Antique Japanese choba tansu (merchant's chest) with negoro lacquer finish (distressed red and black lacquer). Made of sugi (cryptomeria) wood. This chest has 10 drawers of various sizes and a compartment opened by sliding panels with one interior shelf. Extensive iron hardware includes round lock plates and warabite shaped drawer pulls. From the Matsumoto area of Japan.

Meiji Period (1868-1912)

Dimensions: 41 1/2" high x 31 1/2" wide x 14" deep

his is a wonderful Japanese Cloisonne lidded bowl, done in the Plique A Jour style. Lidded bowls like this are very difficult to come across. The piece is fairly large in size measuring 4 7/8" across and is 3 1/2" tall. An array of colorful and bright flowers and leaves decorate this exquisite bowl both top and bottom. The enamel is very thick and the decorations appear to have layered over top of the translucent inner layer. . It stands on 3 enameled and silver feet. Tarnished outside rims are ...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field. Ak...

The best one of Tobi Seiji Qingbqi glazed jar and original cover I ever had, decorated with formation of triple brown spots surrounded the body and cover. The glazed is absolutely pristine and very clean like new from the kiln site, really a gem from Chinese ceramics. Yuan Dynasty 13th-14th century in excellent condition, no any chip, no any crack and free from any restoration. Height: 6,8 cm.

A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.

This treasure was part of the exhibition "The artists who searched for Mingei".

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English st...

Altar dedicated to Hanuman, the Hindu semi-god, carved in openwork relief to represent Hanuman standing with a martial attitude, carrying a club in his left hand and an uprooted tree in his right hand, and trampling a supine figure, probably a demon. Marble, with traces of red pigments. India, 18th century. Height: 13.7 cm. Abrasion due to age, otherwise very good condition.

Japanese Showa period monochrome green musen shippo wireless cloisonne vase decorated around the circumference with a band of flowers and scrolling foliage executed in layers of stacked enamel. Chrome rims. 8 1/2" high. Post World War II (circa 1945-1960s). Very good overall condition.

A very rare ewer of Tang Dynasty (618-960), decorated with artistical freely scrolling of brown and green glazed on pale brown body. This decoration is remind us to the shipwreck where founded in Belitung area which most of all is bowls, very fine ewer in my collections. Condition is perfect near excellent even reached 1000 years. Late Tang Changsha ware. Height: 20,2 cm.

Pair Japanese Blue and White Porcelain Soba Noodle Cups, Showa period, early 1900's, 3 1/8" high, 2 5/8" diameter-top rim, with transfered blue design on white, signed on the bottom. The condition is good, some missed glaze spots on the rim.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition.
Osamu was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of the influential Sodeisha (Crawling Through Mud Association), a group of revolutionary post war ceramic artists whose influenc...

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

FRAGMENTS OF BUDDHA

Three pieces of incomplete remains of excavated Thai Buddhist statue made of pottery and bronze, as a hair called 'spiral', a hand, and a pedestal. Unidentified age. Hand: approx. 4cm (1.57in), Pedestal: approx. D 14cm (5.51in)


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A beautiful ancient assorted Pyu beads and gold beads spacing necklace from the Pyu Dynasty. The main carnelian rare bead with the motif of a deer and a beautiful mixture of rare beads. Size: 42 cm,16 inches end to end. Age: 100 AD to 500 AD

DESCRIPTION: A fierce pair of Chinese pottery foo dogs, early Qing, 18th/19th C., covered with a heavy green glaze and seated on pedestals. Each bares its teeth ferociously while holding a ball between their front paws as well as in their mouths. Good detail with finely ribbed backs and curled manes. Very good condition. DIMENSIONS: Each approximately 9 ½” high (24 cm) x 5” wide (12.7 cm).

Japanese "Silver 950" marked Jewelry Box with etched design of Imperial Carriage in front of etched design of Mt. Fuji background, mid Showa period, 8 1/2" wide, 5 3/4" deep, 3 1/2" high, original Key included, inside the hinged top lined with red velvet divided tray and red velvet lined on top of Rosewood on the bottom. Beautifully etched and very fine quality of detailed of Imperial Carriage resting on the flowering bushes and Mt. Fuji in the back ground, impressed and etched mark "Silver 95...

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Tall standing Buddha carved of wood and worn from the elements. He stands in Mahakaruna Mudra, with his right arm extending from his hip and his left hand covering his heart in the gesture that symbolizes great compassion. His face is kind with a slight smile and he radiates a peaceful acceptance. Traces of black pigment. With custom iron stand.

16th/17th century

Dimensions: 59" high (71" high including base)