PAIR OF MALE AND FEMALE DUCK RICE CAKE MOLDS

Traditional Korean wood carving rice cake molds with geometrical patterns, late 20th century, 11 x 6 x H 12cm (4.33 x 2.36 x 4.72in), 10.5 x 6 x H 12cm (4.13 x 2.36 x 4.72in). Massive weight. Some expected stains, scratches, and cracks due to aging as is.


selected by kikue




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An open tsubo covered in highly unusual gloss glaze with a colorful floral spray by Kawai Kanjiro enclosed in the original signed wooden box. It is 24 cm (9-1/2 inches) tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters. After graduating the Tokyo School of Industrial Design, he came to study in Kyoto, eventually establishing his own kiln on the Gojo-no-Saka (It remains standing today and i...

A playful sculpture which challenges the viewers perception by Hayashi Yasuo enclosed in the original signed wooden box titled simply Sakuhin (work). It is 12.5 x 9 x 12.5 cm and in perfect condition. According to a description of a similar work in the collection of the Met: Hayashi’s series of black and gray coil-built trompe l’oeil “boxes,” a group that was inspired by his experience flying without lights at night as a kamikaze pilot... this work presents new ways of looking at three-...

This is a large and heavy ancient Chinese nephrite scepter or adze.Measuring slightly more than a foot in length, the piece has two beveled ends, suggesting that it may have been intended for actual use, as opposed to a ritual item. As you will see in the photographs, there is a shallow groove that runs the entire length of the piece, possibly for attaching or securing some sort of handle (?). The stone itself is a mottled green and brown nephrite. Guaranteed ancient.

Cotton futonji with minimal shibori design whose technique is "Nui-shibori (folded and stitched). It is made in Asamai in Akita prefecture where shibori has been practiced since late 18th century and it was most prosperous in the second half of the 19th century, however it declined rapidly because of the machine spinning and chemical dye developed. The local people are trying to preserve the Asamai shibori technique now. In excellent condition. The first half of the 20th century. 96cm x 156cm ...

Medallion in red silk embroidered with stylized flowers in colored silk and scrolls embroidered with gold metallic ribbons. The reverse lined with old rose colored silk. Precise and careful details, of the best quality. No catering. Complete medallion. Full gold ribbons, some slightly worn as seen in photos. Diameter: 295 to 300mm. 19th century Chinese work. It is rare to find antique silk from this period in good condition. On the reverse a label bearing the numbers of a collection.Some Beijin ...

Chinese Eastern Wei - Northern Qi Dynasty Painted Pottery Horse & Rider with Oxford TL Test

This attractive pottery model of a cloaked and hooded rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents.

It has been made from a fine-grained grey pottery that has been "cold painted" in a cr...

Chinese Tang Dynasty Painted Pottery Saddled Horse with Oxford TL Test

This pottery model of a saddled horse was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a reddish pottery. The horse stands alert with its head head up and turned slightly to its left. The surface has been "cold painted" in a reddish-brown pigment with details picked out in red, black and white pigments.

Height 28 cm. It is in good condition with any possible repairs having been per...

Chinese Tang Dynasty Painted Pottery Saddled Horse

This pottery model of a saddled horse was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a reddish pottery. The horse stands alert with its head head up. The surface has been "cold painted" in a reddish-brown pigment with details picked out in red, black and white pigments.

Height 28 cm. It is in good condition with any possible repairs having been performed to a professional standard.

This horse is...

Rare Chinese Neolithic Banpo Cord-Impressed Pottery Amphora (Published)

This rather archaic looking pottery amphora was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. It is particularly heavily-potted and that has, no doubt, contributed greatly to its survival in almost perfect condition. It has two sturdy loop handles on opposing sides at the waist with the middle section of the body having been decorated with re...

Fine Large Chinese Western Han Dynasty Painted Pottery Kneeling Figure (206 BC - AD 8).

This rare pottery figure of a kneeling servant or attendant was made during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery that is unusually highly-fired, having an almost "metallic" ring to it when tapped. It has been "cold painted" in a base coat of white pigment on top of which have been painted pink, red and black pigments with, remarkably, almost all of the original pigment s...

Late Edo Period (1603-1868) Ko Takatori small Chawan decorated with a single plum blossoming branch, with box signed by 8th gen. Yabunouchi tea ceremony school Grandmaster Shinshinsai Chikuho Jochi (1792-1869).

Shinshinsai Chikuho Jochi (1792-1869) lived during the time of Meiji restoration which deprived Japan of many features of a sovereign nation and costed millions of lives. He devoted himself to protecting the school's traditions, examining the inheritance books and establishing ...

An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery. Mishima originally ref...

This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains and one very small hole, but is in very good condition. Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)

A lovely lavender-tinged gray vase swept with brush strokes like fleeting snow in the Utsutsukawa-yaki tradition by Yoshioka Gagyu enclosed in the original singed wooden box titled Shirasagi Hanaire (White Egret Vase). Two birds stand against the cold on a long barren branch tinged with silver. Truly exquisite. The vase is 19.5 cm (just less than 8 inches) tall and in excellent condition.
Gagyu’s first exhibited piece at the age of 20 in 1955 took the governors prize at the Nagasaki ...

PAIR OF MALE AND FEMALE PHOENIX RICE CAKE MOLDS

Traditional Korean wood carving rice cake molds with geometrical patterns, late 20th century, 10 x 8 x H 11cm (3.93 x 3.14 x 4.33in), 8 x 7 x H 10.7cm (3.14 x 2.75 x 4.21in). Massive weight. Some expected stains, scratches, and cracks due to aging as is.


selected by kikue




* Please understand that EMS shipping fee is additionally charged, and also confirm our...

Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing. Neck covered in cream-colored glaze, inside brown speckled glaze, all typical for Mashiko.

Mingei

Mashiko ...

Rare Chinese Neolithic Three-Handled Jar - Qijia Culture

This very rare pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes as well as a variety of finer vessels such as this, with none, one, two or three handles, although those with three handles are extremely rare. It is relatively highly-...