Height: 7 cm (2.8 in)
Width: 4.5 cm (1.8 in)
Depth: 2.1 cm (0.8 in)

Fine example of a Chinese carved cinnabar snuff bottle; features two main panels of buildings within rural settings with scroll-work across the shoulders and sides; standing lappets to the base rim and original knop and bone spoon; inscribed Qianlong mark to the base; very good condition

This piece seems to intimate the cool of a Shibori-dyed summer Yukata, the light cloth billowing in the breeze, a stunning work by Matsui Koyo enclosed in the original signed wooden box titled Neriage Tsubo. It is 31.5 cm (12 inches) diameter, 27.5 cm (11 inches) tall and in excellent condition.
Matsui Koyo was born in the pottery village of Kasama, son of future Living National Treasure Matsui Kosei, in 1962. He graduated in sculpture from the University of Tsukuba in 1985, then began po...

Height: 4 cm (1.7 in)
Length: 13 cm (5.2 in)
Depth: 4 cm (1.7 in)
Weight: 140 gm

Chinese silver box by Luen Wo; decorated with dragons chasing flaming pearls; marked on the base LW and script; late 19th century; good condition

Height: 22.8 cm (9.1 in)
Width: 10.5 cm (4.2 in)

Chinese heavy cloisonne vase of good age; polychrome enamel floral decoration throughout; minor surface wear with age-related issues; good condition

Height: 33 cm (13.2 in)
Width: 12 cm (4.8 in)

Chinese porcelain famille verte lidded vase; features the emperor and attendants moving through a rural setting; standing lappets with hatched borders on both rims; lid with foo dog atop; good condition

Chinese Song dynasty longquan celadon dish. 17 cm diameter. Good condition except very smooth hairline at the center.

PHALLIC ASSEMBLY

Unique sculpture based on Japanese phallic worship made from the root of wild tree applied its natural form to ten phalluses and two vaginas by minimal carving. Showa period, 20th century. 22 x 22 x 13 cm (8.66 x 8.66 x 5.11in). Since not stands on its own, such additional small wild tree is attached for supporting its display.


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BLUE BOJAGI

Bojagi (Pojagi) as traditional folk Korean patchwork hemp textile made from deep blue and pale blue scrap fabrics, late 20th century, 103 x 105 cm (40.55 x 41.33in), embodies the lifestyle and the story of the people who take good care of their possessions at that time. Relatively thicker type (deep colored parts are thinner as more seen through). Some slight frays and discoloring due to aging, but in beautiful vintage condition as is as seen. <...

Chogappo made of fragments of choma (ramie), one of bast fibers, which is recycled from vegetable indigo dyed choma, and it has beautiful nuance of different indigo colors. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied for all f...

Oshie (raised cloth picture) with samurai, which is displayed with hina-dolls on the Girl's Festival, or Hina-Matsuri, on March 3rd. It is from a collector in Matsumoto city in Nagano prefecture, and this one was made by a craftsperson in the city too. Made of several kinds of silk, gold brocade, silk crepe, black satin, etc. The face is hand-painted. The back side is washi. In excellent condition. Late 19th early 20th century. W:33cm, L:45cm

Rare Warring States, circa 475–221 BCE, squat gray pottery jar, with incised wave, impressed diamond and large carved spiral patterned bands. The spiral pattern is quite interesting as this is usually only seen on archaic jade bi from the period. Some of the tips of the spiral are broken otherwise superb condition considering its delicacy and age. The surface absorbs water very quickly with a distinct petrichor scent. D: 28cm/11in and H: 14cm/5.5in.

This is a Japanese antique shibori cotton kimono. Indigo dyeing and Shoen dyeing. There are some remaining grains (protrusions) from the aperture. It is in good condition with no damage. Size: Length: 136cm (38.5") / Cuff to cuff, full back: 122cm (48")

An early brutal vase by female pottery legend Tsuboi Asuka covered in running colors enclosed in the original signed wooden box titled Nagashi-yu Tsubo. It is 25 cm (10 inches) diameter 20cm (8 inches) tall and in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12. She graduated the prestigious and progressive Jiyu Gakkuen (A progressive girls School established in 1921) then moved to Kyoto in 1953, Kyoto, the city she has called hom...

Chinese Han dynasty lidded gray earthenware hu-form jar with globular body and slightly flaring neck divided into horizontal grooved bands holding incised decoration of various animals. Two opposing applied taotie mask handles are at the shoulder. The circular domed lid has three loops at the edge. 14 3/4" high. 206 BC – 220 AD. This form was designed to imitate the shape of a bronze hu vase. Very good overall condition for its age and type with typical wear, soiling, and minor chips evi...

An unusual Kakiemon dish the outer register finely painted with the Shochikubai. The pine, bamboo and prunus painted separately with elongated trailing branches growing from rockwork. The centre painted with a single bough of flowering Camellias, Tsubaki, symbolic of the season of Spring. The reverse painted with a continuous vine arabesque, karakusa and four supur marks arranged in a "Y" shape. An identical dish is to be found in the Sakaida (Kakiemon) family collection. It is believed to ...

Love lasts beyond the grave, here a skeleton walks, her pate decorated with flowers and a bundle of daisies in her hand as she strolls grinning under the shade of a dilapidated umbrella held by an attendant, a poignant painting signed Shoken dating from the Taisho period (1922). The four character verse above is taken from the Lotus sutra (Hanya-Shingyo) and reads shikisokuzeku, meaning (loosely) all color is void, the void is all color. Completely restored in a chic Tsumugi cloth border with bl...

A wildly crafted bronze image of a shishi lion breathing out a cloud forming the basin for a flower arrangement (known as an usubata). The curly hair has been somehow flaked off and maintained during the casting process, quite an exceptional example. The basin can be removed from the mouth of the creature. Assembled it is 32 x 28 x 33 cm tall (12-3/4 x 11-1/4 x 13 inches) and weighs 4390 grams (9.5 pounds). It is in fine original condition.

A radical Iga wall vase by Atarashi Manabu enclosed in the original signed wooden box titled Iga Kakehana-ire. It is 36.5 cm (14 inches) long and in perfect condition, directly from the artist.
Atarashi Manabu has been growing in popularity as one of the leaders in the Iga pottery tradition since the first time I saw his work nearly 20 years ago when visiting the family showroom in Iga village. Born in 1973 in Osaka son of the second generation artist and one of the leading revivalists of ...