Burmese Bronze Disciple/Worshipper, AVA period, 18th Century, mounted, condition: good, size: H. 18.5cm x W. 3.5 cm x D. 5cm

Rare Bronze Buddha contemplating the Bodhi Tree (position), emerald green verdigris patina, 18/19th Century, Shan State, Burma, condition: good, size: H 20cm x W. 6.5cm on a round base

Very attractive and rare pink porcelain joss stick elephant, polychrome enamel, finely painted, China Export, condition: good, size: L. 19cm x H. 23cm (including joss holder) x D. 14cm. Please inquire for shipping costs.

Very attractive hand carved wooden roof bracket with Naga, 19th Century Thailand, red patina with traces of gilding. Massive single piece of teak carved throughout on both sides. Condition: very good, size: H. 63cm x W. 5cm x D. 19cm. Rare find!

A pretty and delicate Chinese Porcelain Dish decorated with butterflies and gourd vines in polychrome enamels upon a striking turquoise background, Republic Period, very good condition, size: H. 2cm x 14cm diameter

Attractive Ceremonial Burmese Sword with continuous and attractive pattern engraved on blade. Scabbard (some silver) also with nice stylized motif. Condition: good, except tip/end cover of scabbard missing, 19th Century. Size: 67cm x 4cm

Nice Qing Dynasty Blue & White fine Porcelain Dish with SHU Character decor on exterior, 19th Century, China, with markings. Condition: good with very tiny inconsequential nicks on upper rim. Size: H. 4cm x 13cm diameter

A late Ming Dynasty Swatow Bowl, polychrome enamels (iron red, turquoise, green and black). Faded iron red band/decor just below inner top ring and double ring around inside medallion. Lingzhi with central decoration. Underglazed symbolic mark. Condition: good except somewhat faded enamels and hardly visible nicks on top and bottom rim, no hairlines nor repairs. Size: H. 7cm x 13cm diameter

Rare Silver alloy Buddha, Ayuthaya period, Bhumisparsha Mudra position, late 17/18th Century, Thai, on antique gilded wooden base. Condition: good, size: H. 10.5 cm x W. 7.8cm x D. 3.7 cm excluding base.

Attractive Khmer Sandstone statue of Prajnaparamita (Goddess of transcendental wisdom), Bayon, 12/13th Century, condition: repaired below waist around flower area. Size: H. 29cm x W. 11cm x D. 7cm.

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm

Attractive praying wooden angel, hand carved teak, 19th Century, Burma, mounted. Condition: good, size: H. 47cm x W. 18cm x D. 10cm

Very rare stucco head of Garuda, mounted, pre 17th Century, Siam. Codition: fair, beak missing and some chipped areas as per photographs, size: H. 19cm x W. 14cm x D. 10cm

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...