Old song bird catcher from the Minang people of Central Sumatra. I bought this in Padang in 1988 and it was already old at the time, so I can date this to about 1950. A classic honey trap, right out of the KGB spy book. A hot and seductive female bird is placed in the back of the cage and when a dumb male bird comes along and lands on the perch in front this will trip a peg that will cause the net in the front to come down and now he is caught. See last two enlargements. L: 27cm/10.6i...

A Chinese White Glazed Water-Dropper with Pigeon. Circa 12th-14th Century, Song-Yuan Dynasty. Found in the Philippines. This water-dropper features a qingbai-type glaze that covers its entire body and stops short of its foot. Two loop handles sit on its shoulders and its neck is decorated with carved circles. A figure of a pigeon rests on top of the vessel and its base remains unglazed. This vessel was probably used by scholars for pouring water to wet ink, used for calligraphy. Measur...

Found in the Philippines. This vase features a six-sided ribbed body with a qingbai type glaze. The vase sits on top of a stand with a caged and pierced design which is integral to the vase. Similar examples of vases with different designs that are integrated into their stands can be seen in the book “Chinese and South-East Asian White Ware Found in the Philippines” by: The Oriental Ceramic Society of the Philippines, on page 108; exhibit 109 and 110. Measurements: H 6.10”inches (15...

A small Pure Land Buddhist shrine -zushi- containing a figure of the 11-headed Kannon on a lotus, holding a flask in his left hand, standing before a full-size mandorla.
Painted in mineral colors and gold onto the gilded doors are Jizo bosatsu to his right and Kokuzo bosatsu to his left.

Carved wood (probably boxwood), decorated with gold. Jewelry gilded metal (now black).
Red lacquered shrine with fine gilded hardware. Japan, Edo period, 18th century.
Case: ca. 5.1...

Rare Chinese Han Dynasty Glazed Pottery Hill Jar (Tigers, Stags, Horsemen)

This rare and unusual pottery vessel, the type known as a "hill jar", was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a relatively high-fired reddish pottery that has been coated in a green glaze, the colour of which varies according its thickness.

Although many examples of "hill jars" are known, this particular example is unusually decorated. The cover depicts various peaks in between whic...

Chinese 16th Century Ming Dynasty Blue & White Porcelain Dish (Phoenix & Mark)

This attractive porcelain dish was made in the second half of the 16th century, during the Ming Dynasty (1368 - 1644). It is decorated in underglaze blue. The central design features a phoenix standing in a garden. Around the rim are beribboned precious objects and peaches (the peach representing marriage as well as immortality and springtime). The underside is also quite elaborately decorated with scrolling folia...

It is a Japanese antique komebukuro bag. It is a komebukuro bag sewn together with indigo dye Omi Kasuri jyoufu and European chintz. It does not stain and has two small holes. There is damage on the bottom.The inside has light stains from aging. 　　 size:: Length 22cm / 8.66inch Width 42cm / 16.5cm

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

A striking configuration by the rising young female artist Tanaka Yoko enclosed in the original signed wooden box titled Yu-un Hai (Playful Clouds Cup). Yoko has created a unique technique whereby she combines glass and porcelain. It is roughly 7.5 cm (3 inches) diameter and in perfect condition, directly from the artist this summer.
Tanaka Yoko was born in Kanagawa prefecture in 1983, and graduated the design course of Tama Art University in 2007. After working briefly, she enrolled in ...

Rare scholar’s item, Yue type glazed brushwasher in the shape of an alms bowl, circa 500-600CE from a southern kiln. This has two hairline cracks running off the rim (please see enlargements). Fired with a dense dark gray clay. D: 6.8cm/3.4in and H: 4.3cm/1.6in. Free shipping.

A pair of Japanese bronze vases with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 18 C.M. / Width 10.5 C.M. (size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese tall Satsuma ware vase. Covered in a white crackle glaze and painted with designs of blossoming cherry branches. Extensive raised gold enamel, brightly colored patterns and delicate butterflies.

Age: Meiji Period (1868-1912)

Dimensions: 20 1/4" high x 5 1/4" wide

Antique Japanese sculpture of a hawk coming to rest on top of a gnarled rock. Wings spread wide, the hawk grips the rock with it's talons. Each feather is intricately carved.

Age: Meiji Period (1868-1912)

Dimensions: 11 1/4" high x 13" wide x 10" deep

Antique Chinese bitong (brush pot) carved of hardwood with beautiful grain patterns. The mouth and foot of the container have a fine cusped edge. The bottom is carved with three low feet. The bitong has a pleasing overall shape with a slight flare towards the top.

Age: Early 20th century

Dimensions: 6 5/8" high x 6 3/8" wide

Large Chinese yellow Peking glass vase. Dramatic baluster form with tall neck and rounded foot. The rim displays how many layers of glass it took to create this vase. The color is a vivid golden/yellow color previously reserved for imperial use.

Age: Mid 20th century

Dimensions: 13 3/4" high x 7" wide

Chinese hardwood ruyi scepter carved in the shape of a stylized lingzhi. Decorated with writing and designs of fruit, bats, fish, lingzhi mushrooms and other symbols of good fortune. Ruyi scepters were used by the noble class to hold or display as a symbols of power and good fortune and they were used by Buddhist monks in teaching. And later ruyi scepters became a traditional gift and prized object for the scholar's table.

Age: Early 20th century

Dimensions: 12 1/4" long x...

Japanese Meiji period woodblock print depicting the journalist Fukuchi Gen'ichiro (1841-1906) reporting live at the battle front as government troops assaulted the rebels during the 1877 Satsuma Rebellion by Kobayashi Kiyochika (1847-1915). This image is number 45 from the series "Instructive Models of Lofty Ambition" published by Matsuki Heikichi in 1885. The series title is at the top, the cartouche at the upper left contains a brief biography of Fukuchi Gen'ichiro, and the publisher's infor...