This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom of the bowl is covered in a green glaze resembling a carpet of fine moss which stands out nicely agains the backdrop of the ashen-colored crackled glazing of the walls of the bowl.

Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the h...

Antique Chinese pair of stunning barrel stools made out of Huali wood. The top and bottom are carved with studs just like a real barrel. Beautiful wood grain and shine. 20th century Size: 18" height, 15.5" width

A rare and well preserved short SHAN STATE "DHA" (Dagger) with Silver Collar and Sheaf as well as an Ivory handle. Good condition. Size: 7" (18 cm.). 19th Century

This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast. Due to the luminiferous properties of gofun, the spirits seem to appear and disappear depending on the light and the angle of viewing—add...

Antique Japanese Nabeshima ware bowl, with cobalt blue design of waves and an array of scholar objects in mint green, lilac, yellow, and red glaze. Edges are decorated with "comb" design along foot. Underside has interesting signature mark of a budding flower. 19th century. Size: 6" diameter, 1.5" height

Kurdish antique saddle bag most likely for use on a donkey, made in slit-tapestry technique in a variety of colors, woven in one long piece and the folded over on either side to make two storage pouches. The primary central motif is that of two eight armed stars, below this another half reserve with two half-stars and surrounding it all is a beautiful decorative guard band delineated by narrow fence motifs. The open edge of each pouch is outfitted with a colorful series of tabs most likely...

Antique Kurdish tribal rug, made up of four separately hand knotted panels sewn together, possibly originally meant for use as a utilitarian bedding bag (mafrash), beautiful array of colors, the two central panels are framed in a decorative guard band for protective strength, the interior motif appears closest to a rosette motif although could be stylized version of the wheel of life motif, wonderfully integrated into the main motif field are the random additions of a tiny animal figure a...

Charming Antique Japanese box with large lid, lacquered red and black with mother of pearl inlay. Black lacquer mon of pine tree and writing in black, heavy iron hardware. Has original holes for tying top to bottom for travel. The inscription on both sides state the name of the confectioner. Trans: Confectioners Matsuzaka Asano Rokkado. Late Edo Period- Meiji Period (19th century). Size: 17" high x 16" wide x 13 1/2" deep.

Antique Japanese merchant's chest (choba tansu), made of sugi (cryptomeria) wood with dark red lacquer finish, 4 exterior drawers and safe box with 2 small interior drawers. Beautiful heavy iron hardware including elaborate bracing on front frame, wooden bracing on sides and back. From the Mikuni area in Japan. Edo Period (late 18th Century. Stunning original Condition. Size: 32 1/2" high x 38" wide x 18" deep.

Rare limited original woodblock print by Paul Jacoulet (1896 Paris - 1960 Karuizawa) with glued title label in French "First Love - Young Girl from Yap", lavishly printed with gofun, mica and karazuri. Signed in pencil, red Daikoku's mallet seal, left margin with seal of printer Maeda and paper with artist's watermark. Reverse with red edition cartouche in kanji 48/150. Please refer to Richard Miles "The prints of Paul Jacoulet", No. 43 with picture. First impression, according to R. Miles there...

The Hiramaki-e technique, which dates from the latter part of the Heian Period (794-1185), was preceded by Togidashi maki-e, a technique in which not only the design, but the whole surface is covered with clear lacquer after the sprinkling of metal powder. The lacquer is then polished down to reveal the design.

The Japanese letter box is decorated in low relief of mountainous terrain and a stylized linear mist or cloud line. The interior ground is lacquered and sprinkled with gold fl...

Charming monkey eating persimmon boxwood okimono. Very well detailed fur and paws naturally rendered. artist signed in an oblong cartouche Sinsei. Meiji Period (1868 - 1912) Dimensions: 1.5 inches high. Good condition and patina.

Large Chinese Qing dynasty Guangxu period bombe form censer (incense burner) with flared rim decorated in underglaze blue on a white porcelain ground with three horizontal rows of zhuanshu "shou" (longevity) ideographs extending around the circumference of the bulbous body. A key-fret border is above the calligraphy and a petal border is below it. Two underglaze blue concentric circles are on the recessed glazed base. The glaze extends up the interior of the unglazed foot rim. 6 1/4” diame...

A fine dark olive bronze by Living National Treasure Katori Masahiko enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. Katori Masahiko (1899-1988) was born into the family of prominent Bronze Artist Katori Hozuma in Chiba. He was internationally awarded at the Paris Exposition in 1925, the year he graduated The Tokyo University of Fine Arts (a student of Tsuda Shinobu). Heavily involved with the Teiten/Nitten National Art Exhibition, following the...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borrowed from ancient Chinese porcelain production, this piece displays horizontal bands on a field of luminous light-blue—contrasting nicely with the lid which is a dark varnished wood.

Suwa Sozan (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pot...

A work of perfection by one of Japan’s most admired ceramic artists. This piece by Nakajima Hiroshi demonstrates his mastery of the art of celadon pottery.

Born in 1941 in Hiroshima prefecture, at the age of 28 he established his own kiln and became an independent potter. 1n 1977 he received honorable mention in the Japan Tradional Applied Fine Arts Exhibition. In 1983 he received the Prime Minister’s Award at the first annual Western Japan Ceramic Fair and later in 1983 he was ...