A Chinese Qingbai Glazed Box and Cover. Circa, 13th-14th Century, Yuan Dynasty. Found in the Philippines. Featuring a small rounded body supported by a short foot, tapering to its shoulders to a short neck and is topped with a circular cover. Its body is decorated with carved floral scrolls and vertical lines encircling its shoulders. The cover is decorated with a flower and is covered overall in a translucent green-white glaze that stops short of its foot leaving its slightly concave base...

Bijin-ga Ukiyoe Painted with ink and pigments on paper. Signed and sealed. Circa early 19th c., or older.

It depicts a beautiful woman wearing a gorgeous kimono with patterns of musical instruments such as drums and shibori drawn on it. This work depicts a courtesan in the early 18th century, with her luxurious kimono, tortoiseshell comb, long hairstyle hanging down her back, and the way she ties her obi. In her hand, a hat called eboshi, which was used in Noh theater, and a fan were pa...

Japanese bronze vase with nice form, used to decorate flower arrangements in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 33.5 C.M. / Width 21.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Vintage clear cloisonné lidded box, employing the plique-a-jour technique, lovely muted pastel colors with a “pierced” lid, most likely meant to be a potpourri to put scented herbs and flower petals in. This is a complicated and time consuming craft- please note that the bottom is cloisonné as well as having some curvature to the lid - it would have been much easier just to give it a copper bottom and making the lid flat. Excellent condition, with no damage or dents- this has some ...

A Chinese Blue and White Miniature Guan Jar. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Its tapering body is horizontally joined in two sections with a bordering underglaze decoration of acanthus leaves running along its shoulders and panels above its foot. Its base is fully unglazed. Measurements: height (2.5"inches). Condition: in perfect condition. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, pr...

An antique Chinese long low buffet cabinet with a Turquoise distressed finish. Two drawers with doors below each and a center pair of doors opening to a spacious storage area. Professionally restored to a magnificent and functional work of art.

Age: 19th Century

Dimensions: 69 3/4" Wide by 23 1/4" High by 17 3/4" Deep

Antique Japanese large bronze vase in the form of a round lotus leaf. It sits on top of a smaller lotus leaf on a hexagonal base. Each side of the base has birds in relief flying over waves. Likely from a Buddhist temple. The lotus blooming from out of the mud represents enlightenment.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 20 1/4" wide

A long low basin by Lu Xueyen in translucent white porcelain enclosed in the original signed wooden box titled Enfolding II. It is 21.5 x 38 x 15 cm (8-1/2 x 15 x 6 inches) and is in excellent condition, directly from the artist.
I have been following the diaphanous works of Lu Xueyun (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world.
Lu Xueyun was born in Chongqing, China in 1987 an...

Buddha in bronze cast with lost wax and gilded with mercury. The walls are very thick, the statuette is heavy. The gilding is original, certainly baked several times to obtain a nice thickness. The reverse of the dress is chiseled with stylized flowers. The base is closed by an incised copper plate of Vajra. The base does not appear to have been opened. The two arm bracelets were originally to have stone beads, today replaced by a colored coating. In the palm of the hand, we can see a hole left ...

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 18th Century
Size: Height 54.8 C.M. / Width 31.4 C.M. / Depth 16.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th - 18th Century
Size: Height 42.4 C.M. / Width 26.5 C.M. / Depth 16 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Beautiful traditional Chinese brush painting of the Buddha mounted on a beige silk scroll, excellent condition. He is sitting on a lotus throne with his right hand raised in the Shuni mudra symbolizing patience and discipline. There is an apocryphal dating of 1845 Buddha’s Birthday, Daoguang reign and signature of Reqin. Mounted size is L: 203cm/80in and W: 78cm/31in- actual painting size is L:131cm/51in and W: 66cm/26in. Circa last quarter of 20th century.

A large work of overlapping strips of sheer porcelain by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box. The vessel is made up of overlapping strips of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty. I have been following the artist (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer w...

A Chinese famille verte yellow-ground brush washer, of shallow circular form, robustly potted, the sides very slightly waisted. 13 cms diam. Kangxi mark. Qing dynasty, 19th century. Perfect condition.

signed in pencil, titled and numbered 17/200 screenprint in colors on wove paper image: 11¾ by 13¾ in. 209 by 350 mm. Executed in 2000; this impression is number 17 from the edition of 200 plus 20 artist's proofs, published by Serpentine Gallery. NOTE: The print has been cut from the sheet, the edition number, title and signature in pencil are below. The image is in excellent condition. A print from the exact same edition sold at Bonhams auction London for £48,000 in 2022 This is an op...

Rarely seen Japanese Haisen Bowl with wonderful gold Makie (Maki-e), made around 1900 during the Meiji Period (1868 - 1912). The wooden-based bowl is coated with high quality Japanese lacquer.

Seashells are molded and hand-painted inside of the bowl by gold Maki-e technique. This type of bowl is called "HAISEN" in Japanese.

Maki-e (蒔絵, literally: sprinkled picture) is Japanese lacquer sprinkled with gold or silver powder as a decoration using a makizutsu or a kebo br...

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elem...

Antique painting depicted a flock of crane and chrysanthemum. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. Edo period. It is attributed to Tosa Mitsusada.

Chrysanthemums have long been prized in China as an elixir of eternal life and longevity, and have been cultivated as medicinal plants since ancient times. It is said that it was brought to Japan from China during the Nara period (8th C.). It seems that various varieties of chrysanthemums wer...