A Japanese rare ivory netsuke depicting the Buddha’s Hand (also known as Fingered cedar) among the leaves, an ornamental and fragrant citrus fruit that is segmented into multiple sections resembling a hand. It is native to China and Japan, where it is cultivated for religious purposes. The Buddha’s Hand is a highly significant symbol in Buddhism and is considered a symbol of prosperity, fertility, and longevity. The choice of ivory as the material for the netsuke provides a smooth and ...

Ivory seal carved to represent a lion resting on a rectangular base. Inscription in archaistic style beneath. China, Ming Dynasty. Height: 5.5 cm. Very good condition.

The size of Cuff Link: 7/8" L x 9/16" W on Kutani Sometsuke Porcelain
The size of Tie Clip: 5/8" Square Kutani Sometsuke Porcelain, 2 1/8" L Clip
This is handsome Japanese Kutani Sometsuke(B/W) porcelain
w/ design of Rose handpainted on cuff links and Tie Clip.
The set came in Kiri wood box. It has marking of Kutani Yaki (Kutani Ware).
Tie clip has spring holding so tie does not slop away.
The set never been used. Original fine condition.
Th set is about...

Very finely detailed hand carved bone lime box from Timor, circa mid 20th century, with wooden stopper. L 10cm/4.1in. Included is anthropomorphic stopper from the Bataks near Lake Toba, Sumatra. They’re unrelated but somehow look like they belong together.

Lovely Negoro lacquer'Yuto' water pot from the Meiji Period, Ca.1900. Natural cylindrical body carved out of cypress wood and flush fitting cover all with beautiful negoro lacquer finish. Copper metal fittings. Slight tiny wear on the handle corner. (see picture). H:12" x W: 12" x diameter 8". Ask for shipping quote.

Splendid set of Oribe ceramic tea pot with 5 stunning cups, each side of each cup with a daruma figure hand painted. Ca. 1920. Tea pot 6" wide by 3 1/2" tall. each cup 2 1/2" tall and 2 1/2" wide. Ask for shipping quote.

Rustic round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Pale yellow glaze that typically leaves the foot free. The plate is slightly warped, as is common with ishizara. Seto ware, Edo period.

In the Meiji era this plate was additionally decorated in moriage technique with overglaze enamels that required lower kiln temperatures. Images is a warrior hare, dressed in more or less Chinese warrior dress, a spear and war-fan in his hands, a halo with thre...

Confirmed by the experts at Sotheby's in Hong Kong to be the only surviving painting by 13th Century Chinese Southern Song Artist Chen Jue 陳珏(款). Signature and two seals. Ink and colors on silk, framed. 19.5 x 12.75 inches, 49.5 x 32.5 cm.

Fine & Rare Chinese Ming Dynasty Moulded Kraak Blue & White Porcelain Dish

This fine-quality and very rare "kraak" porcelain dish was made at the Jingdezhen kilns during the Wanli reign (1573 - 1620) of the Ming Dynasty. Its form and decoration are particularly rare and no example appears in the kraak "bible", "Kraak Porcelain" by Maura Rinaldi. The lobed wall has eight moulded panels containing various floral designs. On the inside of the dish the underglaze blue pattern is restricted to th...

Rare Tall Chinese Xixia Dynasty Glazed Stoneware Jar

This tall cylindrically-shaped storage jar comes from Ningxia in north-west China and dates to the Xixia Dynasty (1038 - 1227). It is "heavily-potted" and coated in a thick glaze, the colour varying from black to brown according to its thickness. This jar must have been placed close to other vessels in the kiln during firing as there are several kiln scars to the upper body. The wide foot remains unglazed with thick glaze covering the sli...

Chinese Blue & White Porcelain Vase, Late Ming Dynasty / Transitional

This attractive porcelain jar, or vase, was made in the Transitional period, c. 1620 - 1660, most likely during either the Tianqi reign (1621 - 1627) or the Chongzhen reign (1628 - 1643) of the Ming Dynasty. It is fairly "heavily-potted" and made in three sections that have been luted together prior to glazing. The bold underglaze blue pattern features blossoming plants on opposite sides of the body. It is coated in a thic...

Larger Chinese Ming Dynasty Blue & White Porcelain Bowl - Phoenix - Mark & Period

This attractive flared-rim porcelain bowl was made during the latter part of the Ming Dynasty (1368 - 1644). The underglaze blue decoration around the outer wall features two phoenixes in flight with their long tails. They are surrounded by a scrolling floral pattern. Around the inner rim is a key-fret band and in the centre of the bowl is another floral pattern. To the base is the four character "Tai Ming" mar...

Rare Large Chinese Ming Dynasty Blue & White Porcelain Bowl - Dragon, Phoenix, Fish, Peony

This rare and unusual "Swatow" (or "Zhangzhou") blue & white porcelain bowl was made during the Wanli period of the Ming Dynasty (1573 - 1620). The underglaze blue decoration around the outer wall features a dragon, a phoenix and a peony. The inner design features a leaping fish amongst waves. Within the recessed base is a simple character or mark. It is coated in a thick glaze. There is some kiln grit...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906). The figure is made from a reddish-brown pottery and is relatively highly-fired. There are minor firing fissures to the base of the figure where the pottery is thick. It has been cold-painted in a base coat of a creamy-white...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Ash flows through and fills the deeply crevassed surface of this closed bottle form by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kuchi Jime Yohen Hanaire. All one must do is turn it a few degrees to get a new aspect or a new point of contemplation. Shinshoku, blasted green, olive fingering, and charcoal black all studded with the famous Shiseki of Shigaraki. It is 18.5 cm (7-1/2 inches) diameter and in excellent condition, directly fro...

Cosmic rays flow away in a burst of green over the twilight color of this vessel by Furutani Hiromu (Churoku I) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. The entire vase seems to be covered in ashen gray over which the vivid green glass has flown, forming rivulets leading to a single crystalline drop on the opposite side. It is 22 cm (9 inches) diameter and in excellent condition, directly from the artist.
Furutani Hiromu (Churoku I, 1922-2012) Fa...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...