An antique silver box with hinged lid standing on four ball feet and a small silver tray decorated with cloves on four legs. Both items unmarked. Condition: traces of age, minimally distorted, the box with few tiny losses. Dimension: box: c. 13.8 x 7.8 x 3.4 cm, weight: c. 192 g, tray: c. 17.5 x 12 x 3 cm, weight: c. 75 g.

A shard has been grafted into the side of this large misshapen Shino bottle dating from the Momoyama to early Edo period, the repair lined with gold. Gold also circle the neck where the discarded misfire was repaired, and gleams on the lip. It is 22 cm (9 inches) tall and in excellent condition. It comes in an age darkened wooden box titled Ko-Shino Tokkuri, Shoki no Kama (Old Shino Tokkuri, early Kiln era)
This method of using pieces from multiple works with lacquer repair is called Yobi...

Very rare tenmoku cup with white spots like as pattern at chest of pheasant in China named "Shako", so it is called as "Shako-spots" tenmoku. The white spots were put artificially. YouTube movie: https://www.youtube.com/watch?v=IroYuzQKV6s Accessary: wooden box written with certificate Size:9.6cm(D) 4.0cm(H) Certification : written by Noriki Shimazu famous researcher with Asian antiques in Japan.

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past. There is wear and cracks to the inside typical of age and use, and the rim has been re-done in gin-dame powdered tarnished-silver, which blends well with the ancient ...

Antique Indian tribal Banjara patchwork textile, composed of multi-colored, intricately hand embroidered elements and small mirrors in typical Banjara motifs, Western India Rajasthan or Gujarat. It is most likely a fragment of a tent covering that was turned into a decorative tapestry in the 20th century.

This is a remarkable piece of antique Indian tribal Banjara patchwork textile crafted with great care and attention. The fabric is composed of various multi-colored, intricately hand-e...

Pair of small Ming dynasty Longquan celadon vases of compressed pear-form with flaring foliate form mouth decorated on opposing sides with low moulded relief leafy floral decoration. A pair of s-shaped handles are on each side of the neck. The celadon glaze with olive tint ends at the slightly flaring unglazed foot which has burnt orange from firing. The recessed base is glazed. Each vase stands 4 1/2" high. Circa 1st half of the 15th century. Very good overall condition with typical produ...

This is a remarkable antique Indian Hindu silver figure of a horse from the 18th to 19th century. The figure is a true work of art, comprising several soldered-together silver elements, including intricately detailed legs, ears, tail, body, and base. This figure is even more remarkable because it is hollow, indicating the level of craftsmanship that went into its creation.

It's worth noting that in Hindu mythology, the horse holds great significance as it is considered to be the vehicle o...

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed.

Kano Seisen-in(1796-1846) was a Japanese artist, born as the eldest son of Kano Eishin (Kano Isenin), he studied painting techniques under his father, and since copying the “Honen Shonin Eden”(The illustrated biography of priest Hōnen) for the first time in 1809 at the age of 13, he has been involved in ancient paintings such as Chinese paintings, Kano school paintings, and Yamato-e...

Ultimate iron doorknockers! Two halves of of an iron chryasanthemum, the imperial family creast, creating a full chrysanthemum with heavy iron knockers from the Edo Period, Ca. 1860. Underneath each iron ring is a kanji character: one is "Kotobuki" meaning 'long life' and the other "Fuku" meaning 'happiness.' The chrysanthem is attached to the wood by iron screws. The chrysanthem is 13" in diameter. Ask for shipping quote.

A Tea Pot by Otagaki Rengetsu with a handle like bamboo root inscribed with a poem which reads: Ko no kimi wa
medetaki fushi wo
kasane tsutsu
sue no yo nagaki
tameshi nari keri.
This translates as:
Our young bamboo
piling up happy knots
year upon year—
its tips reaching high
a paragon to us.
It is roughly 10 cm (4 inches) diameter. And comes enclosed in a wooden box annotated by Koen of Jinkoin temple, where Rengetsu lived. O...

A lovely pair of bronze and enamel Chinese cloisonne candlesticks. In excellent condition, they measure 6" high.

A beautifully cast bronze dragon waterspout from an ancient Japanese garden in Nara prefecture made to rise over the edge of a water basin, the water trickling out through his mouth. It retains the original bronze pipe and connector, overall, in excellent original condition. The dragon itself is roughly 25 x 13 x 20 cm tall (10 x 5 x 8 inches) and weighs 3.9 kg (8.5 pounds). Including the pipe roughly 50 cm long.

Hawk. Painted with ink on paper. Sealed. Circa late 19th C.

Some light marks, insignificant light crease, traces of restoration of the damage and foxing are present on the painting, otherwise the painting is in very good condition. Some insignificant light marks are present on the mounting, otherwise the piece is in fine condition. It is accompanied by a paulownia wood storage box.

Painting: W22 7/8” x H50 3/4”(W58cm x H129cm)
Scroll: W28 1/2” x H76 3/4”(W72.5cmx H195cm...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Tradit...

An incredibly elegant form by Ikegami Eichi enclosed in the original signed wooden box titled Seiji HIsago Kaki (Gourd Shaped vessel). It is 30.5 cm (12 inches) tall and in excellent condition.
Ikegami Eichi was born in Kanazawa City, home of Kutani porcelain, in 1931, and during his time at the Kanazawa University of Art he submitted sculptures and was awarded at the Hokuriku Art Exhibitoin and Ishikawa Modern Art Exhibitions, graduating university in 1953. From 1954 to 1965 he submitte...

A spectacular pottery sculpture of the Okoze (Scorpion Fish) by Kimura Gyokushu enclosed in the original signed wooden box titled simply Bizen Okoze. It is 27 x 18.5 x 9 cm (11 x 7-1/2 x 3-1/2 inches) and is in excellent condition.
Kimra Gyokushu was born the eldest son of the 16th generation Kimura Munetoku in 1953. He graduated from Nagoya University of Arts in 1976, then went on to be awarded the Okayama Mayor's Award at the Okayama Prefectural Exhibition that same year. In 1978 he...

A Hikeshi-Banten Fireman Jacket decorated with protective images of waves and birds outside in various dyed colors and sashiko stitching, the inside emblazoned with a dragon and tiger; symbols respectively of wisdom and protection (the dragon is a water god) and ferocity and bravery as the tiger knows no fear. The handmade coats were fashioned from several layers of highly absorbent quilted cotton fabric. They were then resist-dyed using the tsutsugaki method, which involved drawing rice-paste d...

A beautifully crafted cast, carved, and parcel gilt bronze image of a samurai pulling back, arrow nocked, ready to let fly, signed in a metal cartouche on back Shunko-saku (made by Shunko). It is roughly 27.5 cm (11 inches) to the top of his hat, 25 cm (10 inches) from forefinger to elbow. The warrior is calm, determined, with a look of deep concentration in his inlaid eyes. He wears an eboshi, a formal type of hat, and is dressed in sumptuous, loose fitting robes with leggings and braces to pr...