Chinese rare Sancai glazed pottery figure of a standing horse. The saddle pad is glazed with four colors including a rare blue. The saddle itself is covered with a vermillion slip and naturalistically modeled with sweeping folds of fabric. Most exquisite is the graceful arching of the horses neck, the slight turn of the perfectly proportioned head, and one whimsically turned back ear. With TL test papers.

Tang Dynasty 618-907

Dimensions: 21 1/2" high x 19" long

A Nepalese hand-carved wooden phurba, a Buddhist shamanic dagger used as a religious implement. It has four faces carved at the top with a bird carved into its blade. The wood has a smoothed patina and natural wear from ritualistic use.

!8th /19th century

Dimensions: 13" L x 2" W

Chinese antique rectangular foot stand made of huanghuali wood. Classic lines and simple elegance. Underside with characters in ink and old paper label.

late 19th century

Dimensions: 6 1/4" high x 25 1/2" long x 13" wide

Chinese pair of huanghuali wood official's hat chairs. Simply and smoothly carved with a cusped edge on the front legs. Rattan seats. Provenance: from the collection of the Santa Barbara Museum, California. (Note regarding the Museum label: little was known about Chinese hardwoods at the time this label was made. Thus the wood is mislabeled "cherry wood").

17th Century

Dimensions: 39 1/4" high x 19 1/4" wide x 17" deep. Seat: 19 1/4" high x 18 1/2" wide x 15 1/2" deep...

Japanese woodblock print of a geisha holding a fan against a blue ground, titled "Summer Geisha" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10" W x 16" H (artwork only)

Han Jade pendant with two connecting holes on each end. The front has the carving of two stylized Phoenix Birds and the back with carvings of cloud motifs.The phoenix was commonly referred to as the "King of Birds." A supernatural bird, it embodied the five virtues of benevolence, righteousness, propriety, wisdom, and sincerity., "When the dragon soars and the phoenix dances, the people will enjoy happiness for years, bringing peace and tranquility to all under heaven."Size: L.5cm. W. 3.5cm. C...

Japanese woodblock print of a robed geisha emerging from behind a red cloth noren, titled "After the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10 1/4" W x 16" H (artwork only)

Japanese woodblock print of a nude kneeling woman combing her hair, titled " Combing in the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10 1/4" W x 16 1/4" H (artwork only)

Stunning Japanese 2 panel silver leaf screen with stylized ink calligraphy poem and signature.

Dates from 1950's

Dimensions: length 71" x height 29"

Seated Kukai (774-835, known posthumously as Kobo Daishi), the right hand holding a three-pronged vajra (Jp. sankosho) and the left a string of juzu prayer beads, Kobo Daishi's characteristic attributes, sculpted in relief from an iron-rich igneous stone. Late-Edo Period ca. 1850. Very minor old loss and surface cracking. Variegated lichen accumulation.

Height: 39 cm
Width: 18 cm
Depth: 17 cm
Packaged weight: 17 kg.

Founder of the Japanese Shingon sect of esoteric Buddhism, creator ...

A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forward, he divided his time mainly...

Wonderful and perfectly balanced Aka Raku Chawan by one of the best contemporary Raku artists, the 7th. Kawasaki Waraku (1936 - ). It was made 50 years ago.

The tea bowl is in mint condition and it bears the seal of the artist on the bottom.

This stunning Chawan comes with its originally signed and sealed wooden box.

Size: 8,8 cm height x 11,5 cm in diameter.

Free shipping

Wonderful Kuro Raku Chawan by one of the best Raku artists of the 20th century, Choko Heian. This tea bowl was made 40 years ago and it is in mint condition.

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter is also included.

Size: 9 cm height x 12,2 cm in diameter.

Free shipping

A pair of "Ashimoto andon (foot lantern) made of cedar board, bamboo and washi (Japanese hand-made paper). The paper is replaced from shoji-gami (white paper for paper screen) to recycled washi which was a record book of a merchant in late Edo period. Washi is made from paper mulberry bark and very strong. With a carton box for a pair. 20th century. In excellent condition. 18cm x 18cm x 47cm (with a handle).

burma,crystals,jewelry,hardstones Complete ancient crystal (choker) necklace from the Pyu Dynasty, which is now Burma or Myanmar, with various carved beads and a large center bead. Age: 100 - 500 AD. Size: Length, 36cm.(14 inches) Condition: Some staining from long burial

This is a wonderfully preserved Japanese Edo Period (Late 18th / Early 19th centuries) Tosa School Monogatari-e (painted subjects depicting scenes from the life at the Imperial Court in Kyoto) Six-panel. Gold-leaf Folding Silk Screen Painting. It shows twelve scenes from chapters of the novel 'The Tale of Genji', set in two sections per screen. It measures 110 inches wide and 48 inches tall. The inside panels are 18 inches and the two outer panels are 19 inches wide. Based on the age of the ...

Standing Jizo Bosatsu, the hands bearing aloft a sacred jewel (Jp. hoju), figurally sculpted from a brick-hued igneous stone. Clearly dated on the back to the 11th year of the Kansei Era (1799), late-Edo Period. Minor old loss and desirable softening of the lines and contours overall. Variegated lichen accumulation.

Height: 37 cm
Width: 18 cm
Depth: 15.5 cm
Packaged weight: 14 kg.

Chinese small monochrome porcelain vase with a dark purple underglaze. The body of the vase is rounded with tapered foot, tall slender neck with small opening. The foot is bare of glaze.

18th/19th century

Dimensions: 3" x 3" x 5 1/4" H