Qingbai water dropper in perfect condition. Height approximately 8.8cm. Southern Song/Yuan dynasty.

Chinese porcelain "bitong" vase/brush pot with three fu dogs in bright enamel color. The bottom of the vase has the Kangxi Mark. Size: 6" height, 8" diameter

A Chinese framed reverse glass painting of a beautiful blue-robed woman with flowers in her hair, holding a red scarf with silver designs. Attractive hardwood frame.

19th century

Provenance : From the collection of Trotter's Antiques, Pacific Grove CA.

Size: 15.25" height, 11" width

Very aesthetic Chinese stone Buddha head, massiv and solid with no repairs. Great antique condition. Our family property since 1935. It can be visited in our private home in Germany or in our gallery in Luxembourg on appointment.

It dates from the Ming Dynasty or earlier. Weight appr. 16 kg!!!

We hereby confirm its authenticity.

The round face well carved with gentle expression, the full cheeks and fleshy chin framed by large, pendulous ear lobes, beautiful re...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace. An unglazed patch on the front of ...

Antique Chinese bronze gu vase. A bronze wine vessel (gu), late Shang dynasty, 12th-11th century BC, with two pieces that separate in the middle, trumpet neck, and archaic taotie style designs along the body. Beautiful patina with crack in rim. Most likely produced in the Ming Dynasty. Size: 11.5" height, 6.25" diameter

Antique Chinese eggshell porcelain bowl with black enamel lingzhi mushroom design along the inner and outer rim, and an incredibly charming black enamel dragon with flowers on the inside center. The outside edge is decorated with a bright enamel scene of eight immortals with scholar's objects. The foot bears a Qian Long mark. Circa 1940. Size: 2.5" height, 5" diameter

Japanese literati painting finely detailed in the Chinese style with a snowy mountainous landscape scene featuring houses, figures, a waterfall, and gnarled trees. An inscription at the upper right is signed “Sorin Gaishi,” the pseudonym for Takaku Aigai (1796-1843), followed by two red artist seals. Takaku Aigai was a prominent Nanga School artist and a protégé of Tani Buncho. His work can be found in the collections of the British Museum, Ashmolean Museum, Metropolitan Museum of Art, ...

Chinese antique bronze oval shaped censor, handles in the form of two chimera appear to slink around the rim on either end, standing on four small feet, signed with Xuande mark on the bottom. A very special piece of true authenticity. Size: 3 1/2" high x 7" wide

A beautiful Chinese huanghuali stool, Full carbon dated Report: circa 1750. Glowing original finish in wonderful condition. Stunning wood grain. Circa: 18th/19th Century Size: 19.5" height, 16" width, 15.5" depth

Antique Chinese hardwood low-table with a fantastic grain and finish. The underside panels have elongated pierced accents and well carved detailing. Simply elegant design. 19th/20th Century Size: 25.25" height, 39.25" length, 39.25" width

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art. Such alterations are general...

This chawan was made by the 8th generation Ohi Chozaemon (1851-1927) based in Kanazawa and is done in a style known as “ameyu” or candy glazing. The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple. The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha. While some tea bowls may look best in the confines of a dimly lit tea room, this bowl looks much better in bright light. In a...

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns. From this experience he decided to make pottery his life’s work an...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

Standing Sho-Kannon Bosatsu, the left hand holding a long-stemmed lotus bud and the right forming the semu-in mudra of fearlessness, sculpted in bold relief from a brick-hued igneous stone. Early-Edo Period ca. 1650. Very minor old loss. Overall black-soot patination due to centuries of exposure to the smoke of devotional-use candles, oil lamps, and incense sticks.

Height: 21 cm
Width: 12 cm
Depth: 9 cm

This stone Sho-Kannon Bosatsu was employed as a devotional object and displayed ins...

It is Japanese antique Beautiful lustrous stripe silk child kimono Meiji era(1867-1910).It is a very good condition.It does not have a stain and the damage.size:Length 93cm (36.6inch) sleeve to sleeve 83cm (32.6inch)

Description:

A black-glazed stem cup was uniquely mold with decoration on the surface with thorn-like pattern.
It was a transition from early periods and was also a counterpart of metal wares of persian cultures which had been introduced into China 6th-8th centuries.
It was an one-of-a-kind piece but was not odd to the pottery cultures of the periods.
Foggy-look incursions were happen to the glaze in a subtle way.
The body clay was in grayish white tint.
The ware by i...