A elegant lacquerware for monastery use. Made in Kyaukka, in the lower Chindwin District in Burma, made from woven matting and coiled bamboo and lacquered in black and red. This piece has six sections. These original Kyaukka pieces are difficult to come by. Size: H. 38cm. W. 38cm. Condition: No repairs. Very good condition.

Fine Burmese silver box, lid decorated with a tiger holding a female figure in his jaws, surrounded by floral design in high relief descending by geometric design, all 8 sides are also decorated with two bans of floral design in high relief surrounded by geometric design , late 19th/ early 20th century period. Size; Measurements of silver box are 5"W x 3.5"D x 4.25"H. Condition Report; Excellent condition.

Antique Wooden Buddhist Temple Bell (mokugyo), dating from the end of the Edo Period. 15 x 15 cm.

Handcarved and made of one piece of wood. The Buddhist Mokugyo has a nice sound and symbolizes a japanese carp kingyo. It has been used for more than two hundred years in a Buddhist Temple in Gifu. It was once given as a gift to a member of our family, who was a famous ambassador. Lacquered with Urushi.

It represents the aura of true wabi-sabi with its spoils of time.

M...

Chinese Qing dynasty Guangxu period cylindrical form rouleau vase with a narrow columnar neck and cupped rim, decorated overall in gilt with cranes flying among stylized lucky clouds set against a powder blue ground. A band of lappets extends around the circumference of the base. The angled shoulder is encircled by a band of bats and scrolling foliage. Two underglaze blue concentric circles are on the white porcelain base. The vase stands 14 1/4” high and dates from the late 19th century. ...

An interesting antique Indian tribal statue with a pair of two deities standing side by side, as if holding hands together set with an arch halo like form.The tribe is Gond, Bopal area of central India. Age: 20th century. Purchased from Katmandu in the 1960's. Size: length 4" width 1.25" height 5"

This is a 150 years old tea bowl of Kyoto. It has a very teasteful handpainting of wild chrysanthenum and an antique crackle glaze.

It dates from the Meiji Period and it is suitable for Nodate (open air) tea ceremony.

On the original wooden box is written in kanji letters "wild chrysanthenum".

Height: 2.72inches - width: 3.78inches - total weight w/box: 355g

Both together, the Kyoto chawan and the original box have a unique touch of a real japanese antiq...

Set of two bronze Thai sculptures portraying a similar look to a pair usually seen in Thai temples of Buddha's main disciples, Ananda and Mahakasyapa. The one with hands held together is often the style seen for the image of Ananda and the other, interestingly enough, is holding a flower which represents a famous parable when the Buddha silently picked a flower and smiled, Mahakasyapa too silently smiled marking the transmission of the dharma. Age: 20th century Size: length 10" width 15.5" heigh...

Nothing I can say can convey the rugged beauty locked up of this Oribe Mizusashi, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters in Japan, born in Tokyo in 1950.

He graduated from the Fine Arts Ceramic Department at Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under Living National Treasure Shimaoka Tatsuzo, putting him in direct lineage with Mingei legend Hamada Shoji.

In 1978 he establ...

SIZE : Width 5.1 in : Length 5.0 in : Height 2.8 in : Weight 360 g + Box 290 g

This is a rare tea bowl of Japanese SETO pottery ware. This was made about 150 years ago during the Meiji Period.

SETO is the pottery of Aichi Prefecture in Japan. It is chosen as one of the oldest 6 pottery called ROKKOYO in Japan. And such a glaze with taste of mud is SETO. It has a fantastic Wabi-Sabi atmosphere and the design on it reminds of wild big cats.

The overall unperfection...

Very beautiful antique aka-raku (red raku) chawan (teabowl) with Raku 11th generation Keinyû (1817-1902)'s seal. Early Meiji Era.

Born as a son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka City in Kyoto, he was taken into the Raku family as Tannyu's son-in-law. He succeeded as the 11th generation in 1845. He retired in 1871, assuming the name of Keinyu. The period he lived through was an age of transformation from the feudalism of the Tokugawa Shogunate to the m...

Large Burmese hammered repousse copper-brass-bronze alloy bowl decorated with 8 relief panels depicting mythological animals and stylized scroll foliage. Such bowls were used in Buddhist ceremonies. 19th Century, Burma. Bowl shows wear over the many years and has a natural aged patina. Good condition. Size: 14 cm. x 24 cm. diameter in center (5.5" x 9.5" diameter).

Large Burmese hammered repousse copper-brass-bronze alloy bowl, with traces of silver, decorated with various mythological animals and stylized scroll foliage. Such bowls were used in Buddhist ceremonies. Bowl shows wear over the years and aged patina, 19th Century, Burma. Size: 15 cm x 26 cm. (6" x 10")

A small Chinese agate carving of a tiger and her cub set on a wooden stand with motif of bamboo carved along with jagged rocks. The combination of bamboo and tigers in Chinese art can be seen as early as the Ming dynasty. The tiger, often represented as the king of the earth combined with bamboo a symbol of the mind of a literati, can be seen as the ideals of the individual. Age: 20th century Size: length 3.25" w. 2.5" height 3.25"

Charming Chinese figure of a monkey with young monkey and a branch full of peaches carved out of beautiful orange agate, standing on an intricately carved wooden base also with peaches. Although there are earlier depictions of monkeys in Daoist texts, one more popular Ming Dynasty story from "The Journey to the West" tells of a monkey who steals a peach from the garden of the Jade Emperor. The monkey gains immortality from the peach but is banished to earth as his punishment. Size of monke...

A finely carved Chinese agate in the form of a popular motif often seen in Tibet which is the windhorse. The use of Tibetan motifs in Chinese arts began during the Ming dynasty with patronage of the Tibetan high lamas and continued onwards into the Qing Dynasty. The windhorse is carrying a pecha or sutra text, a signature motif often found on windhorses. The stylized ribbons and the waves are done in the Chinese style. Age: 20th century Size: length 4.3" width 2.5" height 3.75"

Porcelain polychrome statue of the noted sage, Liu Hai. Liu Hai was the noted 10th century alchemist who learned the secret of immortality from the three legged frog, Jin chan (Chan chu). The frog is known for beckoning wealth. Later, in China and Japan, the combination of Liu Hai and the frog became the symbol of fortune and wealth. Age: 20th century Size: length 6.75" width 4" height 10.5"

A small Japanese hibachi formally known as te-aburi or a hand warmer which were often found in traditional Japanese homes. The hand warmer is shaped in the form of a winter pumpkin known as an akoda and the design has been in use since the 17th century. The warmer contains makie decorations of chrysanthemums set with a bamboo fence. Age: 20th century Size: diameter 7.5" height 8.25"