Mounted on a wood backing and framed in a nice quality wood moulding with no glass. Framed size: 25 1/2” x 47 1/2." Very good overall condition. Zhu Yixiong (1923-2012) was born in Jiangsu province and graduated from Xiamen University in 19...

A nice and rare of blue and white square jar, decorated with four kinds of flower, these are a Chrysanthemum blossom, Ruyi scroll, Lotus pond and black berry lily blossom, all the leafy extended to the top. Two scrolls handle attached to the top as well, unglazed flat base firing to reddish orange peel till later period of Ming Hongwu example, but still transparent when we look under the daylight or strong light. Recently acquired from East Java collector. Condition is excellent because luckily ...

A fine Ming dynasty underglazed blue and white jar with lid, Yuxi kiln Yunnan, China. Ht. 8.5 cm. Condition: no chip, no restore. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

A charming Chinese Song to Jin dynasty Cizhou black glaze bowl with russet splash. Dia. 17 cm ht. 7.5 cm. Condition: perfect glaze, no chip, no restore, sign of use. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

A beautiful Nashiji (sprinkled gold flakes) ground lacquer Natsume, Tea caddy. It has an elaborate cartouche on the lid in gold makie, gold and silver on a chocolate lacquer background depicting a stylised landscape (mountain, hermitage river and boat). 3 cartouche on the sides in lozenge form in heavy, raised lacquer; one with fishing hut among reeds and half moon; one with fish nets and seagulls and the last with seabirds on raised waves. The inside also in sprinkle gold flakes nashiji...

Antique Japanese kura tansu (warehouse storage chest). Made of keyaki (elm) wood with iron hardware. The top portion has a large compartment covered by sliding panels with vertical slats. The bottom portion has another compartment covered by sliding panels with horizontal and vertical slats. Heavy wooden braces for strength on sides and back of chest.

Late Edo Period (1644 - 1868)

Dimensions: 35 1/2" high x 35 3/4" wide x 19 3/4"deep.

A rare antique Japanese kuruma tansu (wheeled chest) originally used for storage. Made out of keyaki (elm) wood with hand forged iron hardware in very good original condition. Large sliding panels open to reveal an open shelf on the right side with a hidden storage area under the shelf. The left hand side has an open shelf with 4 drawers tucked underneath. Symmetrical uniform wooden horizontal bracing on the sides and back of tansu. Gorgeous original finish and patina. Unusual to find one ...

Money purse with three compartments, Chinese, c 1900. Lids and visible parts embroidered with flowers in brick stitch. The inside of one lid with a paper label saying No 7 Peking China. Width "4 ¾ / 12 cm. Condition: a few stitch losses to one side.

Gourd shaped pouch with brick stitch embroidery of auspicious signs and characters. Chinese c 1900, the inside with a paper label saying (No)7 China. Height "7/ 18.5 cm. Condition: fine, apparently never used.

Gourd shaped silk pouch, China c 1900. Embroidery of extremely fine seed stitch / Peking knot, depicting bamboo growing in water and on top a Yin/Yang emblem. Inside is a paper label saying No 6 China Peking. Height "6 ¾ / 17.7 cm. Condition: this pouch has been used and shows wear and tear consistent with age.

A lady’s kidney shaped silk scent pouch, China c 1900. Satin stitch embroidery of flowers and auspicious bats, the draw string with a paper label saying No 6 Peking China. Width "4/ 10 cm. Condition: fine.

Double gourd silk pouch with seed stitched calligraphy. China, c 1900. Height "6 ¼ / 15.5 cm. The inside with a paper label saying No 9 Peking China. Condition: to one side some residue from another label.

Kasamatsu Shiro (1898-1991)
Misty Evening at Shinobazu Pond
Date: 1932.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo.
First edition. Watanabe sausage seal (in use 1929-42).
Shiro seal lower left.
Medium: Japanese woodblock print.
Condition: Faint matte line near image edge. Pinhole at margin edge. Light toning and fading.

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings. His painti...