Interesting hardwood stand in an hourglass shape. Extremely heavy, solid hardwood. Fun design that is very stable. Originally from the Philippines. Size: 18" H x 17.5" W

Antique Chinese scroll painting of a goose seated below a berry branch at the water's edge with calligraphy. Signature reads Chen Mei, dated "first day in Autumn, 1740". Size: (entire scroll) 77" H x 27.5" W (artwork only) 35.5" H x 19" W

Antique Japanese jingasa helmet, made of riveted iron panels in black lacquered, with the inside of the helmet is lacquered in red. On the front is a large ume (plum blossom) mon (family crest) belonging to the Maeda Family (ruler of the Kaga). Since the helmet is made all of iron it attests to the wealth and influence of the Maeda clan. It is more than likely that this particular helmet was worn in battle showing ware that is consistent of its age. Original lacquer and patina.

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This is a beautiful four sided Japanese cloisonne vase. The work is subtle and the workmanship of very high quality. The artists that come to mind when looking at this piece are Kawade and Souske. The vase is not signed. The rims are silver. The vase stands 7 1/4 inches tall and it is in excellent condition.

Japanese wooden shop sign. Well-carved with large lettering and small chop signatures in corners. Very heavy in weight. The entire sign has been hand carved down, exposing the kanji lettering. Natural design. Edo Period (circa 1800's) Size: 18" H x 76" L x 1.5" D

Antique Japanese scroll painting of a beautiful court lady with very long, flowing hair rolling up her screen door. To her right is a painting of cranes flying over seaside mountains and trees. In good condition. Circa 1800s Edo age (1615-1868) signed Totsugen Tanaka of the Tosa School. From Bay Area Estate. Size: (entire scroll) 63.5" H x 17" W (artwork only) 33.5" H x 9.75" W

Ivory white, forest green, and metallic brown/ gold combine to lend this tea bowl a dynamic and refreshing landscape. Bamboo fronds perceived here in the stylized outlines of white marks crisscrossing the front and back inside lip of the bowl signifying strength and resilience. Together with pine and plum (sho chiku bai)—bamboo is one of the auspicious symbols running through the heart of Japanese art and culture.

In fine condition, this piece is 5.1 inches in diameter (13 cm) and...

The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection. Purchased in New York in the mid-20th...

Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel. These two paintings are from an o...

Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation. The purchase price...

A wonderful translucent blue celadon vase decorated with a low-relief vine and grape motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forward, he divided his time...

Weighty, yet smooth and even in the hand, this Kuro Oribe bowl is quite attractive and unique in its construction. The jet-black glaze nicely highlights the Chrysanthemum flowers (Kiku) on the front and back of the bowl which are auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Eventually, during the passing of the years, the Chrysanthemum...

Japanese antique meisen ikat silk charming child kimono Pattern of Plover.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.size:Length 68cm (26.7inch) sleeve to sleeve 70cm (27.5inch)

The Chinese porcelain dish has a border of two repeating elements, a garlanded ruyi and three interlinked rings. The centre of the dish depicts a Chinese landscape with two scholars approaching a solitary angler. The dish was made for the Japanese where such pieces were used and much appreciated in the tea ceremony, at a time when the Japanese porcelain industry was in its infancy.

Approximately 15.5 cm diameter. No cracks or restoration, just some inevitable mushikui, “worm eaten edg...

Chinese silver box, traces of original remain in good condition.

Age: China, Qing Dynasty, 19th Century
Measurement: Height 5.2 C.M. / Width 8.1 C.M. / Length 13.3 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese silver box with immortals design.

Age: China, Qing Dynasty, 19th Century
Measurement: Height 4.2 C.M. / Width 6.2 C.M. / Length 10.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Two Jizo Bosatsu figures standing side by side with hands forming the gassho adoration mudra, sculpted in relief from a dark-gray igneous stone. Mid-Edo Period ca. 1725. Very minor old loss. Variegated lichen and moss accumulation.

Height: 39 cm
Width: 28 cm
Depth: 19 cm

Dosojin is the Japanese Shinto manifestation of a Chinese Taoist deity charged with guarding the border between this world and hell. Believed to obstruct the passage of evil spirits and gods of disease into human commu...

Antique fish sculpture, made from silver, with a fully articulated body, allowing wonderful lifelike movement. The forehead bears a symbol of two fish swimming closely in a yin yang formation. Its mouth is slightly open, almost smiling. Each of its scales has been embossed with intricate designs. A four character Chinese manufacturer's mark can be seen underneath the chin. Size: 7.5" L x 2" W x3.25" H