Chinese Neolithic Qijia Culture Incised & Cord-Impressed Pottery Jar

This pottery jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), in the north of China, what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is quite "heavily-potted" with the upper body decorated by one long incised line that spirals, haphazardly, down from the neck to t...

Tall Chinese Eastern Han Dynasty Glazed Pottery Granary (AD 25 - 220)

This large and impressive pottery vessel was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a red pottery and coated in an unusual and attractive streaky yellowish-brown glaze, the colour of which pleasingly varies across its surface. This vessel represents a granary and its top part is in the form of a three-tiered tiled roof. The cylindrical body is decorated with three bands of incised lines, and sta...

This is a beautiful Meiji era Cloisonne vase. It is larger than most of these intricate panel vases and stands 7 1/2 inches tall. Looks perfect, but does have a tiny craze line in the right upper corner of one blue panels. Probably a production flaw.

This is truly a museum worthy piece from the great satsuma artist, Seikozan. It is probably our all time favorite example from this artist. This vase is the mate to another one we sold. Likely months of work went into this vase and it's literally smothered with intricate enamels and gold work. The vase stands 9 1/2 inches tall. This vase appears to be nearly perfect but it has had a rim chip repair.

A looping handle sweeps above this fabulous bowl decorated with burgeoning gourds by Takahashi Dohachi VI enclosed in the original signed wooden box. It is 21 x 18 x 15 cm (8 x 7 x 6 inches) and is in excellent condition.
Takahashi Dohachi VI (1881-1941) was born the second son of the 4th generation Dohachi in Kyoto. He was too young to succeed the family name upon his fathers early demise, and a a potter named Ogawa Yunosuke steered the helm as the 5th Dohachi until he too passed away i...

Antique Japanese burl root wood formation. Collected for it's unusual, gnarled beauty. Mounted on a square stand of iron and cherry wood. Exhibited at the San Francisco Fall Art and Antiques Show.

Age: Meiji Period (1868-1912)

Dimensions: 16 1/2" high x 16 3/4" wide x 12 1/4" deep

Large Chinese late Qing dynasty slightly rounded cylindrical form jar with lid decorated in underglaze blue in a continuous landscape scene with historic warriors from the Three Kingdoms Period fighting on foot and on horseback set against a white porcelain ground with a grayish tint. The interior and base are glazed. 12" high x about 10 1/2" diameter. Weighs 11 lbs. Late 19th to early 20th century. Solidly potted and in very good overall condition. There are a lot of speckles and imperfec...

IN THE CORNER

Cool and calm Japanese oil painting on canvas in such something like 80's interior vibe and comfort, by Takemura Ryoko (aka Kaga Aoi as a former Takarazuka Revue actress) who is the wife of Takemura Kenichi ( https://www.japantimes.co.jp/tag/kenichi-takemura/ | Graffiti of his portrait in NY: https://www.youtube.com/watch?v=RTmf6pNMLRY&feature=youtu.be ), coming from her atelier as its provenance but no her own signature. 20th century. approx. 45.5 x 5...

Rare and unique (one of a kind), antique large Thai “parang” or “machete”, general purpose bush knife which was used in cutting and splitting rattan and bamboo. The handle is made of old, and nowadays rare, Thai Rosewood: Dalbergia cochinchinensis which has a nice chatoyance to the grain (sort of looks like Huanghuali to me 降香黄檀). The cutting edge is still sharp and usable; there are a couple of splits which is secured by a metal band. L: 64cm/25.2in.

Very fine, complete (both original inner trays included) betel box in excellent condition circa first half 20 the century. Composed of red, black and green lacquer depicting monkeys against an abstract foliate background. Some surface craquelure as to be expected on old lacquerware. D: 18.5cm/7.2in and H: 10.5cm/4.1in.

Exceptional semi antique, over 70 years old, two paneled Tai Daeng (Red Tai) blanket from Northern Laos with supplementary weft silk Chinese Shou longevity character medallions and key fret design. The last time I was in Vientiane (13 years ago) textiles of this quality are no longer to be found. There are two repairs noted in enlargements 2 & 3 as well as some minor weft design loss. The Tai Daeng are generally acknowledged to be the best weavers in Laos and their contemporary piec...

Kake-fukusa, a gift cover, used on the occasion of auspicious events. It is made of tapestry weave silk with two performers motif, one is wearing Daikoku costume with a gavel. Two men look Kado-tsuke, strolling musicians or performers who play dancing and music in front of houses and get some money. In good condition but damage in the black Eboshi (hat) of the man with a fan. Meiji period (1868~1912) 62cm x 67cm

A fine pottery koro in typical milky white glaze supported by three figures in russet red by Okuda Mokuhaku dating from the mid 19th century. It is 13 cm (5 inches) diameter, 11.2 cm (4-1/4 inches) tall. There is a chip in the rim, otherwise is in excellent condition. It is stamped on the base AKahadayama followed by a circular seal reading Mokuhaku. t comes in a simple wooden box.
Akahada Pottery, starting around 1585, was created by several kilns in the area of Yamato-Koriyama, Nara...

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave. There are a few pin holes but noting egregious (one small repair w...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on double lotus base.

Age: Burma, Shan Period, 16th Century
Size: Height 31.7 C.M. / Width 18.6 C.M. / Depth 13 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Special offer: 4 Tang Dynasty terra cotta statues, all have had repair i.e. heads glued back on- (two are not the original heads). The amber glazed figure has the original sancai glaze though not very shiny. Dimensions note in enlargement text.

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay. Embracing the flawed and broken aspects of an object through kintsugi is a way to appreciate the passag...

Length: 10.5 cm (4.2 in)
Height: 6 cm (2.4 in)
Depth: 3.9 cm (1.7 in)

Quality Japanese carved okimono of an elephant; natural material; finely carved throughout; minor restoration; good condition