An intriguing form by Takeuchi Shingo titled Zogan Hento (An Inlaid Strange Vase) enclosed in the original signed wooden box. It measures 18 x 19 x 24.5 cm and is in fine condition, dating circa 2002.
Takeuchi Shingo(b.1955) hails from Seto city, one of the oldest ceramic production centers in Japan. He studied at the Aichi Prefectural Ceramics Research Facility until 1979, then under the great Kato Shuntei II before establishing his own kiln in 1982. Exhibited at the Asahi Togeiten C...

A finely crafted pumpkin shaped Zisha clay Yixing stoneware teapot decorated on one side with applied pumpkin vine decoration. This item carries three seal marks which all bear the name Shi Yu Zhen. Condition: excellent - no chips or cracks and no restoration. For additional pictures please view item #0563 at our Liverpool shop website at 69aliverpool.co.uk. 15cm (6 inches) long; 7.5cm (3 inches) high.

A beautiful camphor wood cabinet from China with fine carving and drawers/nice metal decor-fixtures. The main cabinet has 2 doors which slide inward along the sides for a computer, screen or TV etc. and the back side has a sliding wooden opening for electrical cables etc. Very nice condition, free standing, size: H. 178cm x W. 97 cm. x D. 66 cm. (70" x 38" x 26"). For more photographs please see our item # 576428

A very fine dark brown Yixing teapot with hand carved and applied branch and flower motif. It is signed both under the lid and on the base bottom. In perfect condition, No cracks, No hairlines No restorations, it measures 6" high, 5" pot diameter, and 8" across.

Song Dynasty brown glaze jarlet with four ears. There is no damage other than the glaze degradation due to age. Cavities near base occured during time of its making. Dimensions: 3.5 inches high and 3.5 inches diameter at widest.

A special Blue and White rectangular Qing dynasty snuff bottle with image of Qilin on one side and seated tiger on the other side, with coral lid. Dimensions: 2.5 inches tall by 1.5 x 0.75 inches.

Seated Amida Buddha, the hands placed centrally on the lap in the Amida jo-in mudra, sculpted in relief from a grayish igneous stone. Late-Muromachi Period ca. 1550. Very minor old loss.

Height: 49 cm
Width: 23 cm
Depth: 12.5 cm

A fine print, engraved by Isidore-Stanislas Helman (1743 - 1806) in 1788. The emperor Qianlong ordered in 1766 in France a series of copper engravings representing its conquests of 1755-1759 against the Eleuthes. Only a few copies stayed in Europe. To satisfy the curiosity of the public, the engraver Isidore-Stanislas Helman produced a reduced version. To an era where China fascinated the European public, Helman offered engraving by which he greatly contributed to popularize China in Europe. Con...

A rare Eastern Han (206 BC- 219 AD) jar with incised decoration about the collar area. All the features one wants to see are found on this rare artifact, such as root impressions, worm tracks, and traces of calcified (petrified) roots. This jar is not the typical molded type made for burial, but was actually used in real life as utilitarian ware for everyday use. The jar is in excellent condition and measures 6.5" high x 7" diameter.

Villains and travelers, Goblins and Priests, Various tales play out in 3 dimensions around the trunk and among the leafy branches of a massive tree forming the core and backdrop of this amazing 19th century altar bell stand. The piece is 6 inches (15.5 cm) tall, the same diameter. It comes enclosed in an old wooden box. This matches the Maezukue Altar table previously listed. One of the most elaborate I have ever seen.

A sculptural Green form by Yamazaki Akira (Yamazaki Koyo II, b. 1927) enclosed in the original signed wooden box titled Kujaku-yu Tori-tsubo (Peacock Glazed Bird Shaped Vase). The vase is 11 x 6 x 6 inches (28 x 15 x 14 cm) and in fine condition, signed on the base Akira.
Akira’s father, Yamazaki Koyo (1890-1979), was displayed and awarded consistently in many National Exhibitions and is held in the collections of the Museum of Modern Art Boston and Bern Museum of Art Switzerland amo...

Frog (Jp. kaeru) sculpted from a dense, gray-hued igneous stone. Late-Edo Period ca. 1850. Minor old loss and an old repair to the front right leg. Light accumulation of frog-green lichen.

Height: 24.5 cm
Length: 56 cm
Width: 34 cm.

A classic yet slightly quirky example of the ever-popular stone garden frog, and a behemoth to boot. Uncommon.

Lovely almost art deco Edo Period ceramic bowl from a Kiln in Kyoto. Signed and known as Kiyomizu yaki from the famous pottery area of Kiyomizu in Kyoto. Comes in the original paulownia wood box. Antique fixes on lip in gold leaf. Beautiful condition. H:5" x diameter: 7". Ask for shipping quote.

Sho-Kannon Bosatsu, the hands holding a small lotus-form dais, seated upon a rectangular lotus-form dais, the two pieces separately sculpted from a brownish sedimentary stone. Mid- to late-Edo Period ca. 1800. Very minor old loss to the Kannon figure, with more substantial loss to the lotus-form dais. Variegated lichen accumulation.

Kannon:
Height: 45 cm
Width: 27 cm
Depth: 26 cm

Lotus-form Dais:
Height: 15 cm
Width: 43.5 cm
Depth: 38 cm

Overall height: 60 cm.

An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.

No chips or repairs.

It is unsigned, as would be typical of older tea implements.

S...

A sublime calligraphy scroll having a Chinese attribution. The rough and swift strokes of the calligraphy can be seen as if movement is caught frozen in time. The calligraphy reads as an auspicious poem where the poet is using the flow of water in relation to the spread and development of the family with generation after generation of children. Signed Xiuyang.

From the James Colburn Estate.

Age: 19th century. Size: Length 70" Width 28.25"

Antique Indian bronze figure the Goddess Durga, she is seated with her lion mount depicted very small by her right leg, she wears a tall crown, her forehead is burnished from reverent touch over the years, her attributes which she hold in four hands include a sword and a club, she sits on a square base with an ornate nimbus of makara heads and naga canopy, Southern India, 19th century. Size: 10 1/2" high x 5 3/4" wide x 3 3/4" deep.

A simple one line Chinese calligraphy attributing to Chi Xizhao (1793-1866). The calligraphy reads: The pure jade harmonizing with the gold with the pure wind in the forest of treasure. The work is dated to year of the water boar (approximately 1863), mid spring. Chi Xizhao was a noted Qing Period poet. Chi Xizhao was a scholar of the xueshi rank during the Jiaqing period. This scroll originally was one of a pair.