Antique Chinese pair of hand-embroidered embroidered silk sleeves depicting court scenes with flowers in brightly colored silk thread. 19th Century Framed behind glass. Size: 26"H x 7.5" W

Japanese kimono made of silk and decorated with large peony blossoms on a black ground. Details of fine gold thread. Lined with white silk. Taisho Period (circa 1930's). Size: 59" high x 50" wide

Antique Japanese large scroll painting on silk of a buck and a doe. With incredible detailing such as the thousands of individual hairs on each deer, piercing eyes, long strands of grass with intermingled berry shrubs and blossoming flowers. Creating a tranquil nature scene. Signed "Toko" Tsuchinoto (boar) Aki. Taisho period circa 1920's. Autumn, Year 36 of 60 year cycle. Comes with original tomobako. Size: (entire scroll) 92"H x 33.25" W (artwork only) 56" H x 27.5" W

Rare Tibetan antique skull drum called a damaru (or damru). Two skulls make up the two sided drum connected in the middle. Two small beads at the end of thin cords attached in the center beat the drum when it held upright and twisted. A long silk sash (chopen) decorated with two tassels and auspicious symbols hangs from the center. The damaru is a sacred instrument adopted from the Hindu tantric practices of ancient India. The damaru is believed to be an instrument of the Lord Shiva with w...

Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.

A very rare round, domed ceramic chop ink container with paintings of "a hundred boys." The background is off-white with the paintings of the rotund little boys at play in cobalt blue. The surface is heavily crazed. Kangxi seal mark.

Period: Ching Period 1662 - 1722 AD

Size: Height = 5.8 cm (2-1/4 inches, Diameter = 13.8 cm (5-7/16 inches)

Condition: The bottom has chips along the rim, possibly from trying to pry it open at one time. Can be restored. (see photos) The...

A Superb Shigaraki Chawan by Sugimoto Sadamitsu enclosed in the original wooden box signed beneath by the artist and endorsed by Tea Master Tachibana Daiki of Daitokuji Temple. It is 4 x 5 x 3-1/2 inches (10.5 x 13 x 9 cm) and is in fine condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki. His Zen studies have refined the spiritual s...

Seated En-no-Gyouja figurally sculpted from tuff, an igneous stone composed primarily of volcanic ash. Mid-Edo Period ca. 1700. Very minor old loss. Variegated lichen accumulation overall.

Height: 61 cm
Width: 34 cm
Depth: 27 cm

En-no-Gyouja, a 7th-century diviner and mountain ascetic, is exalted as the founder of shugendou, a syncretic religious cult based on animistic mountain worship and Esoteric Buddhist doctrine and ritual. Stone depictions of En-no-Gyouja are exceedingly uncommon...

Very fine large Meiji Era Japanese porcelain bowl with a delicately painted floral motif accented with gold gilt highlights. The side of the bowl features cranes in various flying poses. There is an old staple and gold repair at the rim. Looking into the bowl it is not visible unless you are seriously looking for it. See last 2 photos. Bowl rings nicely. Signed on the bottom, this is a very large bowl measuring 12.5 inches across by 3.75" high.

Stone lantern in the ikekomi-gata style sculpted in four parts from granite. Early-Edo Period ca. 1650. Very minor old loss. Variegated lichen accumulation.

Height: 93 cm

Sculpted from a high-quality granite, with the formal hexagonality of the upper three parts relaxing into the tapered swell of the cylindrical pedestal, a diminutive ikekomi-gata lantern with immense charm. (Ikekomi-gata lanterns, which by design have no foundation stone, are displayed by inserting the pedestal directly int...

Standing Jizo Bosatsu, the hands bearing aloft a hoju (sacred jewel), figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1725. Minor old loss. Variegated lichen accumulation.

Height: 30.5 cm
Width: 16.5 cm
Depth: 12.5 cm

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of c...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay. The brilliant green color is the result of copper...

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...

Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi. ...

Complete footed cast bronze Hu (wine container), terminating curved and bulbous contour flaring on square mouth. Banded edge and lidded square cover. Has a slight apex top with four serpentine shaped mounted on a terminal bends. The ring handles of the hu measures 2 1/2" diameter with loped and mounted on a taotie mask which is molded in low relief. Complex verdigris patina of malachite and earth encrustation with ares showing cupperite transgression of metal oxidation. Purchases in the 199...

A silvered and beautifully engraved brass Hookah / Huqqa base. Indian, Moghal period, 18th century. Height "5¼/ 13 cm, diameter"5¾/ 14,7 cm. Condition: wear to the silver and loss of soldering around the foot rim (cf. pics).