A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.

From our Indian Subcontinent Collection, a large carved marble caparisoned elephant from Southern India. Naturalistically carved from a cream / off-white colored marble, this makes for a good decorator's item for those looking to add an Indian flair.

Size and Condition: 12 inches tall, 10 inches long, and 4 inches deep. A very heavy and substantial piece of marble at approximately 20 pounds.

Rare and out of print for many years, PJ Donnelly's treatise on Blanc de Chine was the first comprehensive book on this subject, and has become a collector's item in its own right. A must-have reference text for blanc de chine (dehua) collectors. Modern scholarship on blanc de chine has evolved considerably since Donnelly's time, but his work is an essential foundation, and this book remains the most thorough single issue treatment of this subject.

Frederick A. Praeger Publishers, 1st E...

From our Southeast Asia Collection, a good contemporary nephrite jade carving of a mother elephant with her infant. Sourced directly from the Chiang Mai region of Thailand in the early 1990's, the jade is a very deep emerald green color, somewhat darker than the website photos which seem to have lightened the jade color due to the flash. A small but charming piece with an endearing subject matter, nicely carved with good weight and heft, and overall an attractive genuine example of Northern Thai...

From our Southeast Asia Collection, a lovely handmade silk on cotton vintage table runner from Laos, using tan colored silk woven into geometric designs with magenta and blue/green colored accents. The runner is shown only half size as we have folded it to fit within the confines of our display boards, but it is actually quite long and very well-suited for long dinner tables or sideboards. It can also be displayed either framed or unframed as a wall hanging. Acquired in the late 1980's, we can b...

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

Attractive porcelain cricket box with hand painted scenes and flower decor, 19th Cent. Ching Dynasty, China, good condition, no cracks/blemishes

Very nice and RARE original elephant opium weight, bronze with good patina and official asterix mark/stamp, ancient Kingdom of Lanna or Laos, 18-19th Century, Height: 27 mm.; Weight: 32 grammes

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)....

A charming Chinese porcelain vase with a painting of a young boy playfully dangling a spider in front of a cat while his mother appears to be feeding a bat (for good luck). Dating very early Republic period and in excellent condition with all enamels intact, this vase measures 9" high.

An excellent pictorial reference book especially for novice collectors looking to train their eyes regarding how genuine pieces are supposed to look. Highly recommended with wonderful color photos throughout the entire volume. Four main sections addressing Satsuma, Imari, Hirado and Kutani. With so much fake imari and inferior satsuma on the internet these days, this is a must-have guide for novices collecting in these areas.

We have two of these books: This one has been sitting on our she...

From our Southeast Asia Collection, a very fine gilded Burmese hsun-ok or offering vessel, late 19th to early 20th century. Gilded offering vessels such as this present example would have been owned by wealthy Burmese families, and used exclusively for bringing food gifts to the monastery. They are constructed of bamboo and turned wood bodies, and decorated with scrolling floral designs called "chupan." Crafting the chupan design is actually a deceptively meticulous and laborious process, one t...

One of the great rarities of Thai incised lacquer is this wonderfully detailed condiment box in various colors of burgundy, orange red, yellow, green, and light red lacquer. It is said that the more colors and details found in Thai lacquer, the more expensive it was to produce. This small (4 inches) box displays well and features a Temple dog on the lid, and a peacock on the bottom, very unusual indeed. We date this treasure to the late 19th century and is in excellent well cared for conditio...

Beautiful Kutani ware porcelain standing figure of Kannon Bodhisatva (Quanyin), she stands in a relaxed pose with flowing black robes decorated with feathers, she has elaborate gold jewelry and crown with a small buddha in headdress, carefully sculpted and painted from her lovely face to her toes which rest on lotus leaves, late Meiji/early Taisho Period. Minor repairs. Size: 17 1/2" high x 5 1/2" wide

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance. The piece measures 24 1/2" wide...

Figurative stone depiction of a seated Ebisu, with signature tai (sea bream) tucked under the left arm. Late-Edo Period ca. 1850. Minor old loss and traces of original polychrome visible under a green cover of lichen accumulation.

Height: 27.9 cm
Width of base: 16.8 cm
Depth of base: 12.2 cm

The only native member of Japan's Seven Lucky Gods, or Shichifukujin (the other six members derive from Indian or Chinese gods), Ebisu is typically depicted in wood or clay but only rarely in stone...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix. As with all of our satsuma offerings, this piece is of the highest quality, and is a particularly fine example of early Gosu Blue satsuma.

Size and ...

From our Chinese Blue and White Collection, an unusually fine Qianlong Period (1736-1795) tureen base or shallow basin, depicting a river scene with a large fenced pagoda, a stone bridge, and several people on boats and pontoons, together with a meticulously intricate border of ruyi heads, cash diaper motifs, key frets, butterflies, and other marvelous details.

This piece is top quality in terms of "Nanking Ware" (not to be confused with Nanking Cargo Shipwreck pieces); it really gets no ...