A late Ming Dynasty Swatow Bowl, polychrome enamels (iron red, turquoise, green and black). Faded iron red band/decor just below inner top ring and double ring around inside medallion. Lingzhi with central decoration. Underglazed symbolic mark. Condition: good except somewhat faded enamels and hardly visible nicks on top and bottom rim, no hairlines nor repairs. Size: H. 7cm x 13cm diameter

Rare Silver alloy Buddha, Ayuthaya period, Bhumisparsha Mudra position, late 17/18th Century, Thai, on antique gilded wooden base. Condition: good, size: H. 10.5 cm x W. 7.8cm x D. 3.7 cm excluding base.

Attractive Khmer Sandstone statue of Prajnaparamita (Goddess of transcendental wisdom), Bayon, 12/13th Century, condition: repaired below waist around flower area. Size: H. 29cm x W. 11cm x D. 7cm.

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm

Attractive praying wooden angel, hand carved teak, 19th Century, Burma, mounted. Condition: good, size: H. 47cm x W. 18cm x D. 10cm

Very rare stucco head of Garuda, mounted, pre 17th Century, Siam. Codition: fair, beak missing and some chipped areas as per photographs, size: H. 19cm x W. 14cm x D. 10cm

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Two round and one boomerang shape ancient glass beads. Two round ones are a pale sea green and the larger one aqua blue. Size: Small: 1.8cm. Middle: 2.8cm. Large: 3.8cm. Condition: Perfect.

Rare Thai Classical Painting of the Legend "Maktri & Prince Kahtah". Nice rendering of Siamese architecture with dormant lions in the forest. This is an original painting, not a print or reproduction. Condition: good, size unframed W. 50cm x H. 60cm. This painting is framed with glass. 19th Century.

Very attractive praying gilded bronze disciple, Rattanakosin era, 19th Century, Thai. Condition: good, size: H. 15.5cm x W. 8cm x D. 10cm

Gandhara Kingdom stucco head of Buddha mounted, 3/4th Century, condition: good, left ear damaged and a few inconsequential nicks, common considering the age of this fine sculpture, size" H. 12cm x W. 8cm x D. 11cm. The idealized style is reminiscent of Greek Hellenistic sculpture which strongly influenced the Buddhist imagery of Central Asia and in particular of Gandharan artists.

This is a genuine theater puppet kashira representing the character Osome. It is not a souvenir. As you can see it is quite clean, however there are three faint vertical cracks in the gofun covering, beside the nose and up the right cheek. The gofun is stable. She wears her hair in an immaculate coiffure held with one unpretentious comb and a ribbon of chirimen silk. Two silver ornaments accent the very simple and attractive figure. The head comes with the bamboo stand shown, as well as th...

Rare Large Japanese Meiji Period Nashiji Makie Lacquer Jubako 5-Tiered Stack Box with Base/Stand. Fine Takamakie Gold and Cinnabar/brown/black Lacquer with some Raden/ Mother of Pearl inlay. Beautiful artistic Pine and Crane motif. Good condition overall, some minor mother of pearl inlays missing. The cover shows a restoration (see photograph # 6) and there are 2 inside hairlines not visible from the outside, due to age. Size H. 16" x W. 9.5" x D. 9.5" . Stand/Base: 11.5" x 11.5" x 3". Collector...

Exquisite hand carved jewelry chest or ladies personal belongings-vanity chest with 6 drawers, teak wood with red patina and gilding, 19th/early 20th Century, Java, condition: good, as recently retouched including new gold leaf! Size: H. 37.5cm x W. 59cm x D.33cm. Rare item!