Gorgeous scenic painting by Chinese artist Tsui Chian Tsai of a small town amidst a beautiful mountainous landscape, with a murky, grey sky and delicate white speckles of paint to represent the falling snow. Two large boats are returning to shore, covered in snow from their long trip. Very detailed work with a lot of realism, the artist truly captured the feeling of an extremely cold climate. Dated 1990, stamped and signed. Size: 26" height, 17.25" width

Painting by Chinese artist Ching Xiangko of five cute, swimming shrimp. There are subtle variations of color and depth in each shrimp, showing the artist had great control over the ink distribution. Signed and stamped, dated between 1960-1970. Size: 27" height, 18" width

Gentleman's wooden walking stick with a carved antler handle of an adorable little bobtail monkey, sitting upon an ocean cliffside and clutching a shell. There are various seashells carved around the monkey, including one with a hermit crab peeking its head out. Very precisely carved. Taisho period (1912-1925) Size: 36.5" height, (antler carving only) 5.5" height, 1.5" width

Kawase Hasui
The Beach at Kaiganji in Sanuki Province, 1934.
Publisher: Watanabe Shozaburo. Bears the D seal, indicating a first edition.
Size: Oban, Approximately 15.25 x 10.25 inches.
Condition: Excellent with nearly invisible tone line near left margin.
A magnificent rare print.

Antique ukiyo-e style woodblock print by artist Utagawa Kunisada, also known as Utagawa Toyokuni III (1786-1865), of a samurai warrior blocking the strike of another warrior's sword with his own. He has very detailed undergarments in mesh-patterned blue with light pink flowers, a black and white robe with jagged designs and red trim with a blue obi, and a red headband, with his hair styled in a traditional chonmage. Set behind glass and framed, part of the 47 Ronin series "Stories of the Faithfu...

14th century
Yuan – early Ming dynasty
Porcelain with Longquan celadon glaze
D: 36 cm, H: 8 cm
From a Philadelphia, PA collection

A classic Longquan celadon charger of the 14th century, with a typically fluted cavetto and incised floral center, and the base with an exposed ring fired to reddish orange. Its glaze is a rich and creamy olive green, unbroken by the kind of crazing seen on later Ming Longquan wares.

Condition: basically perfect antiqu...

Ca. 1800-1850, 19th century
Mid-Qing dynasty
Yixing stoneware with famille rose enamels
W: 20.5 cm, L: 17.5 cm, H: 5.8 cm (without stand); 8.7 cm (with stand)
From a Seattle, Washington estate

An elegant early 19th c. Yixing zisha jardinière, formed in a classical circular “narcissus bowl” shape, and decorated with famille rose enamels. Against a blue enamel ground are matching sets of calligraphic verses. The honeycomb panels seen on the front sides are ver...

Ca. 1850 – 1900, 19th century
Late Qing dynasty
Porcelain with overglaze famille verte enamels
D: 25.8 cm, H: 10 cm
From a Vero Beach, Florida estate

A late Qing famille verte large bowl, decorated with scenes from the life of a successful imperial examinee, along with landscape illustrations framed by peach cartouches, all against a butterfly and floral ground. The interior is painted with a smiling monk.

Condition: perfect antique condition, with...

Gorgeous woodblock print by shin-hanga artist Hiroshi Yoshida (1876-1950) titled "Plum Gateway". In the foreground is a small girl wearing a kimono, standing next to a tree with long, spindly branches and flower blossoms, gazing into the background at her mother and young sibling standing under a gateway. Signed and stamped. Size: (entire frame) 20.75" height, 15.75" width, (artwork) 14.25" height, 9" width

Antique ukiyo-e woodblock print of a samurai warrior in a crouched pose, one sword on his hip and one in his hands. He wears a blue and red kimono and he has a traditional chonmage hairstyle. Framed behind glass. The back of the frame lists artist Utagawa Kunisada (1786-1864). Size: (entire frame) 21.75" height, 17.25" width (artwork only) 14.25" height, 9" width

Antique ukiyo-e woodblock print of a man wearing a white kimono with designs of black bamboo shoots, a black apron, and black lacquered geta (footwear). Artist Toyohara Kunichika (1835-1905), pupil to Kunisada. Set behind glass in a large frame, with artist and publishing information written on back. Size: (entire frame) 22.5" height, 17" width, (artwork only) 14" height, 9" width

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

Two Chinese fu dogs (shi/lions) carved from marble, each one seated upon a small pedestal, their mouths partially open with a carved ball inside. Storage box included, with insert titled "The Story of Fine Taiwan Marble". (taken from insert) "Curiously, though the existence of huge deposits of quality marble in Taiwan's rugged, eastern mountains was known for years, mining only commenced in 1962. That year, the Chinese Government's veterans administration (VACRS), searching for gainful employmen...

Japanese bronze cast in imitation of a Chinese zun form ritual wine beaker. The archaistic style ritual vessel appears to have been cast in three sections, each of which is divided by vertical openwork flanges into four panels of relief cast and carved decoration. The flared trumpet-shaped neck holds bands of upright blades containing flowering plants. The mid-section is cast in relief with four Buddhist shishi set against a geometric ground. The splayed lower section is decorated with swirl...

Ca. 1850 – 1900, 19th century
Tongzhi – Guangxu period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.7 cm, H: 16.1 cm
From a Carmel, CA estate

A large late Qing yellow-ground famille rose covered box, gorgeously decorated in famille rose with a mature peach tree rising from a rock amongst rolling waves. Large famille rose boxes such as this one were popularly used to hold cakes and treats during celebrations. This particular box was li...

A spectacular Oni Karatsu Vase by Inoue Toya of the Kyozan Kiln enclosed in the original signed wooden box. It is 10 inches (25 cm) tall 6 inches (16 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai. In 1969 he opened his own kiln. He served as head of the Karatsu Cera...

19th century
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 23.8 (with cover), 22 cm (without cover)
From a UK estate

A densely and meticulously painted late Qing ginger jar, with two cartouches featuring classic beauties, all against a famille noire floral ground. Wood cover included.

Condition report: Good antique condition, with only one glaze flaw [Please view all photos carefully. The images accompanying this lot is...