A boxwood sculpture of the elephant deity Shoten embracing the female Kangiten. In Esoteric Buddhism, they signify matrimonial peace and bearing of offspring. Shoten is derived from Ganesha and is regarded as a wild one. Kangiten is an incarnation of the Eleven Headed Kannon. She appeases and converts him to Buddhism. Shoten and Kangiten are usually kept in a closed shrine as "secret sculptures" or Hibutsu (because of the sexual allusion).

Edo Period (1603-1868)

2.5" x 2"...

A Celadon cup decorated with stamp flower head to interior centre, covered overall with olive green glaze. Possibly Yuan Dynasty. Condition very good, no any crack, no chip and free from restoration, except minor glaze firing flaw to the side of above foot rim. Diameter: 6.8cm and Height: 4,4 cm

A Very Fine/Rare/Large Korean Buddhist Painting (Ksitigarbha Bodhisattva)- 19th C.: Korea, Joseon dynasty, 18th to early 19th century, Amit’a, the Buddha of the Western Pure land, and Attendants. Painted in polychrome mineral pigments on silk. It’s in fine condition with colors but has some creases associated age. it measures 53 ½” h. x 52” w. (136 cm h. x 132 cm w.). ****** This painting has been mounted in paper and wood frame on back (was removed from a outer wood frame).

Lovely fluted porcelain teapot decorated in the Imari palette with butterflies and flowers. H. 12,5 cm. This teapot is in in excellent condition: original lid, no cracks, chips or repairs, only minor ware to the gilding.

Height approximately 23.3 cm. A soft chip at the rim. A firing crack at the body. In good condition.

Diameter approximately 28.5 cm. Polished. In good condition.

Height approximately 23.5 cm. Few hairlines at the body. Some chips at the rim.

A nice and rare example of Northern Song Dynasty Longquan celadon bowl, decorated with two Wawa among floral sprays. Condition is broken and re-glued. Diameter: 19.5 cm.

A unusual multi colored ancient glass earring from Southeast Asia most likely Cambodia. Can be used as a pendant. Age: 300 BC to 100 BC. Size: Outside diameter 3.8cm. Condition: Perfect. Some dirt incrustation from long burial.Can be cleaned by soaking in water.

A striking large Tsubo in silvered Bizen ware by innovative Bizen artist Matsui Tomoyuki enclosed in the original signed wooden box titled Bizen Ginsai Tsubo and dating circa 1990. It exhibits all the features of great Bizen, the smooth clay struck with flashes of darker color. The sense is that of seeing a Bizen Tsubo in an old tintype photograph, a most unique approach. It is 10-1/2 inches (27 cm) diameter, 12 inches (30 cm) tall and in excellent condition.
Matsui Tomoyuki is one of t...

Koma-inu (lit. Korean dog, but typically referred to in English as lion dog) sculpted with the yosegi-zukuri (joined wood-block construction) technique and finished in lacquer and gilt, the eyes of painted inset crystal. Early-Edo Period ca. 1650, possibly earlier. Minor old wood loss, most notably to the front section of the left foreleg, the right eyebrow, and a tip of the gently curved mane, plus significant loss overall to the gilt and lacquer finish.

Height: 21.3 cm
Length: 22.5 cm
...

A large, Museum Quality pottery figure of a male attendant carrying a bag over his shoulder. The figure dates to Ming Dynasty, 1368-1644 AD.

The figure is placed on a large Lotus throne on top of high hexagonal plint, both in fine Sancai colours - a two-colour green and yellow glazed robe.

He wears a head dress. Finely hand painted facial details. Lotus thrones are very rare for Ming pottery figures.

The head is attachable as often seen on the largest figures ...

A rare found example of Song Dynasty Zhejiang Longquan ware vase, covered overall with golden celadon glaze. Found excavated from Borneo Island. Condition is broken like indicated on the pictures. Height: 14,4 cm.Note: Value of these kind example is much lower than the perfect one, but it's nice example for academic researches than sherds because we're was be able to evaluate and examine the whole condition from base, shape, glaze, etc.. for learning the real authentic of Chinese ceramics.

Chinese peking glass snuff bottle, of pink/maroon colored peking glass. The bottle is carved with a duck floating in a pond, surrounded by lily pads and rock formations. Carved with 2 chops and a signature on its base. With hardstone and mixed metal stopper.

Dimensions: 2 7/8" H x 1" W

Chinese Huanghuali altar table, its front and side aprons carved with dragons and fireballs. The side panels between the table's legs are carved with reticulated motifs of scrolls and dragons. The table's surface woodgrain shows many distinct "ghost eyes" associated with Huanghuali wood.

Dimensions: 64.5" L x 19" D x 34.5" H

Chinese framed painting of a mother donkey feeding her young, while a third donkey turns away in an opposite direction. Signed "Huang Zhou" (1925-1997) with two red chops.

Dimensions: (entire frame) 27” L x 18” H (painting only) 19” L x 13” H

Antique Japanese small tansu from the Sakata region, with original red lacquer top and sides and black lacquer front. The top and bottom drawer are decorated by large iron lock plates, incised with a bamboo forest, blossoming cherry trees, and small flying birds. The corner hardware on the face of each drawer also show floral motifs.

Meiji Period (1868-1912)

Dimensions: 33.75" L x 15.5" D x 18.75" H

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou). One of Chikusen’s finest works, the painting shows a pastoral scene in the countryside in Japan.

Miura Chikusen (1854 - 1915) was an exc...