Saito Hodo (aka Nishimura Hodo)
Street After Rain (雨後の街)
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times ...

Rare Large Chinese Ming Dynasty Swatow Porcelain Incised Celadon Dish - Flying Horses

This large and rare porcelain dish, of the type known as "Swatow" ware, was made during the Wanli reign (1573 - 1620) of the Ming Dynasty at the Zhangzhou kilns in Fujian province where many such wares were made for export around South-east Asia. More specifically, this dish was very likely produced at one of the kilns in Pinghe County, possibly at Wuzhai village where very similar incised celadon dishes ar...

Rare Chinese Song / Yuan Dynasty Glazed Stoneware Censer

This stoneware censer was made during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" with both inner and outer surfaces coated in a crackled transparent olive-green glaze reminiscent of yue ware, apart from the sturdy foot that remains unglazed. To the inside centre there is kiln grit embedded within the glaze. On opposing sides at the shoulder are two small loop handles. <...

Fine Chinese Song Dynasty Glazed Stoneware Jar (Dragon Chasing Pearl)

This interesting stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with deep ridges to the body and the applied decoration around the shoulder featuring a dragon chasing a pearl. The story of the dragon's pearl is one of the oldest tales in Chinese folklore. In addition to the dragon and pearl are five small appliqués. It is coated in a yellowish-brown glaze. The colour of the gla...

New Reference Book: Classical Chinese Furniture – Marcus Flacks

Unlike other Asian cultures of the 17th and 18th centuries, the Chinese did not sit on the floor. The simple fact that the Manchu invaders imported highly flexible furniture from their yurts influenced the development of Chinese design and decorative arts. Within a few years of the Manchu invasion, Chinese craftsmen combined their highly refined design aesthetic with extraordinary exotic woods, veneers, and lacquer to create s...

Chinese Song Dynasty Qingbai Porcelain Twin Fish Dish (Ex. Lammers Collection)

This dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 – 1279). It has a moulded decoration featuring, in its centre, two fish swimming amongst waves. The two fish are an emblem of harmony and a happy marriage. The bowl is coated in a pale greenish Qingbai type of glaze. The rim remains unglazed, allowing the bowl to be placed in a firing ring in the kiln as part of a stack of similar bow...

Large Chinese Ming Dynasty Stoneware Jar with Spout

This unusual jar was made during the Ming Dynasty (1368 - 1644). Apart from the short spout at the shoulder, it is a conventionally-shaped storage jar. The outer surface and inner mouth are coated in a black glaze. The glaze falls just short of the bottom of the jar leaving the concave base unglazed. Likewise, the inner surface also remains unglazed.

This is quite large jar with a height of 22.25cm, diameter 20.5 cm. The upper part of t...

Rare Chinese Northern Wei Dynasty Glazed Pottery Stove (AD 386 - 534)

This very rare pottery model of a stove was made during the early Northern Wei Dynasty (AD 386 - 534). It is "heavily-potted" and made from a reddish pottery that is highly-fired and coated with a dark amber glaze that has been applied unevenly and has degraded in places. To the top of the stove are various items of kitchen ware, although they are indistinct as the moulding is not very crisp and the glaze is quite thick i...

A wonderful pair of decorative pottery figures of House Attendants, dating to Ming Dynasty, 1368-1644.

Male house attendants, dressed in blue and torqouis glazed robes. One is carrying a box on a scarf in front of his chest, the other a tray with food. They are placed on square plints, and both wear a black hat with pigmented colors.

Height: c. 27,5 & 30 cm.

Condition: A choice pair of pottery figures with wear for age and type - the head on the larger figure has...

Thai 14th - 15th Century Sawankhalok Celadon Bowl (19.75cm)

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is quite "heavily-potted" and coated in a finely-crackled translucent celadon glaze. The inner surface has been decorated with incised parallel bands and vertical lines. The unglazed lower part of the underside has fired to a reddish-brown.

Quite a large bowl with a diameter of 19.75 cm. It is in overall good condition with no restoration o...

Thai 14th - 15th Century Sawankhalok Celadon Bowl (20cm)

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is quite "heavily-potted" and coated in a finely-crackled translucent olive-green celadon glaze. The inner surface has been elaborately decorated with incised parallel bands and vertical lines, with surface decoration also to the flared rim.. The base remains unglazed revealing the pale grey stoneware body.

Quite a large bowl with a diameter o...

Thai 14th - 15th Century Underglazed Footed Stoneware Box

This footed round stoneware box was made during the 14th - 15th century at the Sawankhalok kilns. It is decorated with scrolling and geometric patterns in underglaze iron-brown with a clear blueish and finely-crackled glaze. The inner surface of the box is coated with same clear blueish glaze.

This is a large example of its type with a diameter of 13 cm. Overall condition is very good with no repair or restoration, although there ...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). It is coated inside and out in a pale Qingbai type of glaze that is very finely-crackled. The colour of the glaze varies a little, appearing slightly paler to the cover and inner surface of the jar. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary.

Height 9 cm. It is in g...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). This jar is a little more "heavily-potted" that other similar examples. It is coated inside and out in a pale greenish Qingbai glaze. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary. Part of the edge of the cover has escaped the glaze and the unglazed part has fired to a reddi...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). This jar has quite a wide body and is unusually "heavily-potted" for its type. It is coated inside and out in a pale green Qingbai glaze that is very finely-crackled. The colour of the glaze varies a little, especially to the cover where it is a little paler. The cover has a carved pattern to give it the appearance of a tiled roof...

The chawan is adorned with a delicately applied ash glaze, exhibiting a graceful transition from a deeper hue to a lighter shade on the bowl's sides. The rounded, harmonious form is undeniably captivating, a testament to a contemporary aesthetic sensibility.

Size:
Height: 7.1cm
Width: 12.7cm


Supplied with signed wooden box, stamped cloth, and leaflet.

About Ueda Naokata V:
Birth: Born in Shigaraki in 1928.
Education: Completed studies ...

Rare antique Ko Iga Mizusashi made in the late Edo or Early Meiji period (19c)

Size
Height 16.5cm
Width 18.5cm
Weight 1450g


Condition
Very good considering the age.
There are minor chips on mouth.
It comes with the second wooden lid and old wooden box of the period.

A spending antique Chinese Kwan Yin sculpture made in the late Ming Dynasty. Kwan Yin or Guanyin and Avalokiteshvara is the Bodhisattva of compassion. Here she stands samabhanga on a simple base with robes flowing and clinging naturally over and to her long, slender body. Her feet peek from beneath her robes.

Her hands are held with her thumb and middle finger touching in the vitarka mudra of teaching. Her hair is piled high on her head. Her gaze serene and slightly downcast.

...