An antique Japanese Sendai Tansu in a rare 2 section design made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron hardware with Urushi lacquer finish. Rounded Mokko style handles with Chrysanthemum lock plates surrounded by an arabesque leaf pattern. Four large drawers with a hinged security door that hides two small drawers.

Age: Meiji Era (1870-1880)

Dimensions: 46" Wide by 43 1/8" High by 17 3/8" Deep

An antique Japanese Kotansu (personal storage chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware and aged patina finish. Warabite style handles. Straight dovetail Japanese joinery and hardened wood nails were incorporated into its design. Five drawers with a hinged security door that behind hides two small drawers.

Age: Meiji Period (1880-1890)

Dimensions: 29 1/4" Wide by 26 3/8" High by 15" Deep

An antique Chinese cabinet made of Huanghuali wood and marble. Original brass mounts including the stylized lantern style pulls. Scholarly decorative cutouts of a vase, a jar, a gourd, etc. with a marble backing.

Age: 19th Century

Dimensions: 38 1/2" Wide by 34 3/8" High by 23 3/4" Deep

An antique Chinese cabinet made of Jumu wood. Original brass hardware mounts. Two side by side drawers with hinged doors opening to a spacious storage compartment.

Age: 19th Century

Dimensions: 35 3/8" Wide by 31 3/4" High by 22" Deep

You rarely see 19th Century Korean tiger paintings offered for sale anymore, especially in excellent condition like this one. The last time we had one (though not in this great condition) was 15 years ago, and it will probably be at least that long until we have another one to offer. When they do come up in auctions now, they sell for more than we are asking here. That's because there is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. T...

Chinese Qing dynasty porcelain deep dish decorated in underglaze blue on a white ground with a central roundel painted in the ‘Master of the Rocks’ style with a figure in a landscape scene with mountains in the background and traditional buildings at the right side. The back wall is decorated with four foliage sprays. A two-character mark within concentric rings on the base translates “harmony jade.” 17th century (transitional to Kangxi period). 8” diameter x 1 1/2” high. Very g...

Eight petal Chinese Tang dynasty (618-907) foliate form bronze mirror with central pierced knob and four relief characters reading “long life, riches, and honor” (chang ming fu gui). 7 1/4” diameter. Good condition overall with typical wear and extensive patina. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 1985 to 1989.

Ohara Shoson (Koson)
Goldfish
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1926. This edition post-1957.
Publisher: Watanabe. Round 7mm publisher's seal at lower right.
Reference: S39.6 and cat. 171 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Removed from original window matte. Slightly toned.

A rare Chinese painted grey pottery figure of a recumbent dog looking up expectantly. Most of the original ochre pigment remains and it has a white stripe to the front. 16cms. long, Northern Qi dynasty, 6th century AD. Provenance: The collection of C. Roger Moss, OBE, formerly the finance director of the Hong Kong MTR. Purchased in Hong Kong mid 1990's. Other examples are in the Meiyintang collection and in the Datang museum. See also the two dogs from the Norman A Kurland Collection part 1...

Wood tray with urushi painted whose technique is free and irregular. It might be made not for sale, however, it is unique and interesting. The first half of the 20th century. In good condition except for a few minor chips on the rim. Diameter:30cm, H:4cm

Authentic 1858 coloured antique steel engraving of Jawahar Singh and his entourage from the watercolour attributed to William Carpenter in the Kapany collection. Inscription on reverse dated circa 1845. Image size 32x22 cm. Laid down on card. Image in good condition, background card with creases and tears. Examples of sales of this engraving can be found on abe books. Can be viewed in central London and shipped worldwide with insurance.

Width: 4.2 cm (1.7 in)
Height: 3 cm (1.2 in)
Weight: 170 gms

Chinese bronze scroll weight of a Qilin; good condition

Height: 6.4 cm (2.6 in)
Width: 3.6 cm (1.4 in)
Depth: 3.3 cm (1.3 in)

Excellent Chinese carved snuff bottle in the shape of a gourd; shou symbols to the front; good condition

Height: 7 cm (2.8 in)
Width: 3.9 cm (1.6 in)
Depth: 2.3 cm (0.8 in)

Fine quality carved Chinese snuff bottle; two panels of polychrome decoration featuring birds and florals; calligraphy to each side; natural material; good condition

JEWELRY BOX

Antique wooden valuables box sent to a bride-to-be from a groom-to-be in a Korean wedding ceremony as the traditional custom, early 20th century, approx. 39 x 21 x H 14 cm (15.35 x 8.26 x 5.51in). Made of pine tree and iron fittings, coated with used paper inside. Relatively larger type and in good condition as is. *Coffee cups are not attached.


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Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that could not be deciphered, this one remains a beautiful mystery. The style itself is very close to that of internationally renowned 8th generation Hagi potter Kaneta Masanao (b. 1953); so much so in fact that we decided to contact this artist to see if it was one of their pieces. They courteously replied back that it was not. The ...