Ivory netsuke depicting a dromedary with a long neck that bends backwards. The surface is distinguished by its shine and blonde patina, with color transitions ranging from yellow to lighter ivory. To the touch, the netsuke feels soft and smooth. Origin: Japan Period: Edo 19th century Dimensions: 4 x 3.5 x 1.7 cm. State of conservation: Very good

Ivory netsuke depicting a rat with black horn eyes. The rat is represented resting on its hind legs, while its long tail surrounds an acorn that it is gnawing with its front legs. The object is accompanied by an original label which certifies its origin from the former Tamanini collection in Milan. Origin: Japan Period: Edo 19th century Dimensions: 3.4 x 4.3 x 2.9 cm. State of conservation: Very good

Refined silver bowl with embossed irises cast and chiseled inside on a hand-hammered ground on the bulbous body, raised on an oval foot. Signature engraved under the base Watanabe zo and Junjin. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15 x 27 cm. – Weight: 1320 gr. State of conservation: Very good

Cotton juban (under kimono) with shibori pattern whose techniques are Miura shibori and Ori-nui shibori. The collar cloth is silk crepe with woven pattern. It has thin wool muslin with pattern in both sleeves. In good condition except for several small moth holes. It is from Tohoku district where has cold weather in winter. The first half of the 20th century. W:123cm, L:125cm

Fireman's hanten made of thick cotton and hand-stitched sashiko (quilting). It has hand painted "Edo Machi Hikeshi" (town fireman) with "Matoi" which was hold by fireman to show his own "Kumi", brigade. It also has hand painted birds and waves design inside. 19th century. In good condition. W:118cm, L:91cm

FOOT TALISMANS

Pair of tin sandals made and didicated to temple/shrine to pray for the safety of practitioners (shugenja) or itinerant Buddhist monks (yamabushi) who do the Shugen-do mountaineering ascetic, with the Indian-ink sign of a Japanese four-character idiom as "Realisation of Great ambition". Showa period, 20th century, Japan. approx. 25 x 9 x 6 cm (9.84 x 3.54 x 2.36in). The condition is as is as seen.


selected by titcoRet
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Gorgeous Awata cereamic 'suiban' or flower vase by 'Tozan, Ca. 1930 with original box. perfect condition. 11" wide and 8" deep x 3" tall. Ask for shipping quote.

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

Chinese hinged triple snuff or medicine bottle made of silver. One side depicting immortals, the reverse with Chinese characters. The stoppers worked en suite, two bottles with spoon. All bases with silvermark. Condition: traces of usage. Dimension: c. 4.2 cm high, total width: c. 6 cm, weight: c. 47 g.

An exquisite pair of 19th century Sometsuke porcelain bottles decorated with butterflies among seasonal flowers. The winged creatures float effortlessly among the bamboo, Chinese bell flower, wild chrysanthemum and other seasonal flora. Each bottle is peaked by a simple rounded wooden bung, and they come enclosed in an age darkened wooden carrying box with hand forged iron handle. They are roughly 15 cm (6 inches) tall each and in excellent condition. Although untitled, these are likely a very...

A Ko-Seto-yu Chaire Tea Container by Teishitsu Gigei-in Suwa Sozan I wrapped in a chord bound silk pouch enclosed in the original signed wooden box tied with deer leather, the box bearing the seal of the Imperial Art Academy. It is 5 cm (2 inches) tall and is in perfect condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, ...

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

TOOL OF INDIGO DYEING CRAFTSMAN

Unique handmade tool made of newspaper used as a rubbing pad for pressing (like a "Baren" for printing from wooden block), 1970s, Japan, D 11 x H 10 cm (4.33 x 3.93in).


selected by Jinta




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An antique Chinese Coromandel screen in 3 parts made of hardwood with lacquer and hardstones. Depicts a pair of nursemaids watching over the Imperial children at play.

Made for export for the European market possibly for use as a fireplace screen.

Age: Early Republic Period (1910-1920)

Dimensions: Overall 38 3/4" Wide by 34 3/4" High

An antique Hindu/Buddhist temple bell cast of bronze. Exquisite detailing with 4 surrounding dieties and a 4 prong Vajra finial. Striking nodes on four sides with a beautiful clear resonating sound when struck.

Age: 1920's-1930

Dimensions: 36" High by 18" Diameter

An antique Japanese Buddhist family altar called Butsudan in 2 sections. All lacquer finish with gilt lacquer interior. Exterior doors open to inner sanctum doors. Upper transom was hand carved with religious figures meditating in a wooded forest. The altar features a centerpiece dragon with 3 flying Phoenix birds above each compartment. Hanging ornaments on each side. With front slide out tray, sliding doors hiding a storage compartment and 2 drawers where Buddhist accoutrements were kept...

Antique Chinese cabinet made of jumu (elm) wood with natural finish. The two doors open to a large compartment with a shelf. The interior has traces of original deep red lacquer finish. Nice patina and beautiful wood grain over all.

Age: 19th century

Dimensions: 44 1/2" high x 38" wide x 18" deep

Antique Japanese Butsudan, Buddhist shrine for a home. This butsudan is in two sections. The top section has four folding doors that open to a shrine interior: An multilevel altar with carved details, gold leafed silk and columns. There is a small storage compartment closed by carved sliding panels. The bottom section has two storage drawers. The doors of the butsudan are carved with a round pierced filigree design of chrysanthemums.

Age: Taisho Period (1912-1926)

Dimens...