Futonji (bedding) with tsutsugaki phoenix and paulownia tree design which is made of hand-spun cotton and vegetable indigo dye and colored with pigments. Phoenix is an imaginary and sacred bird by Chinese lore which perches on paulownia tree and eats fruits of bamboo. Tsutsugaki technique is excellent with fine freehand line. In excellent condition. Meiji period. 134cm x 162cm

Makanai which is a kimono worn at home after work in the Nanbu region, where is the east part of Aomori prefecture. It is made of hemp cloth whose wefts and warps are hand-plied and lightly vegetable indigo dyed. The lining is machine-spun cotton. It has very fine sashiko with indigo dye cotton yarn. In good condition but has light stains in front as well as in the back. The last image is from the book "Michinoku-no-Kohu-no-Sekai" by Tanaka Chuzaburo. The first half of the 20th century. 126cm x ...

Japanese Kiri Wood Old Storage Box, divided 2 sections inside, outside box(8 3/4" x 4 1/4", 7" high, inside each size(3 3/4" x 4 1/8", 6 1/4" high), in good condition.

Two(2) Japanese Kiri Wood Storage Boxes, old Meiji, square box(5" x 5 1/2", 4H high), flat rectangle box(7 1/2" x 5 1/2", 1 1/2" high) in good condition.

Japanese Flat Large Kiri Wood Storage Box, 11 3/4" x 6 3/8", 7/8" high, in good condition.

Two(2) Japanese Kiri Wood Storage Boxes, old meiji period, larger box(9 3/8" x 7 3/8", 3" high), smaller(7 1/2" x 4 1/2", 2" high, both boxes are in good used condition.

A lovely wood carving of a pair from Bali. Meticulously carved and painted, the man with keris and the woman holding an offering, standing on a base. Condition: the base with some cracks and a small loss, the hilt of the keris glued, paint with few losses and wear. Dimension: c. 27 cm high.

A Persian small brass or bronze box and lid from the Qajar period, 19th century. Of square shape with indented corners and exquisitely engraved with flowers and birds. A small circular reserve indicates which side of box and lid respectively are meant to fit into each other. Width "2 1/2 / 6.5 cm, height "1 2/3/ 4.2 cm. Condition: fine.

This antique Iga vase is a true beauty, made of wonderful native Iga clay.

The vase was made between 1800 - 1850 during the later Edo Period and is in great antique condition. No chips or repairs. It comes with an old wooden box and an old cloth bag (which has a small torn part).

Iga ware's origins are believed to date to the second half of the 7th century and 8th century A.D. It has been a popular pottery style since the Tsutsui-Momoyama period of Japan, when it was used ...

Iron metal rod. Painted with ink on paper. Signed Seiki and sealed. It is a type of weapon, a thick iron rod with warts on it. In pictures of demons, it refers to the stick that demons are holding in their hands. In Japan, there is a saying, "Kanabo for demons". If you equip a strong demon with a powerful weapon, a metal rod, it will become even stronger. This is a parable about someone who is already strong and becomes even more powerful by having something added to them. It is also a parable ...

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas. Ichimonji checkerboard patterns rising diagonally up the sides alternate with garden trees, the ends decorated with wisteria and ivy. The box retains the original inner tray in festive red decorated with garden grasses. It is w...

This is a rare and tattered tunobukuro bag textile made from old hemp and rags from the Meiji period (1868-1911). This is the bag you put the sweetfish in after you catch them. It's been used a lot, so it's a little soft. It has been washed, so there is no smell. You can enjoy both sides. Size: Length: 140cm (55.1"), Width: 30cm (11.8").

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

Hiroshi Yoshida
Three Little Islands
Date: 1930. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 40 x 23 inches. Beige sheet: 20.75 x 15.5. Visible image: 14.75 x 9.5 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting covering the margins prevents us from confirming the presence or absence of a jizuri (self-printed) seal.

Contemporary Tea Cup by Master Takeuchi Shingo A fine tea cup of sculptural shape with inlaid polychrome geometric patterns. H 9 x 8,5 cm ca. Signed at the bottom; artist’s information paper follow. Condition: Perfect.  Takeuchi Shingo was born in 1955 in Seto. Until 1979 studied at the Aichi Prefectural Ceramics Research Facility and than with one of the great master potter, Kato Shuntei II. In 1982 establishing his own kiln in Seto. He has been exhibited both at home and abroad and his...

Small bronze spoon from the Han Dynasty, these were usually found with miniature bronze cooking stoves, good study piece for fans of ancient Chinese bronze. There is crack that may be seen last enlargement. L: 9cm/3.5in. Free shipping.

Fine Ming Dynasty “sancai” pottery bed, in pristine condition, with subtle but discernable paraffin patina, consistent with an “of the period” piece. This has simple classic lines emblematic of Ming furniture. There are 4 holes in the floor of the bed originally intended to support a cloth canopy. Widths: 32cm/12.5in x 19.8cm/7.9in and height: 17cm/6.9in.

A spectacular Shino Vase in deep Murasaki, and white by Tamaoki Yasuo enclosed in the original signed wooden box titled Shino Tsubo. It is 14-3/4 inches (39 cm) tall, roughly 26 cm (10-1/2 inches) diameter and in excellent condition.
Tamaoki Yasuo was born in Tajimi in 1941, one of the homes of Mino ware. He began his path to professional ceramicist at the Tajimi Industrial High School, and a stint at the Gifu Ceramics Research institute, where he followed the footsteps of a number of ...