Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding. It has nice painting of the scene...

Yoshimoto Gesso
Sparrows and Red Flower
Date: 1930s.
Print size: Approximately 9.75 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Yoshimoto Gesso
Cherry Blossoms
Date: 1930s.
Print size: Approximately 10 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Drop-shaped bronze vase, with peonies in relief, decorated to simulate a delicate and light fabric that ends with a bow near the top of the neck. Using mixed metals to create visual contrasts adds depth and beauty. Signed Gyokkō 玉光 on the side of the vase and with 'Yuasa sei' 湯浅製 seal within an oval silver reserve under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 21 x 10 cm. State of conservation: Very good

Pair of Chinese Famille Rose 浅绛彩 Porcelain Plaque with Mountain Scene Signed 余焕文, circa, 1900's

They are 8.85 inches (22.5 cm) in length by 12.8 inches (32.5 cm) wide. They are 4.5 Lb.

They have dark spots, rubbing of paint, skip glazes, chips, and surface wears and scratches (as seen in the photos).

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Brush case, nicely embossed with an openwork decoration representing three stylised Buddhist vajras on either side, surrounded with a foliage and geometric design. Silver alloy, with a fine age patina. The center of each vajra must have contained a coral or turquoise to enhance the beauty of the case. The case was made in Tibet in the 19th century, maybe earlier. Length: 33.5 cm. Very good condition .

An attractive and rare group of rootwood ducks. Partly carved from the natural root with the legs attached. The gander with a natural stone around which the root has grown. Meiji, ca. 1850. Size: . H 15 cm, H 12,5 cm., H 10 cm . Condition: Excellent and with great age patina.

Finely painted with ink and colors on silk depicting a crouching tiger, lurking ready to pounce on the pray; the striped fur neatly rendered with needle-like brushstrokes, signed Ganku and sealed. ********Kishi Ganku (1749-1839) was a leading Japanese painter of Kyoto and founded the Kishi school of painting; became famous for his meticulously brushed paintings of tigers. He first studied Kano-style painting and then became a master of the more naturalistic style of the Chinese painter Shen ...

Bearing a roiro-nuri ground and decorated with an abandonned plough and oxen harness in inlaid-mother of pearl and gold takamaki-e, the reverse with a warber in the falling rain inlaid in gilt metal and gold togidashi maki-e, the cord runers lacquered kinji, the upper surface of the top case and the interior risers decorated with clouds, scattered cherry blossoms, and a crescent moon in gold togidashi maki-e, nashiji, and hirame. Signed Kajikawa saku with a red jar seal, and Goto Mitsunori (K...

On a roiro ground lacquered with a large ordhid extending onto the reverse in gold takamaki-e with détails of gold foil the interior of nashiji. Signed Yoyusai with a kao. A corla ojime. Height 9,2 cm.

On a fundame lacquer ground. The decor is in hira and taka maki-e of gold lacquer with coral and malachite inlays of green and red celestial bamboo berries in their foliage announcing the arrival of autumn. The interior of the compartments is in nashiji lacquer. Signed: Kajikawa and Shibayama. The ojime is made of horn. Height: 7.8 cm. The cord is pink and not blue.

EEL HOOKS

Two pieces set of traditional long iron hooks for catching eel as the popular Japanese mingei tool for all the time for its unique aesthtic form. Meiji-Taisho period, early 20th century. approx. L 77 cm (30.31in). Slight distortion due to aging as is.


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Fabulous Ca. 1960 Tamba Pottery ceramic vase. Very art deco with undulating rim and wonderful wood fired patterns on each facet. Signed on the bottom, 'Tankyu'. 29cm tall x 22cm in diameter. Great condition. Ask for shipping quote.

Epic Edo Period Ca. 1860 keyaki wood (japanese elm) money box with hand forged, thick iron metal fittings. The stamp of the maker, "Shimizu" is branded on the inside. 13" long x 5 1/2" tall x 8" deep. excellent condition. Ask for shipping quote.

A Pair of Chinese Export Plates, Kangxi, circa 1700.

A pair of porcelain plates made for export to Europe at the end of the 17th century. The dishes with shallow foliate edges, the cavetto decorated with flower stems in the manner of Astor pattern porcelains. The centre of the plates feature a fine decorative flower basket. The back of each plate has a typical Kangxi lozenge mark.

Just under 22 cm and 21.5 cm diameter. The edge of the first plate has some small nibbles ...

1900's Chinese Bronze Hand Warmer with Chirography Marked "Pan Xiangfen"

It is 5.8 inches (15 cm) tall with handle up and 3.9 inches (10 cm) tall with handle down by 6.5 inches (16.5 cm) wide. It is 1.5 lb.

It has oxidation, rubbing patina and surface wears and scratches (as seen in the photos).

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19th Century Japanese Cast Iron Tetsubin with Relief Signed

It is 8.75 inches (22.2 cm) tall by 6.5 inches (16.5 cm) wide. It weights 3.4 Lb.

It has rust and loss of gold at the finial (as seen in the photos).

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