Japanese Meiji period Imari porcelain charger decorated in underglaze blue and overglaze polychrome enamels and gilt highlights with four panels holding bamboo, calligraphy, flying birds, and a variety of blossoming flowers all set against a blue background with gold accented leaves. Three sections of blue waves separated by flying birds encircle the back rim. Circa 1900. 16 3/4" diameter x 2 1/2" high. Very good overall condition. There is typical minor rubbing and wear to the gilt and over...

A heavily cast Chinese gold splash bronze two-handled bombe censer on slightly flared foot. Some wear, good old patina. 13 cms wide. Mid Qing dynasty, probably 18th century, Xuande mark.

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process. This piece is exquisitely crafted, carved and polished revealing the many layers of lacquer, it ...

A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.

A Chinese cloisonne enamel cup-stand with unusual leafy mask decoration. Qianlong/Jiaqing, 1780-1820. 13.25 cms diam. Good condition.

DOLL HEADS

Traditional Japanese folk craft from Aomori region called 'Kubi Ningyo' (Doll Heads). Showa period, 20th century. Made of paper, straw, and wood. H 20 x 12 x 12cm (7.87 x 4.72 x 4.72in)


selected by Jinta




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Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...

This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era. With a beautifully patinated bronze surface and intricate feather patterns, it is both a functional incense burner and a work of art, capturing the essence of the aesthetics of the day.

According to an inscription on the underside of the lid, in the year 1861 this piece wa...

Kawase Hasui (1883-1957)
Zentsuji Temple, Sanshu
Series: Collection of Scenic Views of Japan, Kansai edition.
Date: 1937
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #334.
Condition: Tape at top margin. Upper left image edge has slight tonal difference.

This Bizen vase by Ryuichi Kakurezaki is an exquisite piece that showcases the artist's mastery of the Bizen pottery tradition. Standing tall, the vase features a graceful and organic form with a curved bulb-like base. The rich, earthy tones of the Bizen clay are beautifully highlighted, exhibiting natural variations and textures that are characteristic of the firing process. The vase exudes a sense of quiet elegance, with its simple yet captivating silhouette. The craftsmanship is i...

Collection of circa 1920s antique, mostly men’s cheongsams. Please see text below enlargements for dimensions. These are all hand sewn with good quality silk, with no tears or frays or deterioration of the fabric or thread. A couple have some light fading on the shoulders and minor staining. They may be worn by either sex. Anyway there are 14 pieces in all > additional close ups and condition reports available by request,

Kataginu, a top part of kamishimo which is a formal wear of samurai, worn over summer kimono. It is made of hemp and vegetable indigo dye. The weaving technique is "mojiri-ori" (warp crossing). Family crest design is faded but in good condition. 19th century. 66cm x 66cm

Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare. This is a c...

A captivating blend of traditional aesthetics and contemporary flair; with exquisite attention to detail, Goro masterfully combines the vibrant green Oribe glaze with bold geometric patterns, creating a dynamic and visually striking piece. The bowl's elegant form and balanced proportions enhance the tea-drinking experience, while the unique surface texture adds depth and tactile pleasure. This tea bowl showcases his innovative approach to ceramics, honoring the rich legacy of Oribe w...

Box (Kobako) in lacquered wood powdered with gold (nashiji) decoration representing Daruma (with cut eyelids), face in red lacquer (cinnabar), eyebrows in silver powder and transparent eyes (crystal, glass or mica?). Daruma stands in front of a circular opening in old cracked walls. Its silhouette stands out against a background of rich kinji lacquer. Daruma wears a meditation robe lacquered in relief (taka-makie) with gold dust. The interior and the underside are richly decorated with a gold mo...

Very rare Ca. 1910 bronze zen temple dragon spout used in front of the temple entrance. Water from the dragon's mouth would run into a stone tsukubai where vistors to the temple would purify mouth and hands before entering the sacred space. Very good condition. 14" tall; 9" wide; 11" deep. Ask for shipping quote from CA warehouse.

An awe-inspiring masterpiece, this tea bowl by Kakurezaki showcases his unparalleled skill and artistic vision. Crafted with meticulous precision, the bowl seamlessly blends traditional Japanese ceramic techniques with a contemporary touch. The angled sides of the bowl's form invites the hand to explore it, while its carefully crafted texture offers a tactile experience that connects the user with the raw beauty of the clay. The ash glaze, expertly applied, flows gracefully along the...

SASHIKO DUSTCLOTH WITH CRANE DESIGN

Unused dustcloth of recycled handspun cotton fabric with ‘sashiko’ (ref. https://en.wikipedia.org/wiki/Sashiko) once originally used for cloth (kimono) or bedclothes for celebration (because of its auspicious design of cranes). Early 20th century, Japan. 25 x 25cm (9.84 x 9.84in)


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